Sunday, June 7, 2020

Imitations and Copies of Classical Sculpture - II

Anonymous British Artist
Nine Muses
ca. 1843
marble relief
Tabley House, Cheshire

Anonymous British Artist
Nine Warriors
ca. 1843
marble relief
Tabley House, Cheshire

Thomas Campbell
Bust of a Woman in Classical Style
1823
marble
Astley Cheetham Art Collection, Manchester

Thomas Campbell
Bust of a Man in Classical Style
1823
marble
Astley Cheetham Art Collection, Manchester

Giovanni Battista Benzoni
Flight from Pompeii
1878
marble statue group
Todmorden Town Hall, Yorkshire

Giovanni Battista Benzoni
Flight from Pompeii (detail)
1878
marble statue group
Todmorden Town Hall, Yorkshire

John Gibson
Ideal Head
ca. 1835
marble
Higgins Art Gallery and Museum, Bedford

John Gibson
Ideal Head
ca. 1835
marble
Higgins Art Gallery and Museum, Bedford

Sabatino de Angelis & fils, Naples
Narcissus
(copy of antique original in Museo Nazionale, Naples)
1900
bronze statuette
National Trust, Ickworth House, Suffolk

Sabatino de Angelis & fils, Naples
Narcissus (detail)
(copy of antique original in Museo Nazionale, Naples)
1900
bronze statuette
National Trust, Ickworth House, Suffolk

"The Narcissus was discovered in August 1862 in a humble Pompeian house and was displayed soon afterward in the Museo Nazionale. The statue was quickly acclaimed as a masterpiece – the 'pearl' of the Neapolitan collection. It was the last antique statue to be discovered in Italy which enjoyed enormous fame, and the last antique statue to be discovered anywhere which has been extensively copied. The Narcissus was eminently suitable in size [63 cm, or roughly half life-size] to adorn modest gardens and interiors and it seems always to have been copied both in the same size and in the same medium.  . . .  Giuseppe Fiorelli, director of the Museum between 1863 and 1875, named the 'Narcissus' doubtless because its attitude seemed equally appropriate for the attentive lover of Echo, rapt by her faint repetitions, as for someone enchanted with his own reflection, but by the end of the century it was considered that the crown of ivy and the nebrid could only be suitable for Dionysius."

– Francis Haskell and Nicholas Penny, Taste and the Antique (Yale University Press, 1981)

Sabatino de Angelis & fils, Naples
Dying Gaul
(copy of antique original in Musei Capitolini, Rome)
ca. 1900
bronze statuette
National Trust, Ickworth House, Suffolk

Sabatino de Angelis & fils, Naples
Dying Gaul
(copy of antique original in Musei Capitolini, Rome)
ca. 1900
bronze statuette
National Trust, Ickworth House, Suffolk

James Pittendrigh Macgillivray
The God Hypnos
1900
bronze
Aberdeen Art Gallery

Alexandre Falguière
Phryne
ca. 1850-1900
bronze statuette
Harris Museum and Art Gallery, Preston, Lancashire

Edmund von Weber
Phryne
1902
marble statue
Russell-Cotes Art Gallery and Museum, Bournemouth