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| Waldemar Bernhard Nike (in the park at Waldemarsudde) ca. 1950 engraving Moderna Museet, Stockholm |
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| Ingrid Årfelt-Svalander Constellation ca. 1954 linocut Moderna Museet, Stockholm |
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| Arman (Armand Fernandez) Night in the Wild West 1961 enameled pitchers in wood and Plexiglas case Moderna Museet, Stockholm |
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| May Arnell Blue Pots 1962 oil on canvas Moderna Museet, Stockholm |
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| Bruno Goller Untitled 1962 oil on canvas Von der Heydt Museum, Wuppertal |
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| Irina Ionesco Litanie pour une amante funèbre 1974 gelatin silver print Moderna Museet, Stockholm |
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| Lennart Rodhe Pattern 1976 screenprint Göteborgs Konstmuseum, Sweden |
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| Victor Arimondi Ed S, model 1981 gelatin silver print Moderna Museet, Stockholm |
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| Kiki Wilhelmsen (designer) Blossoms 1988 printed linen Nordnorsk Kunstmuseum, Tromsø |
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| Anonymous Swedish Designer Boxes Boxes Boxes Nationalmuseum 1990 lithograph (exhibition poster) Moderna Museet, Stockholm |
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| Anonymous Swedish Designer Empire Style in Sweden Nationalmuseum 1991 lithograph (exhibition poster) Moderna Museet, Stockholm |
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| Geir Tore Holm The World (Mirror) 1997 inkjet print KORO (Public Art Norway), Oslo |
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| Alfred Wilhelm Holmström (designer) Carl Fabergé - The Tsar's Goldsmith Nationalmuseum 1997 lithograph (poster) Moderna Museet, Stockholm |
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| Elisabeth von Krogh Bowl 2000 glazed earthenware KORO (Public Art Norway), Oslo |
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| Kerstin Bergh Black Draws Back 2010 oil on canvas Göteborgs Konstmuseum, Sweden |
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| Vidar Koksvik Vase ca. 2010 blown glass Nordnorsk Kunstmuseum, Tromsø |
Meanwhile the ship passed by Cos and Cnidus, and already the great and beautiful island of Rhodes was coming into view; here they all had to disembark, for the sailors said that they had to take on water and rest in preparation for the long voyage ahead.
So the ship put into Rhodes, and the sailors disembarked; Habrocomes too came off, hand in hand with Anthia. All the Rhodians gathered, amazed at the young people's beauty, and no one who saw them passed by in silence: some said that it was a visitation of auspicious gods; some offered them worship and adoration; and soon the names of Habrocomes and Anthia had traveled all through the city. Public prayers were offered to them; the Rhodians offered many sacrifices and celebrated their visit as a festival. So they toured the whole city and gave as an offering to the temple of Helius a gold panoply and inscribed on a votive tablet an epigram with the donors' names.
The strangers offered you these weapons of beaten gold,
Anthia and Habrocomes, citizens of holy Ephesus.
– Xenophon of Ephesus, from An Ephesian Tale (2nd century AD), translated from Greek by Graham Anderson (1989)