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| Richard Slee Bowl 1984 glazed earthenware Art Institute of Chicago |
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| Ralph Gibson Untitled 1984 C-print San Diego Museum of Art |
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| Ralph Gibson Untitled 1984 gelatin silver print Moderna Museet, Stockholm |
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| Nancy Graves 5745 1984 screenprint Blanton Museum of Art, Austin, Texas |
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| Christie van der Haak Madonna no. 8 1984 acrylic on canvas Kunstmuseum, The Hague |
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| Willem De Kooning Untitled IX 1984 oil on canvas Nasher Sculpture Center, Dallas |
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| Robert Motherwell Elegy with Opening 1984 acrylic on canvas New Britain Museum of American Art, Connecticut |
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| Daido Moriyama Rose 1984 gelatin silver print Akron Art Museum, Ohio |
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| Mark Morrisroe Nymph-O-Maniac Promo Still, Spectacular Studios 1984 C-print Institute of Contemporary Art, Boston |
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| Manuel Neri Carrara no. 7 1984 watercolor on paper San Diego Museum of Art |
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| Louise Nevelson Program Design for opera Orfeo ed Euridice 1984 watercolor on paper McNay Art Museum, San Antonio, Texas |
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| Diane Gamboa Untitled 1984 screenprint Los Angeles County Museum of Art |
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| Benjamin Cañas Mujer sobre sofá rojo 1984 oil on canvas NSU Art Museum, Fort Lauderdale, Florida |
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| Judy Dater Woman with Bomb #1 1984 gelatin silver print San Jose Museum of Art, California |
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| Jan Saudek The Target (Death of a Soldier) 1984 gelatin silver print Los Angeles County Museum of Art |
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| Jan Saudek The Target (Death of a Soldier) 1984 gelatin silver print Los Angeles County Museum of Art |
from Shorts
Behold the manly mesomorph
Showing his bulging biceps off,
Whom social workers love to touch,
Though the loveliest girls do not care for him much.
Pretty to watch with bat or ball,
An Achilles, too, in a bar-room brawl,
But in the ditch of hopeless odds,
The hour of desertion by brass and gods,
Not a hero. It is the pink-and-white
Fastidious, almost girlish, in the night
When the proud-arsed broad-shouldered break and run,
Who covers their retreat, dies at his gun.
– W.H. Auden (ca. 1950)














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