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| Fürstenberg Manufactory Philippine Charlotte, Herzogin von Braunschweig ca. 1758 porcelain Museum of Fine Arts, Boston |
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| Fürstenberg Manufactory Medieval Germanic Princes playing Chess 1772 porcelain Herzog Anton Ulrich Museum, Braunschweig |
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| Fürstenberg Manufactory Venus and Cupid ca. 1880 porcelain Newport Mansions Preservation Society, Rhode Island |
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| Fürstenberg Manufactory Portrait of Maria Anna, Kurfürstin von Bayern ca. 1770 porcelain snuffbox Metropolitan Museum of Art, New York |
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| Francesco Francia (Francesco Raibolini) Portrait of Cardinal Francesco degli Alidosi ca. 1505-1510 bronze medallion Metropolitan Museum of Art, New York |
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| Francesco Francia (Francesco Raibolini) St Roch 1502 tempera on panel Metropolitan Museum of Art, New York |
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| Francesco Francia (Francesco Raibolini) Virgin and Child with Angels ca. 1495-1500 oil on panel North Carolina Museum of Art, Raleigh |
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| Francesco Francia (Francesco Raibolini) The Crucifixion with the Virgin and St John the Evangelist ca. 1515-17 oil on panel Museum of Fine Arts, Budapest |
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| Adam Elsheimer Frieze of Classical Figures ca. 1602-1603 drawing British Museum |
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| Adam Elsheimer Turbaned Figure with Distant Procession ca. 1600-1605 drawing Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Adam Elsheimer Boy with Horse and Dogs ca. 1597 etching British Museum |
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| Adam Elsheimer Compositional Study for Birth of the Virgin ca. 1600 drawing Statens Museum for Kunst, Copenhagen |
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| Elizabeth Adela Forbes April ca. 1888 oil on canvas private collection |
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| Elizabeth Adela Forbes Costume Study I ca. 1902 gouache on paper National Gallery of Canada, Ottawa |
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| Elizabeth Adela Forbes Costume Study II ca. 1902 gouache on paper National Gallery of Canada, Ottawa |
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| Elizabeth Adela Forbes Blackberry Gathering 1912 oil on canvas Walker Art Gallery, Liverpool |
Here Are My Black Clothes
I think now it is better to love no one
than to love you. Here are my black clothes,
the tired nightgowns and robes fraying
in many places. Why should they hang useless
as though I were going naked? You liked me well enough
in black: I make you a gift of these objects.
You will want to touch them with your mouth, run
your fingers through the thin
tender underthings and I
will not need them in my new life.
– Louise Glück (1975)