Thomas Couture Death of Seneca ca. 1850 oil on canvas (sketch) Ordrupgaard Art Museum, Copenhagen |
Jean-Baptiste Carpeaux Philoctetes on the Isle of Lemnos 1852 plaster (sketch) Musée des Beaux-Arts de Valenciennes |
Wilhelm Marstrand Gondola Scene in Venice ca. 1854 oil on paper (sketch) Ordrupgaard Art Museum, Copenhagen |
Wilhelm Marstrand Landing from a Gondola in Venice ca. 1854 oil on paper (sketch) Ordrupgaard Art Museum, Copenhagen |
George Frederic Watts Figure for The Denunciation of Cain ca. 1872 plaster (study for painting) Watts Gallery, Guildford, Surrey |
Kenyon Cox Study of Plaster Torso ca. 1880 drawing National Gallery of Art, Washington DC |
Paul Cézanne Study of Statue - Praying Figure ca. 1880-82 drawing, with watercolor Museum Boijmans Van Beuningen, Rotterdam |
Edward Burne-Jones Man and Mermaid ca. 1885-86 watercolor (study for painting, The Depths of the Sea) Ashmolean Museum, Oxford |
Laurent-Honoré Marqueste Sketch of Two Women ca. 1890 terracotta Musée des Augustins de Toulouse |
Nikolaos Gyzis Allegorical Figure of Science ca. 1895 oil on paper (study for painting) National Museum, Athens |
Morgan Russell Sketch for Synchronie en bleu-violacé ca. 1913 oil on canvas Los Angeles County Museum of Art |
Robert Caumont Study of Madeleine Collasson in the Garden ca. 1918-20 drawing Musée des Beaux-Arts de Bordeaux |
Pierre-Albert Begaud Study for Le Sud-Ouest ca. 1930-40 watercolor and gouache on paper Musée des Beaux-Arts de Bordeaux |
Oskar Schlemmer Bauhaus Staircase ca. 1931-32 watercolor on paper (sketch for painting) Städel Museum, Frankfurt |
Peter Mitchell Study for Wallpaper Motif ca. 1948-52 wash drawing Cincinnati Art Museum, Ohio |
Charles Clough Study after Courbet 1981 oil and enamel on paper Albright-Knox Art Gallery, Buffalo, New York |
Would I were there when they turn and Theban robbers face,
Amid the brazen roar of shields, Colonus in chase;
Whether by the Pythian strand, or further away to the west
Where immortal spirits reveal the life of the blessed
To the living man that has sworn to let none living know;
Or it may be north and west amid Oea's desolate snow.
No matter how steep the climb Colonus follows the track,
No matter how loose the rein Theseus rides at their back;
And the captives turn in the saddle, turn their heads at his call.
Swords upon brazen shield, and brazen helmets fall.
No matter how steep the climb Colonus follows the track,
No matter how loose the rein Theseus rides at their back;
And the captives turn in the saddle, turn their heads at his call.
Swords upon brazen shield, and brazen helmets fall.
Creon is captured or slain, many are captured or slain.
Terrible the men of Colonus, terrible Theseus' men.
O glitter of bridle and bit; O lads in company
To the son of Rhea that rides upon the horses of the sea
Terrible the men of Colonus, terrible Theseus' men.
O glitter of bridle and bit; O lads in company
To the son of Rhea that rides upon the horses of the sea
Vowed, and to the Goddess Pallas Athena vowed!
O that I had seen it all mounted upon a cloud!
O that I had seen it all mounted upon a cloud!
O that I had run thither, a bird upon the wind!
I have but imagined it all, seen it in the eye of the mind,
And cannot know what happened for all the words I say,
And therefore to God's daughter Pallas Athena pray
To bring the lads and the horses and the luckless ladies home,
I have but imagined it all, seen it in the eye of the mind,
And cannot know what happened for all the words I say,
And therefore to God's daughter Pallas Athena pray
To bring the lads and the horses and the luckless ladies home,
And when that prayer is finished that a double blessing come
From the running ground of the deer, from the mountain land to this,
Pray to the brother and sister, Apollo and Artemis.
From the running ground of the deer, from the mountain land to this,
Pray to the brother and sister, Apollo and Artemis.
– Sophocles, chorus from Oedipus at Colonus (405 BC), translated by W.B. Yeats (1934)