Showing posts with label green. Show all posts
Showing posts with label green. Show all posts

Wednesday, October 30, 2019

Drapery Explorations by Artists - Renaissance to the Present

Daniele da Volterra
Drapery Studies
ca. 1530-35
drawing
Minneapolis Institute of Art

Ferraù Fenzoni
Drapery Study - Seated Youth
ca. 1590-1600
drawing
Minneapolis Institute of Art

Domenico Fetti
Study of Drapery
before 1624
drawing
Minneapolis Institute of Art

The Guinea Pig and the Green Balloon

I approached the luminous stranger who came to me
from darkness in a gown of lettuce leaves, in a velvet

cloak of green that appeared at first another piece of dark,
but pulled apart into the glow-sphere that danced

in swaying steps, the lucent majesty that slipped toward me
from the reigning silence black above my cage.

Oh extravagant – and were my teeth too sharp to greet
or sharp enough?  I do not understand now what was meant

to happen and what was a mistake – but know the bursting,
the sickening snap of ecstasy wrenched back to the body

and the green gown flung in crippled circles traced
like diagrams of wasting moons above my head – or portals

to another world, I thought, but as I thought, the shriek
dissolved, the body crumpled from the air and landed

on its side beneath the salt lick. All night I tended
the wasted skin and careful, brought it water,

alfalfa, made a bed of cedar chips and tried to gather
molecules of breath that floated from the plant shelf.

When I remembered morning, I began to cry, began to pray
for night to stay until the green took shape again

and if that shape were gone, I prayed for night
to stay, to be held in the same forever-dark

in which I first looked up and saw the gentle body,
and saw the graceful swaying of the stranger coming

as if for me – now I do not know – but then,
as if for me, and all my loneliness gone.

– Oni Buchanan (2003)

Jan de Bisschop
Standing Draped Man
before 1671
drawing
Minneapolis Institute of Art

Adriaen van de Velde
Standing Male Figure - Drapery Study
before 1672
drawing
Minneapolis Institute of Art

A.J. Defehrt
Dessein - Draped Figures
(illustration page from Diderot's Encyclopédie)
ca. 1762-77
etching with engraving
Art Institute of Chicago

attributed to François Boucher
Draped Woman, Half-Length
before 1770
drawing
Art Institute of Chicago

Albert Joseph Moore
Study for A Garden
ca, 1869
drawing
Art Institute of Chicago

Elliott & Fry
Portrait of Miss Constance MacDonald Gilchrist
1877
albumen print - cabinet card
Art Institute of Chicago

Edward Burne-Jones
Draped Male Figure
ca. 1888-91
drawing
Art Institute of Chicago

Yousuf Karsh
Ruth Draper
1936
gelatin silver print
Art Institute of Chicago

Henry Moore
Group of Draped Standing Figures
1942
drawing
Art Institute of Chicago

James Welling
Green Drapes 1
2000
C-print
Art Institute of Chicago

James Welling
Green Drapes 2 
2000
C-print
Art Institute of Chicago

James Welling
Green Drapes 3
2000
C-print
Art Institute of Chicago

Wednesday, September 14, 2016

Santo Loquasto Designs on Screen and Stage


The ballet and opera designer Santo Loquasto was production designer for Woody Allen's 1992 film, Husbands and Wives, set in Manhattan. The dark-green wooden benches (above) in Central Park were made to serve Loquasto's palette of bruised, early-nineties colors. Juliette Lewis wore oversized woolen blazers and hugged them around herself like blankets. Woody Allen was consumed by his greatcoat.








Wine-stained reds combined with earthy greens (forest, arsenic, mud)  that one dissonant and singular combination dominated almost every frame. However, the colors suddenly turned hot for an instant (below) when Mia Farrow discovered the love interest that would allow her to escape from one boring marriage and start another. This was the actress's thirteenth and final film with Woody Allen. The scandal that caused their real-life split became public shortly before Husbands and Wives appeared in theaters.


Below, a few of Santo Loquasto's theater designs, for comparison.








Sunday, August 28, 2016

French Landscapes at the Metropolitan Museum

Théodore Géricault
Evening Landscape with Aqueduct
1818
oil on canvas
Metropolitan Museum of Art

Théodore Caruelle d'Aligny
Edge of a Wood
ca. 1850
oil on canvas
Metropolitan Museum of Art

Regarding the lofty mission of the public art museum, Edmond de Goncourt wrote a note that was printed after his death in 1896. The following text appeared at the head of the sale catalog when the collections built up throughout his lifetime were dispersed 

"My wish is that my drawings, my prints, my curios, my books, the things that have been the happiness of my life, not suffer the cold tomb of the museum and the stupid gaze of the indifferent passerby: I ask that they all be dispersed under the auctioneer's hammer and that the pleasure each one of them afforded me be given again to those who inherit my tastes."

Antoine Félix Boisselier
Gorges of Amalfi
ca. 1811
oil on paper
Metropolitan Museum of Art

Jean Victor Bertin
Classical Landscape with Figures
1803
oil on panel
Metropolitan Museum of Art

 Léon Pallière
View of the Garden at the Villa d'Este
ca. 1814-17
oil on paper
Metropolitan Museum of Art

Alexandre Desgoffe
View of the Roman Campagna
19th century
oil on paper
Metropolitan Museum of Art

Claude Monet
Palm Trees at Bordighera
1884
oil on canvas
Metropolitan Museum of Art

Jean-François Millet
Haystacks : Autumn
1874
oil on canvas
Metropolitan Museum of Art

Anonymous French painter
Landscape
19th century
oil on canvas
Metropolitan Museum of Art

Alfred Sisley
Road from Versailles to Louveciennes
ca. 1879
oil on canvas
Metropolitan Museum of Art

Gustave Courbet
View of Ornans
1850s
oil on canvas
Metropolitan Museum of Art

Camille Pissarro
Poplars, Éragny
1895
oil on canvas
Metropolitan Museum of Art

Auguste Renoir
View of the Seacoast near Wargemont in Normandy
1880
oil on canvas
Metropolitan Museum of Art

Georges Seurat
View of the Seine
1882-83
oil on panel
Metropolitan Museum of Art


Saturday, August 27, 2016

Color Lithographs at the British Museum I

Édouard Vuillard
Intérieur à la suspension
1899
lithograph
British Museum

Édouard Vuillard
Intérieur aux teintures rouges
1899
lithograph
British Museum

Curators at the British Museum explain that these Vuillard interiors are part of the series Paysages et Intérieurs,  " ... a complete album containing twelve lithographs and cover of landscapes and interiors by the artist (Paris: Ambroise Vollard, 1899); printed by Augustus Clot. The album was commissioned from Vuillard by Vollard and published in an edition of 100 at a price of 175 francs.All the lithographs are printed in colour, and this particular set is on China paper. Paysages et Intérieurs is the culmination of Vuillard's partnership with Vollard and his printer Auguste Clot." 

Henri Jules Ferdinand Bellery-Desfontaines
L'Énigme
1898
lithograph
British Museum

Henri de Toulouse-Lautrec
Le Jockey
1899
lithograph
British  Museum

Henri de Toulouse-Lautrec
Le Coiffeur
1893
lithograph
British Museum

Louis Rhead
Jane
1898
lithograph
British Museum

Hippolyte Petitjean
Arcadian Scene
1898
lithograph
British Museum

Odilon Redon
Centaure visant les nues
1895
lithograph
British Museum

Paul Balluriau
Crépuscule
1898
lithograph
British Museum


Anonymous print-maker after Correggio
Leda and the Swan
19th century
lithograph
British Museum

James McNeil Whistler
Nocturne
1878
lithograph
British Museum

Alfred Pierre Agache
Impéria
1899
lithograph
British Museum

Anonymous print-maker
Crown for Queen Adelaide's Coronation
1831
lithograph
British Museum


Vivant Denon
Young woman drawing at a window
early 19th century
lithograph
British Museum

I am grateful to the British Museum for making these images available.