Wednesday, July 31, 2019

Theseus - Ancient Artifacts and Emulations

Figure of Theseus
from an original marble carved and installed ca. 470-460 BC - Temple of Zeus at Olympia
plaster cast made in 1883 at Koniglische Museen, Berlin
Museum of Fine Arts, Boston

Eugène Delacroix
Theseus, conqueror of the Centaur Eurytus
(from the Parthenon Frieze)
1825
lithograph
Metropolitan Museum of Art, New York

from The Metamorphoses

For of the cruel Centaurs, thou most cruel Euryt, though
Like as thy stomach was with wine far over-chargèd, so
As soon as thou beheldst the bride, thy heart began to frayne
And doubled with thy drunkenness thy raging lust did reign.
The feast was troubled by and by with tables overthrown,
The bride was haled by the head, so far was fury grown.
Fierce Eurytus caught Hippodame, and every of the rest
Caught such as commèd next to hand, or such as he liked best.
It was the lively image of a city ta'en by foes,
The house did ring with women's shrieks, we all up quickly rose.
And first said Theseus thus, 'What ails? art mad, O Eurytus?
That darest (seeing me alive) misuse Pirithous,
Not knowing that in one thou dost abuse us both?' And lest
He might have seemed to speak in vain, he thrust 'way such as pressed
About the bride, and took her from them, fretting sore thereat.
No answer made him Eurytus (for such a deed as that
Defended could not be with words) but with his saucy fist
He flew at gentle Theseus' face, and bobbed him on the brist.
By chance hard by an ancient cup of image-work did stand,
Which being huge, himself more huge, Sir Theseus took in hand,
And threw 't at Euryt's head. He spewed as well at mouth as wound
Mixed clots of blood and brain and wine, and on the soilèd ground
Lay sprawling bolt upright.

– Ovid (8 AD), translated by Arthur Golding (1564)

Charles Townley (collector)
Theseus battling the Centaur
(after a terracotta Campana relief)
ca. 1768-1805
drawing, with watercolor
British Museum

Richard Earlom after Giovanni Battista Cipriani
Battle of Theseus and Centaur
(after antique relief)
1789
etching and aquatint
British Museum

Ancient Rome
Theseus examining his Father's sword
1st-century BC - 1st century AD
carnelian intaglio
Museum of Fine Arts, Boston

Ancient Rome
Head of Theseus
1st-century BC - 1st century AD
carnelian intaglio
Hermitage, Saint Petersburg

Reinier Vinkeles after Jacobus Buys
Medallions with antique portraits of Theseus and Romulus
1789
etching
Rijksmuseum, Amsterdam

Ancient Rome
Theseus with conquered Minotaur
ca. AD 75-100
sardonyx intaglio
Kunsthistorisches Museum, Vienna

Giovanni Pichler
Theseus with conquered Minotaur
(after Roman sardonyx intaglio now in Vienna)
ca. 1760
agate cameo set into a ring
Victoria & Albert Museum

Bernard Picart
Theseus with conquered Minotaur
(after Roman sardonyx intaglio now in Vienna)
1722
engraving
Philadelphia Museum of Art

Ancient Rome
Theseus and the Minotaur inside the Labyrinth
ca. AD 300-400
mosaic
Kunsthistorisches Museum, Vienna

Ancient Rome
Combat of Theseus and Sciron
1st century BC
terracotta relief-panel
Hermitage, Saint Petersburg

"SCIRON – A famous robber who haunted the frontier between Attica and Megaris, and not only robbed the travellers who passed through the country, but compelled them, on the Scironian rock, to wash his feet, during which operation he kicked them with his foot into the sea.  At the foot of the rock there was a tortoise, which devoured the bodies of the robber's victims.  He was slain by Theseus, in the same manner in which he had killed others."

Dictionary of Greek and Roman Biography and Mythology by William Smith (London: John Murray, 1873)

Anonymous Italian Maker
Head of Theseus
16th century
carnelian intaglio
Hermitage, Saint Petersburg

Anonymous Italian Maker
Theseus restoring Helen to her brothers, Castor and Pollux
(forgery of ancient gem)
ca. 1800-1820
carnelian intaglio
Metropolitan Museum of Art, New York

Theseus - Painted Terracotta from Ancient Greece

Attic Greece
Neck Amphora
Theseus slaying the Minotaur
ca. 550 BC
painted terracotta
Getty Museum, Los Angeles

Attic Greece
Hydria
Theseus slaying the Minotaur
ca. 550-530 BC
painted terracotta
Harvard Art Museums

Attic Greece
Amphora
Theseus slaying the Minotaur
ca. 545-535 BC
painted terracotta
Princeton University Art Museum

Attic Greece
Amphora
Theseus slaying the Minotaur
ca. 540 BC
painted terracotta
British Museum

Attic Greece
Amphora
Theseus slaying the Minotaur
ca. 540 BC
painted terracotta
Museum of Fine Arts, Boston

Attic Greece
Amphora
Theseus slaying the Minotaur
ca. 540-530 BC
painted terracotta
Metropolitan Museum of Art, New York

"In Greek mythology, Athens was once subject to King Minos of Crete and was obliged to send a yearly tribute of seven youths and seven maidens.  They either lost their way in the king's labyrinthine palace or were consumed by the Minotaur, part man and part bull.  Theseus, with the help of Ariadne, Minos' daughter, killed the monstrous creature."

– curator's notes from the Metropolitan Museum

Attic Greece
Kylix (detail)
Theseus slaying the Minotaur
ca. 530 BC
painted terracotta
Metropolitan Museum of Art, New York

Attic Greece
Neck Amphora
Theseus slaying the Minotaur
ca. 500 BC
painted terracotta
Metropolitan Museum of Art, New York

Attic Greece
Column Krater
Theseus and Poseidon
ca. 480-470 BC
painted terracotta
Harvard Art Museums

"The Athenian hero Theseus visits his divine father Poseidon.  Theseus's mother was Aethra, and ancient sources sometimes consider him to be the son of her husband, Aegeus, but sometimes also make him the son of Poseidon.  Poseidon stands at the center of the scene facing toward the right, identifiable by the trident he holds in his left hand, which is so tall that it overlaps the frieze above the scene.  . . .  With his right hand he grasps Theseus's right hand in greeting.  . . ." 

– curator's notes from Harvard Art Museums

Attic Greece
Oinochoe
Theseus and Poseidon
ca. 470-460 BC
painted terracotta
Yale University Art Gallery

Attic Greece
Neck Amphora
Theseus and Sinis grasping a Pine Tree
ca. 470-460 BC
painted terracotta
Harvard Art Museums

"Sinis was a bandit who lived at the Isthmus of Corinth, the only land-route from the Greek mainland to the Peloponnesian peninsula, and would trick travelers into helping him bend trees down to the ground and releasing them so they were catapulted by the tree as it sprang back up.  . . .   This scene shows the Athenian hero Theseus outwitting Sinis and using his own trick against him.  The unbearded Theseus stands at left, wearing a short tunic (chiton) and holding Sinis' left wrist in his right hand, looking down at the crouching Sinis.  In his left hand he holds a coniferous tree bent down towards the ground, with its leaves and branches painted in added red.  . . ."

– curator's notes from Harvard Art Museums

Attic Greece
Bell Krater (detail)
Theseus and Procrustes
ca. 470 BC
painted terracotta
Kunsthistorisches Museum, Vienna

"Procrustes was a brigand who lived between Eleusis and Athens.  Having overcome his victims he would force them to lie down on a bed, or on one of two beds – if they were too short, he would hammer them out or rack them with weights to fit the longer bed, if too tall he would cut them to fit the shorter.  Theseus disposed of him in like manner."

 – Oxford Classical Dictionary

Attic Greece
Kylix
Deeds of Theseus
ca. 440-430 BC
painted terracotta
British Museum

Attic Greece
Calyx Krater
Theseus seizing the Bull of Marathon
ca. 440-430 BC
painted terracotta
Metropolitan Museum of Art, New York

Tuesday, July 30, 2019

Jason (Grecian Hero) - III

Salvator Rosa
Jason pouring Medea's potion over the Dragon
ca. 1663-64
etching and drypoint
British Museum

Antonio Tempesta
Jason putting the Dragon to sleep
1606
etching
Rijksmuseum, Amsterdam

Stefano della Bella
Jason pouring sleeping potion onto the Dragon 
(from Jeu des Fables)
1644
etching
British Museum

from The Metamorphoses

Jason's remaining task was to use Medea's herbs
to drug the unsleeping dragon, who guarded the golden tree
in the pride of its towering crest, its three-forked tongue and its hooked fangs.
After he'd sprinkled the monster with juice of a herb from the Lethe,
repeating a spell three times to induce a motionless slumber,
a spell which could calm a troubled sea or a river in spate,
sleep finally settled on eyes which had never known it, and Jason
was able to capture the Golden Fleece.

– Ovid (8 AD), translated by David Raeburn (2004)

Joseph Mallord William Turner
Jason encountering the Dragon
(from the artist's Liber Studiorum, recording his completed paintings)
ca. 1806-1807
drawing
Tate Gallery

Joseph Mallord William Turner
Jason encountering the Dragon
(from the artist's Liber Studiorum, recording his completed paintings)
ca. 1807
etching and engraving
Tate Gallery

Joseph Mallord William Turner
Preliminary Study for the figure of Jason encountering the Dragon
ca. 1799-1802
drawing
Tate Gallery

John Boydell
Jason and the Dragon
1765
engraving
Teylers Museum, Haarlem

René Boyvin after Léonard Thiry
Jason and the Dragon
1563
engraving
Princeton University Art Museum

Bernard Picart
Jason seizing the Golden Fleece
1731
engraving
Teylers Museum, Haarlem

Bonaventura Genelli and Hermann Schütz
Jason stealing the Golden Fleece
ca. 1839-40
etching
Philadelphia Museum of Art

Jean-Baptiste Nolin
Jason carrying off the Golden Fleece
ca. 1690-1725
etching and engraving
Metropolitan Museum of Art, New York

Anonymous French makers
Jason taking the Golden Fleece
1784
wool and silk tapestry
Hermitage, Saint Petersburg

Erasmus Quellinus
Jason with the Golden Fleece
ca. 1636-38
oil on canvas
Museo del Prado, Madrid

Gustave Moreau
Jason with Medea, victorious over the Dragon
1865
oil on canvas
Musée d'Orsay, Paris

Jason (Grecian Hero) - II

attributed to Gabriel-François Doyen
Jason and the Golden Fleece
ca. 1775
drawing
Minneapolis Institute of Art

Pordenone
Jason approaching King Pelias
before 1539
drawing
Kupferstichkabinett, Berlin

Elisabeth Kemper
Jason on the Golden Ram
1818
drawing
Rijksmuseum, Amsterdam

Francesco Salviati
Jason preparing to kill the Ram
before 1563
drawing
British Museum

Agostino Carracci
Jason and the Argonauts
(study for fresco)
before 1602
drawing
Royal Collection, Great Britain

from I.W. to her Unconstant Lover

Jason that came of noble race,
        two ladies did begile.
I muse how he durst shew his face
        to them that knew his wile.

For when he by Medea's art
        had got the Fleece of Gold
And also had of her that time
        all kind of things he wold,

He took his ship and fled away
        regarding not the vows
That he did make so faithfully
        unto his loving spouse.

How durst he trust the surging sea
        knowing himself forsworn?
Why did he scape safe to the land
        before the ship was torn?

– Isabella Whitney (1567)

Anonymous Italian artist
Jason putting the Dragon to sleep
17th century
drawing
Princeton University Art Museum

Anonymous Netherlandish artist
Jason in search of the Golden Fleece
ca. 1484
drawing
Museum of Fine Arts, Boston

Washington Allston
Study for Jason Returning to demand his Father's Kingdom
ca. 1807-1808
drawing
Harvard Art Museums

Raymond Lafage
Jason and the Bulls of King Aeëtes
ca. 1679-80
drawing
Royal Collection, Great Britain

Annibale Carracci
Meeting of Jason and King Aeëtes
(study for fresco)
ca. 1584
drawing
Staatliche Graphische Sammlung, Munich

Crispijn van de Passe the Elder
Jason putting the Dragon to sleep
(study for engraving)
ca. 1600
drawing
Royal Collection, Great Britain

Crispijn van de Passe the Elder
Jason putting the Dragon to sleep
ca. 1602-1607
engraving
Rijksmuseum, Amsterdam

Abraham Dircksz Santvoort
Jason approaching the Golden Fleece
(title-page for a play by Pierre Corneille)
1683
etching
Rijksmuseum, Amsterdam

Simon Charles Miger after Jean-François de Troy
Head of Jason
(copied after a cartoon drawn in 1746)
before 1820
intaglio print
British Museum