Showing posts with label tradition. Show all posts
Showing posts with label tradition. Show all posts

Saturday, December 14, 2019

Studies of Drapery – Artistic Drawings (1600-1900)

Charles West Cope
Drapery Study
before 1890
drawing
Cooper Hewitt, Smithsonian Design Museum

Charles West Cope
Drapery Study
before 1890
drawing
Cooper Hewitt, Smithsonian Design Museum

Anonymous Italian Artist
Drapery Study
17th century
drawing
Cooper Hewitt, Smithsonian Design Museum

Anonymous Italian Artist
Drapery Study
17th century
drawing
Cooper Hewitt, Smithsonian Design Museum

Elihu Vedder
Drapery Study
ca. 1890
drawing
Cooper Hewitt, Smithsonian Design Museum

Francis Augustus Lathrop
Drapery Study
ca. 1895
drawing
Cooper Hewitt, Smithsonian Design Museum

Anonymous Italian Artist
Drapery Study
17th century
drawing
Cooper Hewitt, Smithsonian Design Museum

Fairy-Land

Dim vales – and shadowy floods –
And cloudy-looking woods,
Whose forms we can't discover
For the tears that drip all over:
Huge moons there wax and wane –
Again – again – again –
Every moment of the night –
Forever changing places –
And they put out the star-light
With the breath from their pale faces.
About twelve by the moon-dial,
One more filmy than the rest
(A kind which, upon trial,
They have found to be the best)
Comes down – still down – and down
With its centre on the crown
Of a mountain's eminence,
While its wide circumference
In easy drapery falls
Over hamlets, over halls,
Wherever they may be –
O'er the strange woods – o'er the sea –
Over spirits on the wing –
Over every drowsy thing –
And buries them up quite
In a labyrinth of light –
And then, how, deep! – O, deep,
Is the passion of their sleep.
In the morning they arise,
And their moony covering
Is soaring in the skies,
With the tempests as they toss,
Like – almost any thing –
Or a yellow Albatross.
They use that moon no more
For the same end, as before,
Videlicet, a tent –
Which I think extravagant:
Its atomies, however,
Into a shower dissever,
Of which those butterflies
Of Earth, who seek the skies,
And so come down again
(Never-contented things!)
Have brought a specimen
Upon their quivering wings.

– Edgar Allan Poe (1831)

Anonymous Italian Artist
Drapery Study
ca. 1675
drawing
Cooper Hewitt, Smithsonian Design Museum

Anonymous Italian Artist
Drapery Study
ca. 1675
drawing
Cooper Hewitt, Smithsonian Design Museum

Anonymous Italian Artist
Drapery Study
ca. 1650-75
drawing
Cooper Hewitt, Smithsonian Design Museum

François Lemoyne
Drapery Study
ca. 1720
drawing
Metropolitan Museum of Art, New York

Kenyon Cox
Drapery Study
ca. 1900
drawing
Cooper Hewitt, Smithsonian Design Museum

Anonymous Italian Artist
Drapery Study of Sleeve
17th century
drawing
Cooper Hewitt, Smithsonian Design Museum

Anonymous Italian Artist
Drapery Study of Sleeve and Studies of Hands
17th century
drawing
Cooper Hewitt, Smithsonian Design Museum

Wednesday, September 4, 2019

Cima da Conegliano (ca. 1459-ca. 1517) - Painted Panels

Cima da Conegliano
Dead Christ with Saints
ca. 1502-1505
oil on panel
Galleria Estense, Modena

Cima da Conegliano
Pietà
ca. 1490-1500
tempera and oil on panel
National Museum, Warsaw

Cima da Conegliano
Dead Christ
(detail from Polyptych of Miglionico)
1499
oil on panel
Chiesa Madre di Santa Maria Maggiore, Miglionico

Cima da Conegliano
Dead Christ
ca. 1499-1501
oil on panel
Birmingham Museum and Art Gallery (West Midlands)

from The Everlasting Gospel

Can that which was of woman born,
In the absence of the Morn,
When the Soul fell into Sleep,
And Archangels round it weep,
Shooting out against the Light
Fibres of a deadly night,
Reasoning upon its own dark Fiction,
In Doubt which is Self Contradiction?
Humility is only doubt,
And does the Sun & Moon blot out,
Rooting over with thorns & stems
The buried Soul & all its gems.
This Life's five Windows of the Soul
Distorts the Heavens from Pole to Pole
And leads you to Believe a Lie
When you see with, not thro' the Eye
That was born in a night, to perish in a night,
When the Soul slept in the beams of Light.

– William Blake (ca. 1818)

Cima da Conegliano
Madonna and Child
with St Anthony Abbot, Female Saint and Donors
ca. 1515
oil on panel
Cleveland Museum of Art (Ohio)

Cima da Conegliano
St Anthony Abbot, Male  Donor and Christ Child
(detail from Madonna and Child)
ca. 1515
oil on panel
Cleveland Museum of Art (Ohio)

Cima da Conegliano
St Mark
ca. 1500
oil on panel
National Gallery, London

Cima da Conegliano
St Sebastian
ca. 1500
oil on panel
National Gallery, London

Cima da Conegliano
St Peter Martyr
with St Nicholas, St Benedict and Angel
1505-1506
oil on panel
Pinacoteca di Brera, Milan

Cima da Conegliano
St Lanfranc enthroned
with St John the Baptist and St Liberius
ca. 1515-16
oil on panel
Fitzwilliam Museum, Cambridge

Cima da Conegliano
David and Jonathan
ca. 1505-1510
oil on panel
National Gallery, London

Cima da Conegliano
St Francis receiving the Stigmata
before 1517
oil on panel
Yorkshire Museum

Cima da Conegliano
Landscape with Dueling Figures
ca. 1510-15
oil on panel
Gemäldegalerie, Berlin

Cima da Conegliano
Tobias and the Archangel Raphael
with St James the Greater and St Nicholas
before 1517
oil on panel
Gallerie dell'Accademia, Venice

Cima da Conegliano (ca. 1459-ca. 1517) - Venetian Color

Cima da Conegliano
Incredulity of Thomas, with Apostles
ca. 1502-1504
oil on panel
National Gallery, London

Cima da Conegliano
Incredulity of Thomas, with St Magnus of Anagni
ca. 1505
oil on panel
Gallerie dell'Accademia, Venice

"Cima developed his style early and maintained it with remarkable consistency throughout his career.  Although Vasari may not be literally correct when he mentions Cima as discepolo of Giovanni Bellini (no documentary evidence exists concerning Cima's training), this description is accurate in the sense that the dominant influence on Cima's style was Bellini's mid-career painting, of the 1470s and 1480s, which responded to the sojourn of Antonello da Messina in Venice.  Cima's works are characterized by compositional harmony; clear, warm colors; and a concern for plasticity and clearly defined spatial arrangement.  Cima, often referred to as a "rustic Bellini," painted figure types that are very close to Bellini's; females tend to be generalized, while males have a specific, portrait-like quality.  Much of his oeuvre does have a certain ingenuousness and sweet simplicity.  But in his finest altarpieces (for example . . . the Incredulity of Thomas, Gallerie dell'Accademia, Venice), monumental, classically conceived figures, striking architectural settings and landscapes, and dynamic and asymmetrical compositions anticipate Venetian art of the sixteenth century.  . . .  Though he experimented with the new secular subject matter, Cima continued to work in a style that remained essentially unchanged from his youth well into the sixteenth-century.  That he continued to receive important commissions reflects the high quality of his work and, perhaps, its appeal to conservative tastes."

– from the artist's biography in the Systematic Catalogue of the National Gallery of Art

Cima da Conegliano
Lion of St Mark
with St John the Baptist, St Mark, Mary Magdalen and St Jerome
ca. 1506-1508
oil on panel
Gallerie dell'Accademia, Venice

Cima da Conegliano
Healing of Ananias by St Mark
ca. 1497-99
tempera on panel
Gemäldegalerie, Berlin

Cima da Conegliano
Christ crowned with Thorns
ca. 1510
oil on panel
National Gallery, London

Cima da Conegliano
Madonna and Child enthroned
with Angels and Saints
ca. 1496-99
tempera and oil on panel
Gallerie dell'Accademia, Venice

Cima da Conegliano
Madonna and Child enthroned
with St John the Baptist and Mary Magdalen
ca. 1511-13
oil on panel
Musée du Louvre

Cima da Conegliano
Madonna and Child enthroned
with Angel and Saints
ca. 1507
oil on panel
Galleria Nazionale di Parma

Cima da Conegliano
Christ among the Doctors
1504
tempera on panel
National Museum, Warsaw

Cima da Conegliano
St Christopher with the Christ Child, and St Peter
(altarpiece fragment)
ca. 1504-1506
oil on panel
private collection

Cima da Conegliano
St Catherine of Alexandria
ca. 1502
oil on panel
Wallace Collection, London

Cima da Conegliano
Polyptych - St John the Baptist with Saints
ca. 1504-1507
oil on panels
Chiesa di San Giovanni Battista, San Fior

Cima da Conegliano
Triptych with St Martin and the Beggar
between St John the Baptist and St Peter
before 1517
oil on panels
Museo Diocesano d'Arte Sacra, Vittorio Veneto

Cima da Conegliano
St Peter enthroned
with Angel, St John the Baptist and St Paul
1515-16
oil on panel
Pinacoteca di Brera, Milan

Tuesday, September 3, 2019

Cima da Conegliano (ca. 1459-ca. 1517) - Favorite Subjects

Cima da Conegliano
St Jerome in the Wilderness
1495
oil on panel
Pinacoteca di Brera, Milan

Cima da Conegliano
St Jerome in the Wilderness
ca. 1495
oil on panel
Museum of Fine Arts, Budapest

Cima da Conegliano
St Jerome in the Wilderness
ca. 1495-1500
oil on panel
Hermitage, Saint Petersburg

Cima da Conegliano
St Jerome in the Wilderness
ca. 1500-1505
oil on panel, transferred to canvas
National Gallery of Art, Washington DC

Cima da Conegliano
St Jerome in the Wilderness
ca. 1500-1510
oil on panel
National Gallery, London

"In addition to altarpieces (mostly of the sacra conversazione type), Cima specialized in half-length Madonnas for private devotion, of which numerous workshop replicas are known.  Almost all of his mature works include idyllic landscape backgrounds that recall the countryside around Conegliano; Cima seems to have made a specialty of such themes – such as Saint Jerome in the Wilderness – that called for extensive landscape settings."

– from the artist's biography in the Systematic Catalogue of the National Gallery of Art

Cima da Conegliano
Madonna and Child
ca. 1496-99
oil on panel
National Gallery, London

Cima da Conegliano
Madonna and Child
ca. 1499-1502
oil on panel
National Gallery, London

Cima da Conegliano
Madonna and Child
ca. 1500
oil on panel
National Museum of Wales, Cardiff

Cima da Conegliano
Madonna and Child
ca. 1500
oil on panel
private collection

Cima da Conegliano
Madonna and Child
1502
oil on panel
Städel Museum, Frankfurt

Cima da Conegliano
Madonna and Child
ca. 1500-1504
oil on panel
Minneapolis Institute of Art

Cima da Conegliano
Madonna and Child
ca. 1504-1507
oil on panel
Musée du Louvre

Cima da Conegliano
Madonna and Child with St Francis and St Clare
1510
oil on panel
Metropolitan Museum of Art, New York

Cima da Conegliano
Madonna and Child with St John the Evangelist and St Nicholas of Bari
ca. 1513-17
oil on canvas
National Gallery, London

Cima da Conegliano
Madonna and Child with St John the Baptist and St Paul
before 1517
oil on panel
Gallerie dell'Accademia, Venice