Saturday, May 2, 2026

Bookish Works

Urs Graf the Elder
Pilate Washing his Hands
ca. 1503
hand-colored woodcut (book illustration)
Art Institute of Chicago


Philip Galle after Johannes Stradanus
Impressio Librorum
1591
engraving
Fitzwilliam Museum, Cambridge

Hendrik Hondius the Elder after Hans Vredeman de Vries
Perspective Study - Tuscan Order, Pillars and Arches
1605
engraving (book illustration)
Herzog August Bibliothek, Wulfenbüttel

Odoardo Fialetti
Drawing Manual - Mouths
1608
etching (book illustration)
Kupferstichkabinett, Hamburger Kunsthalle

Domenico Falcini after Jacopo Ligozzi
St Francis
1612
engraving (book frontispiece)
National Gallery of Art, Washington DC

Domenico Falcini after Jacopo Ligozzi
View of Monte della Vernia, Tuscany
(with levitating figure of St Francis)
1612
etching (book illustration)
Kupferstichkabinett, Hamburger Kunsthalle

Pieter Feddes
Charles V, Holy Roman Emperor
(posthumous representation)
before 1623
etching (book illustration)
Herzog August Bibliothek, Wolfenbüttel

Albert Flamen
Scroll Design for Frontispiece
ca. 1648-64
ink and watercolor on paper
British Museum

Albert Flamen
The Owl
ca. 1655-60
etching (book illustration)
Metropolitan Museum of Art, New York

Albert Flamen
The Snipe
ca. 1655-60
etching (book illustration)
Metropolitan Museum of Art, New York

Childe Hassam
An Island Garden (Celia Thaxter in her Garden)
1892
oil on canvas
(for reproduction as book illustration)
Smithsonian American Art Museum, Washington DC

Childe Hassam
An Island Garden by Celia Thaxter
1894
chromolithograph (book illustration)
Archives of American Art, Washington DC

Ethel Reed
Folly or Saintliness
1895
lithograph (advertising poster for book)
National Museum of American History, Washington DC

Fidus (Hugo Höppener)
Bookmark from J.C.C. Bruns Verlag, Minden
ca. 1890-1900
cliché print
Museum für Angewandte Kunst, Vienna

Fidus (Hugo Höppener)
Bookmark from Velhagen & Klasing, Leipzig
ca. 1890-1900
cliché print
Museum für Angewandte Kunst, Vienna

Fidus (Hugo Höppener)
Bookmark from Velhagen & Klasing, Leipzig
ca. 1890-1900
cliché print
Museum für Angewandte Kunst, Vienna

from The End of March

I wanted to get as far as my proto-dream-house,
my crypto-dream-house, that crooked box
set up on pilings, shingled green,
a sort of artichoke of a house, but greener
(boiled with bicarbonate of soda?), 
protected from spring tides by a palisade
of – are they railroad ties?
(Many things about this place are dubious.)
I'd like to retire there and do nothing,
or nothing much, forever, in two bare rooms:
look through binoculars, read boring books,
old, long, long books, and write down useless notes,
talk to myself, and, foggy days, 
watch the droplets slipping, heavy with light.

– Elizabeth Bishop (1976)