Thursday, August 7, 2025

Alfred Cheney Johnston

Alfred Cheney Johnston
Fanny Brice
1918
platinum print
National Portrait Gallery, Washington DC


Alfred Cheney Johnston
Statuesque Woman
ca. 1920
gelatin silver print
New Britain Museum of American Art, Connecticut

Alfred Cheney Johnston
Norma Shearer
ca. 1920
gelatin silver print
National Portrait Gallery, Washington DC

Alfred Cheney Johnston
Lillian Gish
1922
gelatin silver print
National Portrait Gallery, Washington DC

Alfred Cheney Johnston
Clara Bow
1923
gelatin silver print
National Portrait Gallery, Washington DC

Alfred Cheney Johnston
Raymond Hitchcock
ca. 1925
gelatin silver print
National Portrait Gallery, Washington DC

Alfred Cheney Johnston
Mrs Cornelius Vanderbilt
(Grace Graham Wilson)

ca. 1925
gelatin silver print
Chrysler Museum of Art, Norfolk, Virginia

Alfred Cheney Johnston
Ida Tarbell
ca. 1925
gelatin silver print
National Portrait Gallery, Washington DC

Alfred Cheney Johnston
Fredric March
ca. 1925
gelatin silver print
National Portrait Gallery, Washington DC

Alfred Cheney Johnston
Mary Pickford
ca. 1925
gelatin silver print
National Portrait Gallery, Washington DC

Alfred Cheney Johnston
Emily Post
ca. 1925
gelatin silver print
National Portrait Gallery, Washington DC

Alfred Cheney Johnston
Barbara Stanwyck
ca. 1927
gelatin silver print
Minneapolis Institute of Art

Alfred Cheney Johnston
Marjorie Merriweather Post
1929
gelatin silver print
National Portrait Gallery, Washington DC

Alfred Cheney Johnston
Dance Exhibition in Nightclub
ca. 1934
tricolor carbro print
Minneapolis Institute of Art

Alfred Cheney Johnston
Woman with Red Nails
ca. 1934
tricolor carbro print
Nelson-Atkins Museum of Art, Kansas City, Missouri

Alfred Cheney Johnston
Tyrone Power
ca. 1936
gelatin silver print
National Portrait Gallery, Washington DC

from The Amores

O! Love! how cold, and slow to take my part!
Thou idle Wanderer, about my Heart;
Why thy old faithfull Souldier wilt thou see
Opprest in thine own Tents? They Murder me:
Thy flames consume, thy Arrows pierce thy Friends,
Rather on foes pursue more Noble ends.
Achilles Sword wou'd generously bestow
A cure as certaine, as it gave the blow.
Hunters, who follow flying Game, give o'er
When the Prey's caught, hope still leads on before.
Wee thy owne Slaves feele thy Tyrannick blows,
While thy tame hand's unmov'd against thy Foes.
On Men disarm'd, how can you gallant prove?
And I was long ago disarm'd by Love.
Millions of dull Men live, and scornfull Maids,
We'll owne Love Valiant, when he these invades.
Rome, from each Corner of the wide World snatch'd,
A Lawrell; or't had beene to this day Thatch'd. 
But the old Souldier has his resting place,
And the good batter'd Horse is turnd to Grasse.
The Harrast Whore, who liv'd a Wretch to please
Has leave to be a Bawd, and take her ease.
For me then, who have freely spent my blood
(Love) in thy service, and soe boldly stood
In Celias Trenches; wer't not wisely done,
E'en to retire, and live at peace at home?
Noe, might I gaine a Godhead, to disclaime
My glorious Title to my endlesse flame,
Divinity with scorne I wou'd forsweare,
Such sweete, deare tempting Devills, Women are.

– Ovid (43 BC-AD 17), translated by John Wilmot, Earl of Rochester (before 1680)