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| Florine Stettheimer Flowers against Wallpaper 1915 oil on canvas Memphis Brooks Museum of Art, Tennessee |
-Construction-Relief-c1915-painted-wood-and-tin-Nasher-Sculpture-Center-Dallas.jpg) |
| Jean Pougny (Ivan Puni) Construction Relief 1915 painted wood and tin Nasher Sculpture Center, Dallas |
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| Edward Henry Potthast The Bathers 1915 oil on canvas Wichita Art Museum, Kansas |
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| Jules Pascin Figures and Horses 1915 watercolor and ink on paper Barnes Foundation, Philadelphia |
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| Violet Oakley The Woman Clothed with the Sun 1915 gouache on board Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Robert Henri Edna Smith in a Japanese Wrap 1915 oil on canvas Indianapolis Museum of Art |
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| Jean Heiberg Goldfish 1915 oil on canvas Göteborgs Konstmuseum, Sweden |
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| Jacoba van Heemskerck Image no. 105 1915 oil on canvas Kunstmuseum, The Hague |
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| Childe Hassam Isles of Shoals 1915 oil on canvas Portland Museum of Art, Maine |
-1915-pochoir-McNay-Art-Museum-San-Antonio-Texas.jpg) |
| Natalia Goncharova Costume Design for Apostle Mark in Liturgie (for Ballets Russes, but never produced) 1915 pochoir McNay Art Museum, San Antonio, Texas |
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| Frederick Carl Frieseke Woman arranging Flowers 1915 oil on canvas Museum of Fine Arts, Houston |
-Teufelchen-(film)-1915-lithograph-(poster)-Kunstbibliothek-Staatliche-Museen-zu-Berlin.jpg) |
| Ernst Deutsch (called Dryden) Teufelchen 1915 lithograph (poster for film) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Nils Dardel Portrait of Ellen Roosval née Hallwyl 1915 oil on canvas Moderna Museet, Stockholm |
-1915-pastel-on-paper-Art-Institute-of-Chicago.jpg) |
| Virginia Keep Clark Portrait of arts patron Mrs James Ward Thorne 1915 pastel on paper Art Institute of Chicago |
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| Gifford Beal At the Hippodrome 1915 oil on canvas Art Institute of Chicago |
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| Eugène Atget Staircase with Ivy 1915 gelatin silver print Fralin Museum of Art, Charlottesville, Virginia |
from Nocturne
Do squamous and squiggling fish,
down in their fireless houses,
notice nightfall? Perhaps not.
But any grounded goer,
and all to whom feathers grant
the sky's unbounded freedom,
alter their doings at dusk,
each obsequious to its
curiosity of kind.
The commons mild their movements
and mew all their senses, but
there are odd balls, for instance,
the owl and the pussy-cat,
as soon as day has thestered,
increase their thinking and jaunt
to kill or to engender.
No couple of our kindred
obey the same body-clock:
for most the law is to shut
their minds up before midnight,
but someone in the small hours,
for the money or love, is
always awake and at work.
Here young radicals plotting
to blow up a building, there
a frowning poet rifling
his memory's printer's-pie
to form some placent sentence,
and overhead wanderers
whirling hither and thither
in bellies of overbig
mosquitoes made of metal.
– W.H. Auden (1972)