Monday, July 31, 2023

World of Fountains - II

Andrea Zoan
Fountain with Statue of Neptune
ca. 1480-84
engraving
National Gallery of Art, Washington DC

Raffaellino da Reggio (Raffaele Motta)
Design for a Fountain
before 1578
drawing
Musée du Louvre

Domenico Parasacchi
Fountain, Piazza di S. Pietro in Vaticano
1637
etching
Rijksmuseum, Amsterdam

Giovanni Battista Falda
Fountain, Piazza di S. Pietro in Vaticano
ca. 1691
etching
British Museum

Anonymous Artist
Design for a Fountain
17th century
drawing
Cooper Hewitt, Smithsonian Design Museum

Anonymous Dutch Printmaker
Fontana della Barcaccia, Piazza di Spagna, Rome
(seen shortly before the building of the Spanish Steps)
ca. 1675-1700
etching
Rijksmuseum, Amsterdam

Anonymous Italian Artist
Bernini's Fontana dei Quattro Fiumi, Piazza Navona, Rome
ca. 1700-1750
drawing
Metropolitan Museum of Art, New York

Anonymous Belgian Needleworker
Cap Crown with Fountain Motif
ca. 1750
bobbin lace (linen)
Cooper Hewitt, Smithsonian Design Museum

Charles-Albert Lespilliez
after Jean-François Cuvilliés
Design for Interior Niche with Fountain
before 1768
engraving
Cooper Hewitt, Smithsonian Design Museum

Antoine-Alexandre-Joseph Cardon
after Antoine-Jean Ansiau
Design for Fountain with Triton
ca. 1772-73
etching
Rijksmuseum, Amsterdam



Francis Frith
Fountain, Champs-Élysées, Paris
ca. 1865
albumen print
Princeton University Art Museum

Robert Hope
The Fountain, Princes Street Gardens,
Edinburgh

ca. 1895
oil on board
McManus Gallery, Dundee, Scotland

John Singer Sargent
Fountain of Neptune, Piazza della Signoria, Florence
1902
oil on panel
Art Institute of Chicago

Constant Montald
Fountain of Inspiration
1907
oil on canvas
Musées Royaux des Beaux-Arts, Brussels

Baron Adolf De Meyer
Fountain of Saturn, Versailles 
1912
photogravure
Chrysler Museum of Art, Norfolk, Virginia

Blanc et Demilly
Fontaine des Jacobins, Lyon
ca. 1930
photogravure
Art Institute of Chicago
 
Carl Van Vechten
Fountain, Villa Communale, Naples
(copy of antique Castor and Pollux in Madrid)
ca. 1935
gelatin silver print
Philadelphia Museum of Art

Forget How to Remember How to Forget

"I have a rotten memory" began
The American version of that long
French novel; and save for the telling word
Leaping in all its colors out of the
Grayish blank, or for the mad turn of phrase
That I, unyielding judge, committed to
My bedlam memory, I cannot come
Up with exactly what was said even
In a recent conversation. Books can
Remember, for they have written it all
Down – they are in themselves all written down –
And, as Phaedrus was famously told in
That lovely grove (and this was written down),
Writing is remembering's enemy. 

Writing it down – thereby writing it up,
The "it" here being language or event –
Allows what was told to recall itself.
The flux of our experience will dry
Into mere flecks; once-great spots of time now
Are filmy moments of place, on the page,
In the full course – or somewhere on the banks – 
Of all that streams behind me. And the dear
Name of oh, Whatshername, herself – oh, yes
Mnemosyne (lost for a minute in 
An overstuffed, messy drawer, crammed with names)
Is all I have to call on for a guide
To wherever back up the relentless
River I might momently have to go. 

And who, when hindsight frays, would want the most
Obvious compensation of foresight,
Prophecy creeping into the places
Recall was slowly vacating? Only
The young with so much to look forward to
And little to remember could call it
A reasonable deal, and better to
Go on climbing, as steps on steps arise
And it all keeps dissolving into that
Father of Waters that every fresh
Moment originates anew, the while
Some sort of sweet, silent judgment commutes
All that, accessible or not, streams out
Behind you into time already served. 

– John Hollander (1994)

Sunday, July 30, 2023

World of Fountains - I

Luigi Vanvitelli
Proposal for the Trevi Fountain, Rome
ca. 1730-32
drawing
National Gallery of Art, Washington DC

Hubert Robert
Trevi Fountain under Construction
ca. 1755
drawing
Morgan Library, New York

Anonymous French Printmaker
Trevi Fountain
ca. 1765
hand-colored etching
Rijksmuseum, Amsterdam

Giovanni Battista Piranesi
Trevi Fountain
ca. 1765
engraving
Cooper Hewitt, Smithsonian Design Museum

Giovanni Battista Piranesi
Trevi Fountain
ca. 1765
etching
Art Institute of Chicago

Domenico Montagù
Trevi Fountain
ca. 1765-70
etching
British Museum

Gian Paolo Panini
Trevi Fountain
ca. 1765
oil on canvas
Museum of Fine Arts, Boston

Sir James Dunlop
Trevi Fountain
ca. 1847-48
salt print
Scottish National Gallery, Edinburgh

Anonymous Photographer
Trevi Fountain
ca. 1850
daguerreotype
Getty Museum, Los Angeles

Jane Martha St John
Trevi Fountain
ca. 1856-59
albumen silver print
Getty Museum, Los Angeles

Robert Macpherson
Trevi Fountain
ca. 1857
albumen print
Art Institute of Chicago

Anonymous Photographer
Trevi Fountain
ca. 1860
albumen silver prints (stereograph)
Getty Museum, Los Angeles

Tommaso Cuccioni
Trevi Fountain
ca. 1860-65
albumen print
Museum of Fine Arts, Boston

James Anderson
Trevi Fountain
before 1877
albumen silver print
Getty Museum, Los Angeles

Anonymous Photographer
Fountain of Trevi, Rome
19th century
albumen prints (stereograph)
Chrysler Museum of Art, Norfolk, Virginia

Alvin Langdon Coburn
Trevi Fountain
1908
photogravure
Chrysler Museum of Art, Norfolk, Virginia

Carl Van Vechten
Trevi Fountain
1934
gelatin silver print
Philadelphia Museum of Art

William Bradshaw
Fountain of Trevi
1958
tempera on paper
Los Angeles County Museum of Art

Remembering the Fountain

Dry Apollo: His bright butterflies silently
    Flutter among the gray greens; motionless
Lizards ablaze with black and olive, striped with darts
    Of ochre, or spotted with everything,
Lounge on pocked steps. Carved not of the god's regular
    Marble – aflash even in ruin with
Something of his sunlight – their columns were flung up
    From the unruly rocks dashed all about
Among the pale daisies and hard, unfruitful weeds.
    They support only the unbearable
Blue of sky not, at this height, a true measure of
    The faraway: distant thoughts of water,
Of silent coasts, unimaginable islands –
   These mark where wideness is under the sun.
And there the fond, pictorial eye's greater reach
    Off southwestward frames a shadowless peak,
Where even the high travellers, poking about
    Among those wolf-grey forms would shed no shade.
And now our eye is cast back at our stony feet.
    What had been done here was done in green wood:
What do we do here now in the dry?   –Remember:
    Back up toward the north-northeast, at the green
Foot of a holy mountain, old water, deep, clear
    And cold, had something to say to sunlight;
His touches of gold unwedded to her whispers
    Of frosty stream, but wet, with caressing
Amusing surfaces, and with reading clear depths.
    Not so with those three who bend over the
Fountain now: unquickened, the god who lies entombed
    In the noon sunshine; and no legacy
Of his, the almost-enduring nymphs whose voices
    Drown the rock talk and water murmuring
Deep below their discourse. Significances splash
    Up to him, standing nearby, whose they are –
The Rememberer, unknowing yet of the dry
    Heights that wait southward, and above no sea.  

– John Hollander (1973)

(In line 2 Hollander writes "gray greens" – then in line 18 "wolf-grey" – which causes this reader to wonder whether the poet intentionally spelled the word in two different ways within the same piece, or if he did so inadvertently, or else whether possibly the inconsistency – oddly jarring – was contributed by the manual transcriber of half a century ago when setting up the copy for publication.)    

Saturday, July 29, 2023

Populated Windows

Joel Meyerowitz
Jeu de Paume
1983
dye transfer print
Chrysler Museum of Art, Norfolk, Virginia

Kenneth McGowan
Man near Window
1983
C-print
Princeton University Art Museum

Duane Michals
The Spirit Leaves the Body
1968
gelatin silver prints
Cincinnati Art Museum, Ohio

Francis Luis Mora
Window Shopping
1934
oil on canvas
Chrysler Museum of Art, Norfolk, Virginia

Hamada Chimei
From the Window - 'I haven't done anything'
before 1995
etching and aquatint
British Museum

Peyman Hooshmandzadeh
Untitled
2012
inkjet print
Los Angeles County Museum of Art

John Koch
The Window
1947
oil on canvas
Brooklyn Museum

Wing Young Huie
Marco by Window, Frogtown
1995
gelatin silver print
Minneapolis Institute of Art

Alvin Lustig
The Red Carnation by Elio Vittorini
1952
lithographic dust-jacket
Cooper Hewitt, Smithsonian Design Museum

Mariano Fortuny
Figure reading at a Window
before 1874
drawing
British Museum

Jay Maisel
Boy gesturing in front of Window
1984
dye imbibition print
Art Institute of Chicago

Lewis Morley
Portrait of Joan and Camila Wyndham
1955
gelatin silver print
Yale Center for British Art

Cayley Robinson
The Old Nurse
1926
tempera on board
British Museum

Jo Spence
The Highest Product of Capitalism (after John Heartfield)
1979
hand-tinted gelatin silver print
Tate Gallery


Walter Stuempfig
Desolation
ca. 1949
oil on canvas
Los Angeles County Museum of Art

George Tooker
The Window
1994
lithograph
Milwaukee Art Museum

Appeal to the Grammarians

We, the naturally hopeful,
Need a simple sign
For the myriad ways we're capsized.
We who love precise language
Need a finer way to convey
Disappointment and perplexity.
For speechlessness and all its inflections,
For up-ended expectations,
For every time we're ambushed
By trivial or stupefying irony,
For pure incredulity, we need
The inverted exclamation point.
For the dropped smile, the limp handshake,
For whoever has just unwrapped a dumb gift
Or taken the first sip of a flat beer,
Or felt love or pond ice
Give way underfoot, we deserve it. 
We need it for the air pocket, the scratch shot,
The child whose ball doesn't bounce back,
The flat tire at journey's outset,
The odyssey that ends up in Weehawken.
But mainly because I need it – here and now
As I sit outside the Caffe Reggio
Staring at my espresso and cannoli
After this middle-aged couple
Came strolling by and he suddenly
Veered and sneezed all over my table
And she said to him, "See, that's why
I don't like to eat outside."

– Paul Violi (2007)