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| Lucien Aigner Politicians conferring, Paris 1931 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Beauty Contestant 1932 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Self Portrait 1932 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Marlene Dietrich at Hungarian Restaurant, Paris 1933 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Cars and Flags in Danzig (Nazi Demonstration) 1933 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Luxembourg Gardens, Paris 1934 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Dancers, Opera Ballet, Paris 1934 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Diplomats conferring at the League of Nations, Geneva 1935 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Police at Football Match 1935 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Winston Churchill 1935 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Parents of competing Tenors 1936 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Hitler at the Winter Olympics 1936 gelatin silver print (version cropped by Aigner) National Museum of American History, Washington DC |
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| Lucien Aigner Fiorello LaGuardia, Mayor of New York 1936 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Country Visitors to Paris on Boulevard Saint-Martin 1937 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Parents at Graduation Ceremony, St Cyr Military College 1937 gelatin silver print National Museum of American History, Washington DC |
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| Lucien Aigner Ruth St Denis approaching Altar 1938 gelatin silver print National Museum of American History, Washington DC |
from The Art of Poetry
And ever will, to utter termes that bee
Stamp'd to the time. As woods whose change appeares
Still in their leaves, throughout the sliding yeares,
The first borne dying; so the aged state
Of words decay, and phrases borne but late
Like tender buds shoot up, and freshly grow.
Our selves, and all that's ours, to death we owe:
Whether the Sea receiv'd unto the shore,
That from the North, the Navie safe doth store,
A kingly worke; or that long barren fen
Once rowable, but now doth nourish men
In neighbour-townes, and feeles the weightie plough;
Or the wilde river, who hath changed now
His course so hurtfull both to graine, and seedes,
Being taught a better way. All mortall deeds
Shall perish: so farre off it is, the state,
Or grace of speech, should hope a lasting date.
Much phrase that now is dead, shall be reviv'd;
And much shall dye, that now is nobly liv'd,
If Custome please; at whose disposing still
The power, and rule of speaking resteth still.
– Horace (65-8 BC), translated by Ben Jonson (1604)
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