Showing posts with label families. Show all posts
Showing posts with label families. Show all posts

Saturday, June 1, 2019

Giulio Campi (ca. 1507-1573) & Heirs & Dependents

Giulio Campi
Virgin and Child with St Catherine of Alexandria, St Francis,
and the donor, Stampa Soncino

1530
oil on panel
Pinacoteca di Brera, Milan

Giulio Campi
Portrait of a Man
before 1573
oil on canvas
Hermitage, Saint Petersburg

"In Cremona the history of painting in the second half of the Cinquecento is in the main a family affair, an account of the heirs and dependents of the old, enduring Giulio Campi (ca. 1507-1573).  As earlier, the city was a natural point of confluence of Emilian and Lombard elements of style, and these external pressures seem to have increased after the middle of the century: it is thanks to the different responses that these pressures provoked among Giulio's successors that they display, despite their common heritage, a remarkable diversity of style.  . . .  Antonio Campi (ca. 1522-1587), Giulio's much younger brother, was the most various of the younger Campi in his ways of dealing with these pressures and also the most original.  . . .  His example in this only moderately conditioned Bernardino Campi (1521-1591, a distant relative at best), a gentler personality, less inquiring as well as less inventive than Antonio.  . . .  Vincenzo Campi (ca. 1530-1591), Antonio's younger brother, took the contrary tack and achieved his main fame as an early painter of still life cum genre, inspired by North European sources.  In addition to their long activity in Cremona, all the Campi worked extensively in Milan itself, Bernardino in particular.  Despite the conditioning of their style by the atmosphere of Milan, their art, especially in its Maniera aspects, helped lighten the ponderous complexion the school of Milan bore at this time."

– S.J. Freedberg from Painting in Italy - 1500 to 1600 in the Pelican History of Art series (London, 1971)

Antonio Campi
The Sacred Mysteries of the Passion of Christ
1569
oil on canvas
Musée du Louvre

Antonio Campi
St Sebastian
1575
oil on canvas
Pinacoteca del Castello Sforzesco, Milan

Antonio Campi
Martyrdom of St Lawrence
1581
oil on canvas
Chiesa di San Paolo Converso, Milan

Antonio Campi
St Jerome
ca. 1566
oil on panel, transferred to canvas
Museo del Prado, Madrid

Bernardino Campi
Pietà
with St Catherine of Alexandria, the Prophets Elijah and Elisha,
and the donor, Gabriele Pizzamiglio di Quinziano

1574
oil on canvas
Pinacoteca di Brera, Milan

Bernardino Campi
Mary Magdalene
before 1591
oil on canvas
Art Gallery of New South Wales, Sydney

Bernardino Campi
Portrait of a Woman
ca. 1565-70
oil on canvas
Metropolitan Museum of Art, New York

Vincenzo Campi
St Francis receiving the Stigmata
ca. 1580-90
oil on canvas
Pinacoteca di Brera, Milan

Vincenzo Campi
Christ nailed to the Cross
1571
oil on canvas
Museo del Prado, Madrid

Vincenzo Campi
Lamentation
before 1591
oil on canvas
Palazzo Ala Ponzone, Cremona

Vincenzo Campi
Mysteries of the Rosary - Road to Calvary
ca. 1576-81
oil on panel
Chiesa Collegiata di San Bartolomeo, Busseto

Vincenzo Campi
Mysteries of the Rosary - Resurrection
ca. 1576-81
oil on panel
Chiesa Collegiata di San Bartolomeo, Busseto

Sunday, April 21, 2019

Matteo Bonechi (1669-1756) - Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

"Giovanni Camillo Sagrestani, a scholar of Giusti, was esteemed at Florence, even during the lifetime of Gabbiani and Gherardini.  To study different masters, he visited the best schools of Italy, and for some time attended the school of Cavaliere Cignani, whose manner he copied rather than emulated.  One of his Holy Families is in the Madonna de' Ricci, the beauty of which has more of an ideal cast, and the colouring is more florid, than is usual with his contemporaries of this school.  One of the first judges in Florence assured me that this painting was the work of Sagrestani, although others ascribe it to his scholar, Matteo Bonechi.  Bonechi had excellent parts, but not an equal knowledge of the art, in which he is reported to have been instructed by a species of dictation; for he practiced under the eye, and was directed by the voice of his master.  He thus became one of those practical artists who make up for the poverty of their design by their spirit and their colouring.  There are some of his pictures that in any collection would be particularly calculated to attract the eye."

– from The History of Painting in Italy by Luigi Lanzi, translated by Thomas Roscoe (London: Simpkin & Marshall, 1828)

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Matteo Bonechi
Apotheosis of the Guicciardini Family (detail)
ca. 1720
ceiling fresco
Palazzo Valori-Altoviti, Florence

Monday, January 21, 2019

Paintings Collected by Queen Elizabeth II (part one)

Anonymous painter working in England
Henry, Prince of Wales
ca. 1604
oil on panel
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

attributed to Jacob van Doort
Charles I when Prince of Wales
1624
oil on canvas
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

Anonymous painter working in England
Portrait of a Girl
ca. 1625-35
oil on canvas
(bequeathed to Queen Elizabeth II)
Royal Collection, Great Britain

Daniel Mytens
Charles I
1628
oil on canvas
(bequeathed to Queen Elizabeth II)
Royal Collection, Great Britain

Gerrit van Honthorst
The Four Eldest Children of the King and Queen of Bohemia
1631
oil on canvas
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

William Dobson
Charles II when Prince of Wales
1644
oil on canvas
(bequeathed to Queen Elizabeth II)
Royal Collection, Great Britain

Gerrit van Honthorst
Princess Sophia, Duchess of Brunswick-Lüneburg, Electress of Hanover
1648
oil on panel
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

Goddard Dunning
Charles I 
1649
oil on canvas
(bequeathed to Queen Elizabeth II)
Royal Collection, Great Britain

attributed to Charles Wautier
James II when Duke of York (in exile)
ca. 1656-60
oil on canvas
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

Godfrey Kneller
Queen Anne (profile for coinage)
ca. 1702-1704
oil on canvas
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

attributed to Adriaen van Diest
Buckingham House
ca/ 1703-1710
oil on canvas
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

William Hogarth
The Family of George II 
ca. 1731-32
oil on canvas (sketch)
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

Jacopo Amigoni
Anne, Princess Royal and Princess of Orange
ca. 1734
oil on canvas
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

Louis Gabriel Blanchet
Prince Henry Benedict Stuart, later Cardinal York
ca. 1739
oil on canvas
(purchased by Queen Elizabeth II)
Royal Collection, Great Britain

Paintings Collected by George VI and Consort (Elizabeth)

workshop of Daniel Mytens
Charles I
1630
oil on canvas
(purchased by Queen Elizabeth, Consort of George VI)
Royal Collection, Great Britain

Edward Bower
Charles I at his Trial
1648
oil on canvas
(purchased by Queen Elizabeth, Consort of George VI)
Royal Collection, Great Britain

Leonard Knyff
View of Hampton Court
ca. 1702-1714
oil on canvas
(purchased by George VI)
Royal Collection, Great Britain

Godfrey Kneller
Henry Wise (garden designer)
ca. 1715
oil on canvas
(purchased by George VI)
Royal Collection, Great Britain

Sebastiano Ricci after Paolo Veronese
The Magdalen anointing Christ's feet
ca. 1720-30
oil on canvas (preparatory sketch)
(purchased by George VI)
Royal Collection, Great Britain

Canaletto
Rome - Ruins of the Forum looking towards the Capitol
ca. 1740-46
oil on canvas
(bequeathed to George VI)
Royal Collection, Great Britain

Canaletto
Rome - Temple of Antoninus and Faustina
ca. 1740-46
oil on canvas
(bequeathed to George VI)
Royal Collection, Great Britain

follower of Samuel Scott
St James's Palace
ca. 1740-55
oil on canvas
(purchased by George VI)
Royal Collection, Great Britain

Thomas Frye
Frederick, Prince of Wales
ca. 1741
oil on canvas
(acquired by George VI, erroneously attributed to Allan Ramsay)
Royal Collection, Great Britain

George Hayter
State Portrait of Queen Victoria
ca. 1840
oil on canvas (unfinished copy)
(purchased by Queen Elizabeth, Consort of George VI)
Royal Collection, Great Britain

William Powell Frith
The Railway Station
ca. 1862
oil on canvas (reduced copy)
(presented to George VI)
Royal Collection, Great Britain

Gerald Festus Kelly
State Portrait of Queen Elizabeth, Consort of George VI
1938-45
oil on canvas
(commissioned by George VI)
Royal Collection, Great Britain

Gerald Festus Kelly
State Portrait of George VI
1938-45
oil on canvas
(commissioned by George VI)
Royal Collection, Great Britain

Frank O. Salisbury
Coronation of King George VI
1938
oil on canvas
(presented to George VI)
Royal Collection, Great Britain