Thursday, October 1, 2026

Visual Preferences (20th Century: 1984)

Richard Slee
Bowl
1984
glazed earthenware
Art Institute of Chicago

Ralph Gibson
Untitled
1984
C-print
San Diego Museum of Art

Ralph Gibson
Untitled
1984
gelatin silver print
Moderna Museet, Stockholm

Nancy Graves
5745
1984
screenprint
Blanton Museum of Art, Austin, Texas

Christie van der Haak
Madonna no. 8
1984
acrylic on canvas
Kunstmuseum, The Hague

Willem De Kooning
Untitled IX
1984
oil on canvas
Nasher Sculpture Center, Dallas

Robert Motherwell
Elegy with Opening
1984
acrylic on canvas
New Britain Museum of American Art, Connecticut

Daido Moriyama
Rose
1984
gelatin silver print
Akron Art Museum, Ohio

Mark Morrisroe
Nymph-O-Maniac Promo Still, Spectacular Studios
1984
C-print
Institute of Contemporary Art, Boston

Manuel Neri
Carrara no. 7
1984
watercolor on paper
San Diego Museum of Art

Louise Nevelson
Program Design for opera Orfeo ed Euridice
1984
watercolor on paper
McNay Art Museum, San Antonio, Texas

Diane Gamboa
Untitled
1984
screenprint
Los Angeles County Museum of Art

Benjamin Cañas
Mujer sobre sofá rojo
1984
oil on canvas
NSU Art Museum, Fort Lauderdale, Florida

Judy Dater
Woman with Bomb #1
1984
gelatin silver print
San Jose Museum of Art, California

Jan Saudek
The Target (Death of a Soldier)
1984
gelatin silver print
Los Angeles County Museum of Art

Jan Saudek
The Target (Death of a Soldier)
1984
gelatin silver print
Los Angeles County Museum of Art

from Shorts

Behold the manly mesomorph
Showing his bulging biceps off,
Whom social workers love to touch,
Though the loveliest girls do not care for him much.

Pretty to watch with bat or ball,
An Achilles, too, in a bar-room brawl,
But in the ditch of hopeless odds,
The hour of desertion by brass and gods,

Not a hero. It is the pink-and-white
Fastidious, almost girlish, in the night
When the proud-arsed broad-shouldered break and run,
Who covers their retreat, dies at his gun.

– W.H. Auden (ca. 1950)