Showing posts with label alabaster. Show all posts
Showing posts with label alabaster. Show all posts

Monday, November 11, 2019

Seicento Scene-Making

Paolo Piazza
The Annunciation
1602
oil on alabaster
Kunsthistorisches Museum, Vienna

Sébastien Bourdon
Christ receiving the Children
ca. 1655
oil on canvas
Art Institute of Chicago

Ludovico Carracci
Vision of St Francis of Assisi
ca. 1602
oil on copper
Art Institute of Chicago

Guercino
Return of the Prodigal Son
1619
oil on canvas
Kunsthistorisches Museum, Vienna

Luca Giordano
Abduction of the Sabine Women
ca. 1675-80
oil on canvas
Art Institute of Chicago

Interdiction

Aπαγορευω.

It is said that we can no longer use the old words.

Either, they carry in their script the imprint of our inhumanity: the memory of the naked bodies burned as the classical strains played;

Or, contain their own blueprint of destruction: the way a seed harbors in its cells its final, latent corruption.

We have become afraid of them, the old words, as if we could escape punishment if, for once and for all, they were forbidden utterance in the public squares.

As if we could walk out to where the river joins the deep, where the tides plow and reap the untouchable air. There beyond boundaries, voices.

Yet even where silence and the river Styx merge, there are gestures which must be transcribed.

And I have listened to your voice at sundown, breaking with grief, undone by the bludgeoning tool of the eternal sorrows.

The way that Priam grieved, in the old words, the broken body of his son.

And heads are still brought openly to the market place as if in triumph.

The old words have blood on them.

But here, under the blackened sun, there are things, in the trammeled, the ruined, the old words, which must still be said.

– Ellen Hinsey (2002)

Lorenzo Garbieri
Christ crowned with Thorns
before 1654
oil on canvas
Minneapolis Institute of Art

Anonymous Artist working in Italy
Adam accepting the Apple from Eve
17th century
oil on paper
Minneapolis Institute of Art

Anonymous Artist working in Italy
Adam and Eve expelled from the Garden of Eden
17th century
oil on paper
Minneapolis Institute of Art

Giuseppe Maria Crespi
Wedding at Cana
ca. 1686
oil on canvas
Art Institute of Chicago

Anonymous Italian Artist after Titian
Allegory of Venus and Cupid
ca. 1600
oil on canvas
Art Institute of Chicago

Pedro de Orrente
St John the Evangelist on Patmos
ca. 1620
oil on canvas
Museo del Prado, Madrid

Raffaello Vanni
St Catherine receiving the Stigmata
1655
oil on canvas
Chiesa di Santa Caterina d'Alessandria, Pisa

Raffaello Vanni
St Catherine receiving the Stigmata (detail)
1655
oil on canvas
Chiesa di Santa Caterina d'Alessandria, Pisa

Anton Mozart
Israelites crossing the Red Sea
before 1625
oil on alabaster
Kunsthistorisches Museum, Vienna

Saturday, November 9, 2019

European Sixteenth-Century Quality - V

follower of Luca Cambiaso
Apollo and Marsyas
ca. 1545
drawing
Minneapolis Institute of Art

follower of Luca Cambiaso
Judith with the Head of Holofernes
ca. 1550-60
drawing
Art Institute of Chicago

workshop of Paolo Veronese
St Jerome in the Wilderness
ca. 1585-90
oil on canvas
Art Institute of Chicago

Domenico Vito after an engraving by Pierre Milan
after Francesco Primaticcio's fresco at Fontainebleau
Jupiter and Callisto
ca. 1560-70
engraving
Art Institute of Chicago

Hans von Aachen
Expulsion from Paradise
late 16th century
oil on alabaster
Kunsthistorisches Museum, Vienna

Update on the Last Judgment

There will be no deafening noise. No hornblow of thunder.

The small plants of the earth will not tremble on the hillside as grace is prepared.

The sky will neither drown us in its plenty, nor the ground crack and consume feet in its hunger.

No, bodies will not, in their last rags of flesh, creep from under the earth, and with breath once torn from them, choke and expel the old mud of the world.

Adam and Eve, incredulous, will not embrace again in their poverty, not knowing whether to shield themselves, or to emerge shameless from the past's shadow, astonished to again greet Terra Firma.

The book of the world, encrusted with deep-sea pearls and the blood of the lamb, will not open up its pages in which all deeds have been inscribed.

And the totality of history will not roll back together, all events fusing, once and for all, into the great blazing sphere of time.

None will sit on the right hand. There will be no right hand.

And the figure of sorrow and grace, with his staff upright, its purple pennant caught in that final wind, will not be there to greet us, with the mercy of justice in his eyes.

No, never judgment. Just the abyss into which all acts are thrown down, and the terrible white silence in which judgment either endures or burns.

– Ellen Hinsey (2002)

attributed to Giorgio Vasari
Sacrifice of Cain and Abel, with God the Father above
ca. 1554-55
drawing
Art Institute of Chicago

Alessandro Allori
Three Anatomical Studies of a Hand
late 16th century
drawing
Musée du Louvre

Jerome Wierix after Martin de Vos
St Michael triumphing over Satan
1584
engraving
Art Institute of Chicago

Bernardino Zenale
Madonna adoring the Child, with Musical Angels
ca. 1502
oil on panel
Getty Museum, Los Angeles

Federico Zuccaro
Rest on the Flight into Egypt
ca. 1585-88
drawing
Minneapolis Institute of Art

Federico Zuccaro
Coronation of the Virgin, with the Martyrdom of St Lawrence
ca. 1570
drawing
Art Institute of Chicago

Jacopo Zucchi and workshop
Design for Wall Decoration
ca. 1570-80
drawing
Minneapolis Institute of Art

Jacopo Zucchi
Putti with Impresa of Pope Leo X
ca. 1585-87
drawing
Minneapolis Institute of Art

Girolamo Savoldo
The Transfiguration
ca. 1535
oil on canvas
Galleria degli Uffizi, Florence

Thursday, October 10, 2019

Ancient Egyptian, Greek and Modern Curiosities (Vienna)

Ancient Egypt
Standing Figure of the Court Official Snofru-nefer
2400 BC
limestone statue (half life-size)
Kunsthistorisches Museum, Vienna

Ancient Egypt
Stele
1850 BC
incised and painted limestone
Kunsthistorisches Museum, Vienna

Ancient Egypt
Triad of Memphis
(Ptah, Sachmet and Nefertem)
640-610 BC
faience
Kunsthistorisches Museum, Vienna

Roman Egypt
Sarcophagus Fragment
AD 130-150
painted stucco and glass
Kunsthistorisches Museum, Vienna

Roman Egypt
Mummy Portrait of a Woman
AD 161-192
encaustic on wood
Kunsthistorisches Museum, Vienna

Ancient Greek Culture on Cyprus
Votive Statue of a Man
550-525 BC
limestone
Kunsthistorisches Museum, Vienna

Ancient Greek Culture in South Italy
Hydria
(Return of Hephaestus to Olympus)
525 BC
painted terracotta
Kunsthistorisches Museum, Vienna

Hephaestus Alone

His heart is like a boat that sets forth alone
on the ocean and goes far out from him,
as Aphrodite proceeds on her pleasure journeys.
He pours the gold down the runnels
into a great mystery under the sand.
When he pulls it up by the feet
and knocks off the scale, it is a god.
What is it she finds with those men
that equals this dark birthing? The deities
remain invisible in their pretty gardens
of grass and violets, of daffodils and jasmine.
Even his wife lives like that. Going on yachts,
speaking to the captains in the familiar.
Let them have it, the noons and rain and joy.
He makes a world here out of frog songs
and packed earth. He made his wife
so she contains the green-fleshed
melons of Lindos, thalo blue of the sea,
and one ripe peach at five in the morning.
He fashioned her by the rules, with love,
made her with rage and disillusion.

– Linda Gregg (1942-2019)

Ancient Greece
Signet Ring
(Aphrodite and Eros)
4th-3rd century BC
gold
Kunsthistorisches Museum, Vienna

Ancient Greece
Grave Stele of Parmeniskos 
200 BC (Hellenistic)
limestone
Kunsthistorisches Museum, Vienna

Ancient Greece
Head of Serapis
2nd century BC (Hellenistic)
sard intaglio
Kunsthistorisches Museum, Vienna

Anonymous European Maker
Head of Young Hercules
18th century
carnelian intaglio
Kunsthistorisches Museum, Vienna

Anonymous European Maker
Apollo Kitharoedus
ca. 1700-1750
sard intaglio
Kunsthistorisches Museum, Vienna

Anonymous European Maker
Specimen mounted to resemble Trees
16th century
coral
Kunsthistorisches Museum, Vienna

Anonymous Italian Maker
Adoration of the Shepherds
ca. 1650
oil on alabaster in gold and silver frame
Kunsthistorisches Museum, Vienna

Tuesday, October 8, 2019

Figurines in Alabaster, Ivory, Bronze, Marble (Vienna)

Jerôme Duquesnoy the Younger
Pietà
ca. 1645
alabaster statuette
 Kunsthistorisches Museum, Vienna

Jakob Auer
Apollo and Daphne
ca. 1688
ivory statuette
Kunsthistorisches Museum, Vienna

Monogrammist PB
Risen Christ
1625
ivory statuette
Kunsthistorisches Museum, Vienna

Balthasar Griessmann
Hercules and the Nemean Lion
ca. 1670-75
ivory statuette
Kunsthistorisches Museum, Vienna

from Marriage

She says, "This butterfly,
this waterfly, this nomad
that has 'proposed
to settle on my hand for life' –
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists who are fools."
He says, "You know so many fools
who are not artists."
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough –
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them –
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?

– Marianne Moore (1923)

Anonymous Sculptor working in Germany
Neptune
ca. 1625-50
ivory statuette
Kunsthistorisches Museum, Vienna

Justus Glesker after Michelangelo
Risen Christ
(copy of the marble statue in Rome,
Basilica di Santa Maria sopra Minerva)
ca. 1635-40
ivory statuette
Kunsthistorisches Museum, Vienna

Niccolò Roccatagliata
Triton
ca. 1600-1625
bronze statuette
Kunsthistorisches Museum, Vienna

Leone Leoni
Bound Barbarian
ca. 1550-60
bronze statuette
Kunsthistorisches Museum, Vienna

Peter Flötner
Putto
ca. 1530-35
bronze statuette
Kunsthistorisches Museum, Vienna

Adriano Fiorentino
Satyr
ca. 1486
bronze statuette
Kunsthistorisches Museum, Vienna

Laurent Delvaux
St Teresa of Avila
1765
marble statuette
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Italy
Horse Head
16th century
marble ornament
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Italy
Torso of Hercules
ca. 1550-1600
marble statuette
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Italy
Medici Venus
(copy of marble statue in Florence,
Gallerie degli Uffizi)
17th century
marble statuette
Kunsthistorisches Museum, Vienna