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| Barbara Hepworth Two Heads 1970 marble Arkansas Museum of Fine Arts, Little Rock |
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| Barbara Hepworth Figure (Oread) 1958 bronze National Gallery of Victoria, Melbourne |
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| Barbara Hepworth Eidos 1947 stone (partly painted) National Gallery of Victoria, Melbourne |
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| Barbara Hepworth Orpheus 1956 brass and string construction mounted on wood Queensland Art Gallery, Brisbane |
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| Florence Henri Street Scene with Woman 1931 gelatin silver print National Gallery of Australia, Canberra |
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| Florence Henri Woman with Three Bracelets 1929 gelatin silver print National Gallery of Australia, Canberra |
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| Florence Henri Still Life ca. 1931 gelatin silver print National Gallery of Australia, Canberra |
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| Florence Henri Self Portrait 1928 gelatin silver print National Gallery of Australia, Canberra |
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| Juan Davila Interior with Built-in Bar 1992 screenprint National Gallery of Australia, Canberra |
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| Juan Davila My Dress Hangs There 1987 oil on canvas Heide Museum of Modern Art, Bulleen, Australia |
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| Juan Davila Retable 1989 oil paint, wood and collage on canvas National Gallery of Australia, Canberra |
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| Juan Davila Lichtenstein 1984 screenprint Heide Museum of Modern Art, Bulleen, Australia |
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| Max Meldrum Rehearsal 1944 oil on canvas National Gallery of Australia, Canberra |
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| Max Meldrum Reverie (Portrait of Elsa Thomson) ca. 1940 oil on canvas National Gallery of Australia, Canberra |
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| Max Meldrum Edna (Mrs Oscar Mendelsohn) 1942 oil on board National Gallery of Victoria, Melbourne |
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| Max Meldrum My Lady's Table ca. 1927 oil on canvas National Gallery of Victoria, Melbourne |
from The Quest
Poet, oracle, and wit
Like unsuccessful anglers by
The ponds of apperception sit,
Like unsuccessful anglers by
The ponds of apperception sit,
Baiting with the wrong request
The vectors of their interest,
The vectors of their interest,
At nightfall tell the angler's lie.
With time in tempest everywhere,
To rafts of frail assumption cling
The saintly and the insincere,
Enraged phenomena bear down
In overwhelming waves to drown
Both sufferer and suffering.
The waters long to hear our question put
Which would release their longed-for answer, but.
– W.H. Auden (1940)