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| Louis Faurer New York City ca. 1947 gelatin silver print Art Institute of Chicago |
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| Louis Faurer New York City ca. 1949 gelatin silver print Art Institute of Chicago |
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| Murray Walker Untitled 1983 collage with watercolor and ink on postcard Heide Museum of Modern Art, Bulleen, Australia |
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| Murray Walker Untitled 1983 collage with watercolor and ink on postcard Heide Museum of Modern Art, Bulleen, Australia |
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| Ferdinand Tietz Bust of Apollo ca. 1764-65 sandstone Bayerisches Nationalmuseum, Munich |
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| Ferdinand Tietz Bust of Mercury ca. 1765 sandstone Bayerisches Nationalmuseum, Munich |
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| Vicki Varvaressos Portrait of Frank Watters 1980 acrylic on canvas Art Gallery of New South Wales, Sydney |
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| Vicki Varvaressos Six-Foot Caucasian with Beard 1976 acrylic and collage on paper, mounted on canvas Art Gallery of New South Wales, Sydney |
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| Anonymous British Maker Stomacher 17th century silk embroidery on silk Art Institute of Chicago |
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| Anonymous British Maker Stomacher ca. 1700-1730 silk lined with linen Art Museums of Colonial Williamsburg, Virginia |
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| Andy Warhol Mick Jagger 1975 screenprint Museum Boijmans Van Beuningen, Rotterdam |
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| Andy Warhol Unidentified Waiter resisting Photography 1982 gelatin silver print Art Gallery of South Australia, Adelaide |
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| Jacopo Tintoretto Portrait of Woman in Mourning ca. 1550-55 oil on canvas Gemäldegalerie Alte Meister, Dresden |
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| Jacopo Tintoretto Young Man with Sculpture of Lucretia ca. 1555 oil on canvas Alte Pinakothek, Munich |
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| Johann Friedrich August Tischbein Portrait of a Lady 1796 oil on canvas Národní Galerie, Prague |
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| Johann Friedrich August Tischbein Portrait of Christiane Caroline Mesmer 1804 oil on canvas Gemäldegalerie Alte Meister, Dresden |
The School Children
The children go forward with their little satchels.
And all morning the mothers have labored
to gather the late apples, red and gold,
like words of another language.
And on the other shore
are those who wait behind great desks
to receive these offerings.
How orderly they are – the nails
on which the children hang
their overcoats of blue or yellow wool.
And the teachers shall instruct them in silence
and the mothers shall scour the orchards for a way out,
drawing to themselves the gray limbs of the fruit trees
bearing so little ammunition.
– Louise Glück (1975)