Showing posts with label wax. Show all posts
Showing posts with label wax. Show all posts

Saturday, October 5, 2019

Relief-Work in Limestone, Bronze and Wax (Vienna)

Galeazzo Mondella (called Moderno)
Apollo
ca. 1512
limestone relief
Kunsthistorisches Museum, Vienna

from Syringa

Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?
All other things must change too.
The seasons are no longer what they once were,
But it is the nature of things to be seen only once,
As they happen along, bumping into other things, getting along
Somehow. That's where Orpheus made his mistake.
Of course Eurydice vanished into the shade;
She would have even if he hadn't turned around.
No use standing there like a gray stone toga as the whole wheel
Of recorded history flashes past, struck dumb, unable to utter an intelligent
Comment on the most thought-provoking element in its train.
Only love stays on the brain, and something these people,
These other ones, call life. Singing accurately
So that the notes mount straight up out of the well of
Dim noon and rival the tiny, sparkling yellow flowers
Growing around the brink of the quarry, encapsulates
The different weights of the things.

– John Ashbery (1977)

Hans Daucher
Annunciation
1518
limestone relief
Kunsthistorisches Museum, Vienna

Peter Flötner
Allegory of Justice
(goldsmith's model)
ca. 1540-46
limestone relief
Kunsthistorisches Museum, Vienna

Georg Schweigger
Susanna and the Elders
1641
limestone relief
Kunsthistorisches Museum, Vienna

Georg Schweigger
St John the Baptist preaching
1645
limestone relief
Kunsthistorisches Museum, Vienna

Georg Schweigger
Annunciation to Zacharias
1645
limestone relief
Kunsthistorisches Museum, Vienna

Leone Leoni
Portrait of Emperor Charles V
ca. 1555
bronze relief
Kunsthistorisches Museum, Vienna

Giambologna
Allegory of Francesco I de' Medici
ca. 1561
bronze relief
Kunsthistorisches Museum, Vienna

Anonymous Artist working in Rome
Portrait of Pope Paul V Borghese
ca. 1640
bronze relief
Kunsthistorisches Museum, Vienna

Anonymous Artist working in Rome
Portrait of Pope Urban VIII Barberini
ca. 1650-1700
bronze relief
Kunsthistorisches Museum, Vienna

Francesco Segala
Leda and the Swan
before 1597
colored wax relief
Kunsthistorisches Museum, Vienna

Francesco Segala
Bust of a Young Knight
before 1597
colored wax relief
Kunsthistorisches Museum, Vienna

Daniel Neuberger
Death of Emperor Ferdinand III as symbolizing Transience
ca. 1660
colored wax relief
Kunsthistorisches Museum, Vienna

Caspar Bernhard Hardy
Artemisia mourning over her Husband's Remains
ca. 1775-1800
colored wax relief
Kunsthistorisches Museum, Vienna

Wednesday, October 2, 2019

Expensively-Produced Objects of Devotion (Vienna)

Anonymous Artist working in Germany
Rosary (ten-bead)
ca. 1500-1525
agate, gold, silver, ivory
Kunsthistorisches Museum, Vienna

Alessandro Masnago
Adoration of the Shepherds
ca. 1600-1620
agate cameo with silver-gilt mount
Kunsthistorisches Museum, Vienna

Alessandro Masnago
Madonna and Child in Clouds
ca. 1590
agate cameo with enameled-gold mount
Kunsthistorisches Museum, Vienna

Alessandro Masnago
Entombment
ca.1600-1620
agate cameo with silver-gilt mount
Kunsthistorisches Museum, Vienna

Alessandro Masnago
Noah's Ark
ca. 1590-1600
agate cameo with enameled-gold mount
Kunsthistorisches Museum, Vienna

A Hymn to Christ, at the Author's Last Going into Germany

In what torn ship soever I embark,
That ship shall be my emblem of thy ark.
What sea soever swallow me, that flood
Shall be to me an emblem of thy blood.
Though thou with clouds of anger do disguise
Thy face, yet through that mask I know those eyes,
   Which, though they turn away sometimes
      They never will despise.

I sacrifice this island unto thee
And all whom I loved there, and who loved me;
When I have put our seas 'twixt them and me,
Put thou thy seas betwixt my sins and thee.
As the tree's sap doth seek the root below
In winter, in my winter now I go
   Where none but thee, th' eternal root
      Of true love I may know.

Nor thou nor thy religion dost control
The amorousness of an harmonious soul,
But thou would'st have that love thyself. As thou
Art jealous, Lord, so I am jealous now.
Thou lov'st not, till from loving more, thou free
My soul. Who ever gives, takes liberty.
   O, if thou car'st not whom I love
      Alas, thou lov'st not me.

Seal then this bill of my divorce to all,
On whom those fainter beams of love did fall.
Marry those loves, which in youth scattered be
On Fame, Wit, Hopes (false mistresses) to thee.
Churches are best for prayer that have least light:
To see God only, I go out of sight,
   And to 'scape stormy days, I choose
      An everlasting night.

– John Donne (1619)

Anonymous Artist working in France
Archangel Michael defeating Lucifer
ca. 1575-1600
onyx cameo with enameled-gold mount
Kunsthistorisches Museum, Vienna

Anonymous Artist working in the Netherlands
Expulsion from Paradise
ca. 1550
onyx cameo with silver-gilt mount
Kunsthistorisches Museum, Vienna

Christoph Angermair
Tempietto with Man of Sorrows
ca. 1613-20
ivory and ebony
Kunsthistorisches Museum, Vienna

Louis Siriès
Crucifix
ca. 1746
lapis lazuli with gold mount
Kunsthistorisches Museum, Vienna

Adriaen de Vries
Christ at the Column
ca. 1613-15
bronze statuette
Kunsthistorisches Museum, Vienna

attributed to Ferdinand Murmann
St Sebastian
ca. 1630
ivory statuette
Kunsthistorisches Museum, Vienna

Hans Christoph Fesenmair the Younger
Clock with St Sebastian
1622-26
ebony, silver, coral, gold, enamel
Kunsthistorisches Museum, Vienna

Hans Krumper
Reliquary of St Valerianus
before 1634
wax figures on ebony and glass casket
ornamented with silver and gold
Kunsthistorisches Museum, Vienna

Hans Krumper
Reliquary of St Tiburtius
before 1634
wax figures on ebony and glass casket
ornamented with silver and gold
Kunsthistorisches Museum, Vienna

Monday, September 30, 2019

Paganism in Relief (Vienna)

Ignaz Elhafen
Diana and her Nymphs
ca. 1695
ivory relief
Kunsthistorisches Museum, Vienna

Ignaz Bendl
Apollo and Diana slaying the Children of Niobe
1684
ivory relief
Kunsthistorisches Museum, Vienna

Christoph Maucher
Hercules battling the Hydra
(fragments from the throne of Emperor Leopold I)
1677
amber relief-plaques
Kunsthistorisches Museum, Vienna

Daniel Neuberger
Neptune
ca. 1666
wax relief on agate
Kunsthistorisches Museum, Vienna

Sonnet VII

Whither is gone the wisdom and the power
That ancient sages scattered with the notes
Of thought-suggesting lyres? The music floats
In the void air; e'en at this breathing hour,
In every cell and every blooming bower
The sweetness of old lays is hovering still:
But the strong soul, the self-constraining will,
The rugged root that bare the winsome flower
Is weak and withered. Were we like the Fays
That sweetly nestle in the fox-glove bells,
Or lurk and murmur in the rose-lipped shells
Which Neptune to the earth for quit-rent pays,
Then might our pretty modern Philomels
Sustain our spirits with their roundelays.

– Hartley Coleridge (1833)

Gérard van Opstal
Putti playing with a Goat
ca. 1650-65
ivory relief
Kunsthistorisches Museum, Vienna

Georg Schweigger
Sleeping Diana
1650
limestone relief
Kunsthistorisches Museum, Vienna

Ottavio Miseroni
Ceres
ca. 1602-1605
cameo in commesso relief
(agate, jasper, chalcedony, with enameled-gold mount)
Kunsthistorisches Museum, Vienna

Hendrik Goltzius
Bacchus, Venus, Ceres and Cupid
1595
silver printing plate
Kunsthistorisches Museum, Vienna

Antonio Abondio
Toilette of Venus
ca. 1587
bronze plaquette
Kunsthistorisches Museum, Vienna

Giovanni Maria Mosca
Artemis, Protectress of Wild Animals
ca. 1525
bronze plaquette
Kunsthistorisches Museum, Vienna

Hans Daucher
Judgment of Paris
1522
limestone relief
Kunsthistorisches Museum, Vienna

Galeazzo Mondella (called Moderno)
Hercules and the Nemean Lion
ca. 1488-89
bronze plaquette
Kunsthistorisches Museum, Vienna

Roman Empire
Abduction of Persephone
3rd century AD
marble sarcophagus
Kunsthistorisches Museum, Vienna

Roman Empire
Apollo at the Omphalos
2nd century AD
marble relief
Kunsthistorisches Museum, Vienna

Devotional Relief-Work in Vienna

Antonio Rossellino
Madonna and Child
ca. 1465-70
marble relief
Kunsthistorisches Museum, Vienna

attributed to Andrea Mantegna
Entombment
ca. 1480
bronze relief (partially gilt)
Kunsthistorisches Museum, Vienna

Hans Daucher
Holy Family with Angels
1518
limestone relief
Kunsthistorisches Museum, Vienna

Anonymous Italian Maker
Angels supporting the Dead Christ
ca. 1600-1620
gilt-bronze relief
Kunsthistorisches Museum, Vienna

Zacharias Lencker
Adoration of the Christ Child
1609
silver relief
Kunsthistorisches Museum, Vienna

from Davideis

      When Gabriel (no blest spirit more kind or fair)
Bodies and clothes himself with thickened air,
All like a comely youth in life's fresh bloom
(Rare workmanship, and wrought by heavenly loom!),
He took for skin a cloud most soft and bright
That e'er the midday sun pierced through with light;
Upon his cheeks a lively blush he spread,
Washed from the morning beauties' deepest red.
An harmless flaming meteor shone for hair,
And fell adown his shoulders with loose care.
He cuts out a silk mantle from the skies,
Where the most sprightly azure pleas'd the eyes.
This he with starry vapours spangles all,
Took in their prime ere they grow ripe and fall.
Of a new rainbow, ere it fret or fade,
The choicest piece took out, a scarf is made.
Small streaming clouds he does for wings display,
Not virtuous lovers' sighs more soft than they.
These he gilds o'er with the sun's richest rays,
Caught gliding o'er pure streams on which he plays.
     Thus dressed the joyful Gabriel posts away,
And carries with him his own glorious day
Through the thick woods; the gloomy shades a while
Put on fresh looks, and wonder why they smile.
The trembling serpents close and silent lie,
The birds obscene far from his passage fly.
A sudden spring waits on him as he goes,
Sudden as that by which creation rose.

– Abraham Cowley (1656)

Ottavio Miseroni
Mary Magdalen
ca. 1610
cameo in commesso relief
(agate, jasper, carnelian, chalcedony)
Kunsthistorisches Museum, Vienna

Adam Lenckhardt
Flagellation
ca. 1650-60
ivory relief
Kunsthistorisches Museum, Vienna

Leonhard Kern
Lamentation
ca. 1614-20
ivory relief
Kunsthistorisches Museum, Vienna

Georg Schweigger
Baptism of Christ
1645
limestone relief
Kunsthistorisches Museum, Vienna

Daniel Neuberger
Conversion of Saul
ca. 1655-60
colored wax relief
Kunsthistorisches Museum, Vienna

Meister der Sebastiansmartyrien
Martyrdom of St Sebastian
1655
ivory relief
Kunsthistorisches Museum, Vienna

Johann Caspar Schenck
Death of Christian Martyrs
ca. 1665-74
ivory relief
Kunsthistorisches Museum, Vienna

Magnus Berg
Entombment
1710
ivory relief (rilievo schiacciato)
Kunsthistorisches Museum, Vienna

Leonhard Stainhart
Disrobing of Christ
before 1721
ivory relief
Kunsthistorisches Museum, Vienna