Sunday, May 7, 2017

Drawings from Bygone Renaissance Days

attributed to Giampietrino
Head of young woman
ca. 1500-1520
drawing
Royal Collection, Windsor

Fra Bartolomeo
Classically-draped female figure with torch
c1500-1515
drawing
Royal Collection, Windsor

"Hearing much of the noble works made in Rome by Michelangelo, and likewise those of the gracious Raffaello, and being roused by the fame, which was continually reaching him, of the marvels wrought by those two divine craftsmen, with leave from his Prior, he [Fra Bartolomeo] betook himself to Rome.  There he was entertained by Fra Mariano Fetti, Friar of the Piombo, for whom he painted two pictures of S. Peter and S. Paul at his Convent of S. Silvestro a Monte Cavallo.  But since he did not succeed in working as well in the air of Rome as he had done in that of Florence, while the vast number of works that he saw, what with the ancient and the modern, bewildered him so that much of the ability and excellence that he believed himself to possess fell away from him, he determined to depart, leaving Raffaello the charge of finishing one of those pictures, that of S. Peter, which he had not completed; which picture was retouched all over by the hand of the marvelous Raffaello, and given to Fra Mariano.  Thus, then, Fra Bartolomeo returned to Florence."  

 from the Life of Fra Bartolomeo di San Marco (Baccio della Porta) by Giorgio Vasari, from Lives of the Painters, Sculptors and Architects (1564), translated by Gaston du C. de Vere (1912)

Leonardo da Vinci
Head of Leda
ca. 1504-1506
drawing
Royal Collection, Windsor

Michelangelo
Head of a young woman
ca. 1540
drawing
Royal Collection, Windsor

Parmigianino
Self-portrait
ca. 1524
drawing
Royal Collection, Windsor

Raphael
Study for The Transfiguration
ca. 1519-20
drawing
Rijksmuseum, Amsterdam

Raphael
Putto with attributes of Vulcan
1518
drawing
Teylers Museum, Haarlem

Raphael
Study for Hebe and Proserpine
ca. 1518
drawing
Teylers Museum, Haarlem

Raphael
Herm with raised left arm
ca. 1517-18
drawing
Teylers Museum, Haarlem

Raphael
Heads of two Apostles
ca. 1503
drawing
Royal Collection, Windsor

Raphael
Allegorical figure of poetry
ca. 1509-1510
drawing
Royal Collection, Windsor

Raphael
Joshua addressing the Israelites at Schechem
ca. 1516-18
drawing
Teylers Museum, Haarlem

Raphael
Study of outstretched arm
ca. 1516
drawing
Teylers Museum, Haarlem

school of Raphael
Design for statue of the Prophet Jonah
ca. 1520-23
drawing
Royal Collection, Windsor