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| Antonio Bellucci The Protection of Reason before 1726 oil on canvas (ceiling painting) Liechtenstein Museum, Vienna |
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| Hans Burgkmair the Younger The Sounding of the Heavenly Trumpets (scene from the Apocalypse) ca. 1550 drawing Museum für Angewandte Kunst, Vienna |
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| Garofalo (Benvenuto Tisi) Adoration of the Child 1517 oil on panel, transferred to canvas Gemäldegalerie Alte Meister, Dresden |
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| Garofalo (Benvenuto Tisi) Apotheosis of Hercules ca. 1535-40 oil on canvas Liechtenstein Museum, Vienna |
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| Raphael Sadeler after Marten de Vos the Elder God the Father rebuking Cain for murdering Abel 1583 engraving Herzog August Bibliothek, Wulfenbüttel |
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| Johannes Galle after Marten de Vos the Elder Air (series, the Four Elements) ca. 1640 engraving Herzog August Bibliothek, Wulfenbüttel |
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| Sebastiano Ricci A Miracle of St Francis of Paola 1733 oil on canvas National Gallery of Art, Washington DC |
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| Jan Sadeler the Elder after Friedrich Sustris Maximilian I, Elector of Bavaria as Hercules ca. 1590 hand-colored engraving Herzog Anton Ulrich Museum, Braunschweig |
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| Anthonie Blocklandt The Evangelist Matthew 1574 oil on paper, mounted on canvas Centraal Museum, Utrecht |
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| Anthonie Blocklandt The Evangelist Mark 1574 oil on paper, mounted on canvas Centraal Museum, Utrecht |
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| Anthonie Blocklandt The Evangelist Luke 1574 oil on paper, mounted on canvas Centraal Museum, Utrecht |
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| Anthonie Blocklandt The Evangelist John 1574 oil on paper, mounted on canvas Centraal Museum, Utrecht |
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| Giulio Carpioni The Nativity before 1678 etching Graphische Sammlung, ETH Zürich |
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| Pietro da Cortona (Pietro Berrettini) The Vision of St Francis ca. 1641 oil on canvas Pinacoteca Vaticana, Rome |
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| Giovanni Battista Gaulli (il Baciccio) Baptism of Christ ca. 1690 oil on canvas Musée des Beaux-Arts de Caen |
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| Berndnaut Smilde Cloud in the Art Museum 2021 C-print Kunstmuseum, The Hague |
from The Glass of Water
That the glass would melt in heat,
That the water would freeze in cold,
Shows that this object is merely a state,
One of many, between two poles. So,
In the metaphysical, there are these poles.
Here in the centre stands the glass. Light
Is the lion that comes down to drink. There
And in that state, the glass is a pool.
Ruddy are his eyes and ruddy are his claws
When light comes down to wet his frothy jaws
And in the water winding weeds move round.
– Wallace Stevens (1942)
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