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| Abel Faivre "Alright then – since I'm not smoking, you have nothing to complain about." 1898 lithograph (magazine cover) Universitätsbibliothek, Heidelberg |
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| Christa von Wahl R. v. Oettingen - Perser Teppiche ca. 1912 lithograph (poster for dealer in Persian carpets) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Alfonso Iannelli Alice Lloyd - England's Daintiest and Most Popular Comedienne ca. 1915 gouache on board (print study for poster) National Gallery of Victoria, Melbourne |
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| Roger Fry Omega Workshops Ltd. 1918 lithograph (poster) Victoria & Albert Museum, London |
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| Fred Biesel Society of Independent Artists 5th Annual Exhibition 1921 linocut (poster) Delaware Art Museum, Wilmington |
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| Eric Gill Sonnets and Verses by Enid Clay 1925 wood-engraving and letterpress (pamphlet cover) National Gallery of Australia, Canberra |
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| Otakar Mrkvicki On Protochny Lane 1927 lithograph (cover of novel by Ilya Ehrenburg) National Gallery of Australia, Canberra |
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| Anonymous Australia Designer Sydney Harbour Bridge - Souvenir Letterette ca. 1932 lithograph National Gallery of Australia, Canberra |
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| Henry Koerner United We Are Strong 1943 lithograph (poster) National Museum of American History, Washington DC |
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| Esther Bubley Passengers at Greyhound Terminal, New York City 1947 gelatin silver print Smithsonian American Art Museum, Washington DC |
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| Anonymous Canadian Designer Dennison New Photo Corners ca. 1950 offset-print (retail packaging) Royal Ontario Museum, Toronto |
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| Andreas Feininger Untitled 1953 gelatin silver print Whitney Museum of American Art, New York |
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| Antonio Frasconi Uruguay at the 34th Venice Biennale 1968 screenprint (poster) Agnes Etherington Art Centre, Kingston, Ontario |
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| Don Peterson Toronto 1968 photo-lithograph (hitch-hikers escaping Vietnam War conscription) Whitney Museum of American Art, New York |
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| Patty Carroll The Pillow Talk ca. 1980 C-print Art Institute of Chicago |
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| Barbara Kruger Untitled (Pledge) 1988 screenprint on vinyl Whitney Museum of American Art, New York |
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| Karen Hackenberg Arctic Thirst 2014 gouache on paper private collection |
from The Thirteenth Satyr of Juvenal, Imitated
Little do folks the heav'nly Powers mind,
If they but scape the knowledge of Mankind:
Observe, with how demure, and grave a look
Observe, with how demure, and grave a look
The Rascal lays his hand upon the Book:
Then with a praying face, and lifted Eye
Claps on his Lips, and Seals the Perjury;
If you persist his Innocence to doubt,
And boggle in Belief; he'l strait rap out
Oaths by the volley, each of which would make
Pale Atheists start, and trembling Bullies quake;
And more than would a whole Ships crew maintain
To the East-Indies hence, and back again.
As God shall pardon me, Sir I am free
Of what you charge me with: may these hands rot,
These eyes drop out; if I e're had a Groat
Of yours, or if they ever touch'd, or saw't.
Thus he'l run on two hours in length, till he
Spin out a Curse long as the Litany:
Till Heav'n has scarce a Judgment left in store
For him to wish, deserve, or suffer more.
There are, who disavow all Providence,
And think the world is only steer'd by chance:
Make God at best an idle looker on,
A lazy Monarch lolling in his Throne;
Who his Affairs does neither mind, or know,
But leaves them all at random here below:
And such at every foot themselves will damn,
And Oaths no more than common Breath esteem:
No shame, nor loss of Ears can frighten these,
Were every Street a Grove of Pillories.
– Juvenal (AD 50-127), adapted and translated by John Oldham (1683)
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