Wednesday, May 28, 2025

Approaches to Ornament - V

Kurt Börmel
Hut Ausstellung
(hat exhibition)
ca. 1909
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Julius Klinger
Prinz Hamlets Briefe
(novel by Gerhard Knoop)
1909
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Heinz Wetzel
Peace Celebration - Cornflower Day - Frankfurt
1911
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Émile-Antoine Bourdelle
The Dance
1912
plaster relief
Musée Ingres Bourdelle, Montauban

Franz Francke
Printer and Publisher Wilhelm Gerstung
ca. 1912
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Yngve Berg
Pair of Dancers
ca. 1920-30
drawing
Moderna Museet, Stockholm

Helmer Bäckström
Untitled
ca. 1923
gelatin silver print
Moderna Museet, Stockholm

Harriet Sundström
Ex Libris - Axel Boethius
1923
woodcut
Moderna Museet, Stockholm

Alfredo Ravasco
Display Case for Hair of Lucrezia Borgia
ca. 1926-28
bronze, glass, malachite
Pinacoteca Ambrosiana, Milan

Walker Evans
Luna Park
1928
gelatin silver print
Moderna Museet, Stockholm

Jean Gauguin
Play of the Waves
ca. 1930
painted earthenware
Ordrupgaard Art Museum, Copenhagen

Per Krohg
The Ambassador
1930
oil on canvas
Nordnorsk Kunstmuseum, Tromsø

Sven Erixson
Etruscan Painting
ca. 1940
gouache on paper
Moderna Museet, Stockholm

Kerstin Bernhard
Roses at Dior
1947
gelatin silver print
Moderna Museet, Stockholm

Pierre-Albert Begaud
Project for a Painted Panel in Louis Quatorze Style
ca. 1950
drawing, with added watercolor
Musée des Beaux-Arts de Bordeaux

Sten Didrik Bellander
Straw and Chiffon
1950
gelatin silver print
Moderna Museet, Stockholm

The temple of Apollo in Colophon is not far away; it is ten miles' sail from Ephesus.  There the messengers from both parties asked the god for a true oracle.  They had come with the same question, and the god gave the same oracle in verse to both.  It went like this:

Why do you long to learn the end of a malady, and its beginning?
One disease has both in its grasp, and from that the remedy must be accomplished.
But for them I see terrible sufferings and toils that are endless;
Both will flee over the sea pursued by madness;
They will suffer chains at the hands of men who mingle with the waters;
And a tomb shall be the burial chamber for both, and fire the destroyer;
And beside the waters of the river Nile, to Holy Isis
The savior you will afterwards offer rich gifts;
But still after their sufferings a better fate is in store.

When this oracle was brought to Ephesus, their fathers were at once at a loss and had no idea at all what the danger was, and they could not understand the god's utterance.  They did not know what he meant by their illness, the flight, the chains, the tomb, the river, or the help from the goddess.  So they decided after a great deal of deliberation to palliate the oracle as far as they could and marry the pair, since the god implied by his prophecy that this was his will too.  They decided this and determined to send them on a trip abroad for a time after their marriage.

– Xenophon of Ephesus, from An Ephesian Tale (2nd century AD), translated from Greek by Graham Anderson (1989)