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| Keith Vaughan Gardens at Night 1951 oil on panel Pallant House Gallery, Chichester |
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| Keith Vaughan Landscape with a Green Church 1951 oil on panel Hatton Gallery, Newcastle-upon-Tyne |
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| Keith Vaughan Coast above Berwick I 1952 oil on panel Manchester Art Gallery |
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| Keith Vaughan Demolished Houses in St John's Wood, No. 2 1953 gouache on paper Tate Gallery |
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| Keith Vaughan Landscape 1953 oil on panel Whitworth Art Gallery, University of Manchester |
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| Keith Vaughan Berkshire Landscape ca. 1953 oil on canvas Kirklees Museums and Galleries, Huddersfield (Yorkshire) |
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| Keith Vaughan Landscape in Belsize Park, London 1954 oil on canvas Museums Sheffield (Yorkshire) |
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| Keith Vaughan Village in Ireland 1954 oil on panel Government Art Collection, London |
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| Keith Vaughan Black Rocks and Beach Huts, Whitby Bay 1955 oil on panel Pallant House Gallery, Chichester |
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| Keith Vaughan Untitled 1955 oil on canvas Norfolk Museums (England) |
In a landscape of having to repeat.
Noticing that she does, that he does and so on.
The underlying cause is as absent as rain.
Yet one remembers rain even in its absence and an attendant quiet.
If illusion descends or the very word you've been looking for.
He remembers looking at the photograph,
green and grey squares, undefined.
How perfectly ordinary someone says looking at the same thing, or
I'd like to get to the bottom of that one.
When it is raining it is raining for all time and then it isn't
and when she looked at him, as he remembers it, the landscape moved closer
than ever and she did and now he can hardly remember what it was like.
– Martha Ronk (2004)
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| Keith Vaughan Vertical Tree Forms 1956 oil on canvas New Walk Museum and Art Gallery, Leicester |
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| Keith Vaughan Farm in Berkshire 1956 oil on panel Phillips Collection, Washington DC |
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| Keith Vaughan Farm in Berkshire 1957 oil on canvas Girton College, University of Cambridge |
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| Keith Vaughan Road through a Village 1957 oil on panel Fitzwilliam Museum, Cambridge |
