Friday, January 31, 2020

Human and/or Divine Figures in Paint (1840-1850)

Charles Baxter
The Fair Friend
ca. 1840
oil on paper
Guildhall Art Gallery, London

William Etty
Toilette of Venus
1840
oil on panel
York Art Gallery

David Scott
Philoctetes left on the Isle of Lemnos by the Greeks on their Passage toward Troy
1840
oil on canvas
Scottish National Gallery, Edinburgh

Charles Lock Eastlake
Hagar offering Water to Ishmael in the Desert
1842
oil on canvas
National Trust, Ambleside, Cumbria

Horace Vernet
Arabs travelling in the Desert
1843
oil on canvas
Wallace Collection, London

Sophie Rude
Portrait of Mary Matthews, Madame de La Chère
1843
oil on canvas
National Trust, Sizergh Castle, Cumbria

Richard Buckner
Portrait of Harriet Parker, Countess of Morley
1843
oil on canvas
National Trust, Saltram House, Devon

Ford Madox Brown
The Bromley Family
1844
oil on canvas
Manchester Art Gallery

Frank Stone
Portrait of Maria Louisa Phipps, Samuel Rogers and Caroline, Lady Stirling-Maxwell
ca. 1845
oil on canvas
National Portrait Gallery, London

John Rogers Herbert
Portrait of Augustus Pugin
1845
oil on canvas
Parliamentary Art Collection, London

Joseph Severn
Keats listening to a Nightingale on Hampstead Heath
1845
oil on canvas
Guildhall Art Gallery, London

R.I.P.

Not forced to fall for hideous Phaon,
nor to drift dreamlike from
a Victorian cliff, pursued by visions
of slender limbs, peach-soft hair,
dewy violets clustered
in an unwilling lap, not exiled
on a distant island for writing
smartly about love, not called amoral
nor forgotten, not murdered
by a jealous lover, nor weakened
from drink, did not make an incision
in the veins, never murdered
in a tavern at twenty-nine
nor thought mad, released immediately
from St. Luke's Hospital for Lunatics,
freed from Northampton
General Lunatic Asylum,
cured of syphilis, not mad
nor ruined by drink nor shot
in the head, the rope unknotted
and fluidly slid from the lamp-
post, sauntered away with a sideways
crawl up the Champs-Élysées,
never sickened from drink
nor drowned in the Gulf of Spezia,
the heart kept tight swam madly
toward shore, disappeared down
the glistening beach skipping
happily in the direction of England,
staved off fever while fighting
for Greeks, lived, wrote, erased
the blood-stained pillowcase, married Fanny,
moved to Finland, fathered several
pink-skinned children, lay down for a rest
in the Baltimore street, got up
confused about Spanish port and
went to the graveyard to sleep it off,
laudanum, opium, stroke, paralysis,
aphasia, angels, threads of exotic Delacroix
visions, but everything was put right
when mom said, "Come on home,
I want to care for you," left the house
and walked into the river until
the water level covered the hairline
then shed the heavy Edwardian garments
and broke into a birdlike breaststroke
exclaiming, "How lovely to be free
of the sickbed!" never destroyed by drink,
sang while removing the shrapnel from
a soldier, recovered from the Spanish flu,
returned to Poland all debts forgiven
by appreciative readers from the Congo,
replaced the bottle of Lysol among toxic
rats enjoying a sauna under the sink,
did not pull the trigger or push the chair
out from under the revolution
while screaming about the army of the arts,
put on a jacket and sailed to Mexico,
calmly came up on deck, folded
the jacket over the rail, and then –
arrested by a vision of spread-eagled sailors
descending like angels through
the turquoise sky – decided not
to swallow the sea, freed from Payne Whitney,
walked right on through the psychiatric
state hospital and out the other side,
had no psychotic break while on acid
in a land of dreamlike torch singers
masquerading as Satanists, never touched the stuff,
the dead liver tissue miraculously mended,
smoker's cough silenced, cured by the sea air
of old gray Gloucester, jumped into
the beach taxi and drove down the beach
gesticulating gaily toward the setting sun,
not undone, unloved, forgotten, nor
filled with despair, not punished for talking
with angels, not unhappy nor alone,
not misrepresented nor misunderstood
nor nauseous from drink or drugs or depression,
loved respected and read
long-lived healthy and happy
celebrated by all in life before
dying contented in a comfortable bed.

– Jennifer Moxley (2014)

George Frederic Watts
King Alfred inciting the Saxons to prevent the Landing of the Danes
1846
oil on canvas
Parliamentary Art Collection, London

Ernest Meissonier
The Guard Room
ca. 1847
oil on panel
Wallace Collection, London

Frederick Richard Pickersgill
Burial of Harold at Waltham Abbey
1847
oil on canvas
Parliamentary Art Collection, London

William Dyce
Omnia Vanitas
1848
oil on canvas
Royal Academy of Arts, London

Human and/or Divine Figures in Paint (1850-1860)

Louis Antoine Carolus
The Reprimand
ca. 1850
oil on canvas
Bowes Museum, Barnard Castle, County Durham

Frederick Richard Pickersgill
Samson Betrayed
1850
oil on canvas
Manchester Art Gallery

Charles Allston Collins
Convent Thoughts
1851
oil on canvas
Ashmolean Museum, Oxford

Philip Hermogenes Calderon
By the Waters of Babylon
1852
oil on canvas
Tate Britain

Ernest Meissonier
The Recital
ca. 1852-53
oil on panel
Wallace Collection, London

attributed to Samuel Laurence
Portrait of Jane Welsh Carlyle
1854
oil on canvas
National Trust, Carlyle's House, London

"I do not wish for fortune more than is sufficient for my wants – my natural wants, and the artificial ones which habit has rendered nearly as importunate as the other – but I will not marry to live on less; because in that case every inconvenience I was subjected to, would remind me of what I had quitted; and the idea of a sacrifice should have no place in a voluntary union – Neither have I any wish for grandeur – the glittering baits of titles and honours are only for children and fools – But I conceive it a duty which every one owes to society, not to throw up that station in it which Providence has assigned him; and having this conviction, I could not marry into a station inferior to my own with the approval of my judgement, which alone could enable me to brave the censures of my acquaintance."

– letter of 1825 to Thomas Carlyle from Jane Welsh Carlyle (written before their marriage)

Frederic Leighton
Head of an Italian Model
ca. 1855
oil on canvas
Leighton House Museum, London

Abraham Solomon
First Class - The Meeting
ca. 1856
oil on canvas
Southampton City Art Gallery

William Edward Frost
The Three Graces
1856
oil on canvas
Yale Center for British Art

Joseph Noel Paton
Hesperus, the Evening Star, sacred to Lovers
1857
oil on panel
Kelvingrove Art Gallery and Museum, Glasgow

George Frederic Watts
Portrait of Jane Elizabeth Hughes
1857-58
oil on canvas
National Trust, Wightwick Manor, Wolverhampton

Frederick Sandys
Queen Eleanor
1858
oil on canvas
National Museum Cardiff (Wales)

Charles Rossiter
To Brighton and Back for Three and Sixpence
1859
oil on canvas
Birmingham Museum and Art Gallery

John Everett Millais
Spring (Apple Blossoms)
1859
oil on canvas
Lady Lever Art Gallery, Liverpool

Arthur Hughes
The Long Engagement
1859
oil on canvas
Birmingham Museum and Art Gallery

Thursday, January 30, 2020

Human and/or Divine Figures in Paint (1860-1870)

Michele Gordigiani
Josephine Catherine Denise Carré, Lady Reeve De la Pole
ca. 1860
oil on canvas
National Trust, Shute Barton, Devon

Frederick Richard Pickersgill
Samson Betrayed
1862
oil on canvas
National Trust, Benthall Hall, Shropshire

Robert Collinson
Ordered on Foreign Service
1863
oil on paper, mounted on canvas
Ashmolean Museum, Oxford

Frederick Sandys
Morgan le Fay
1864
oil on panel
Birmingham Museum and Art Gallery

George Richmond
Comus
ca. 1864
oil on canvas
Walker Art Gallery, Liverpool

from Comus

Braid your locks with rosy twine,
Dropping odours, dropping wine.
Rigour now is gone to bed;
And Advice with scrupulous head,
Strict Age, and sour Severity,
With their grave saws, in slumber lie.
We, that are of purer fire,
Imitate the starry quire,
Who, in their nightly watchful spheres,
Lead in swift round the months and years.
The sounds and seas, with all their finny drove,
Now to the moon in wavering morrice move;
And on the tawny sands and shelves
Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,
The merry wakes and pastimes keep:
What hath night to do with sleep?

– John Milton (1634)

Dante Gabriel Rossetti
The Blue Bower
1865
oil on canvas
Barber Institute of Fine Arts, University of Birmingham

Raffaello Sorbi
Italian Girl with Doves
1866
oil on canvas
National Trust, Cragside House, Northumberland

Albert Joseph Moore
Pomegranates
1866
oil on canvas
Guildhall Art Gallery, London

John Dawson Watson
Inspiration
1866
oil on panel
Manchester Art Gallery

Édouard Dubufe
The Magdalen by Lamplight
ca. 1866
oil on copper
York Art Gallery

Simeon Solomon
Bacchus
1867
oil on paper, mounted on canvas
Birmingham Museum and Art Gallery

John Everett Millais
Jephthah
1867
oil on canvas
National Museum Cardiff (Wales)

Ford Madox Brown
Romeo and Juliet
1867
watercolour and bodycolour on paper
Whitworth Art Gallery, University of Manchester

George Frederic Watts
Orpheus and Eurydice
1869
oil on canvas
Walker Art Gallery, Liverpool

Edward Poynter
Head of St George
(study for mosaic)
ca. 1869
oil on panel
Parliamentary Art Collection, London

Human and/or Divine Figures in Paint (1870-1880)

William Edward Frost
Nymph and Cupid
1870
oil on panel
Royal Academy of Arts, London

Claude Monet
Beach at Trouville
1870
oil on canvas
National Gallery, London

Édouard Detaille
Académie
ca. 1870
oil on canvas
Nottingham Castle Museum and Art Gallery

Henri Fantin-Latour
A Woodland Glade
ca. 1872
oil on canvas
Manchester Art Gallery

A Woodland Incident

About the bush that hides the nest
Two thrushes dart, afraid to stay
But more afraid to go away.

Below, a shadow stirs the crest
Of weeds, and frantic thrushes see
How surely comes that enemy.

And what it is I do not know,
But I shall hasten to the spot
And find what little brain is hot;
And see how quickly fear can go
To chill the thing that darts away
When it, in turn, becomes the prey.

A squirrel, safely on the fence,
Jerks with his scolding's vehemence –
As if the thrushes had his blame
For building much too near the ground,
As if the crawling thing he found
In flight was less than when it came
And he had found at last the wit
To tell just what he thought of it.
But, sensing his futility,
He lingers on, resenting me.

I do not care, since I can see
The thrushes turn and nestward fly . . .
For they are glad I happened by,
        And so am I.

– Glenn Ward Dresbach (1928)

Dante Gabriel Rossetti
La Ghirlandata
1873
oil on canvas
Guildhall Art Gallery, London

William Holman Hunt
The Shadow of Death
ca. 1870-73
oil on canvas
Manchester Art Gallery

Edward Burne-Jones
The Beguiling of Merlin
ca. 1874-77
oil on canvas
Lady Lever Art Gallery, Liverpool

Albert Joseph Moore
Beads
1875
oil on canvas
Scottish National Gallery, Edinburgh

Lawrence Alma-Tadema
Pleading
1876
oil on canvas
Guildhall Art Gallery, London

Pascal-Adolphe-Jean Dagnan-Bouveret
Académie
1876
oil on canvas
Royal Academy of Arts, London

Henry Scott Tuke
Académie
ca. 1877
oil on canvas
Royal Cornwall Polytechnic Society, Falmouth

Thomas Wilson
Académie
1877
oil on canvas
Royal Scottish Academy of Art & Architecture, Edinburgh

Charles Mengin
Sappho
1877
oil on canvas
Manchester Art Gallery

Edward Poynter
The Fortune Teller
1877
oil on canvas
Royal Academy of Arts, London

Robert Fowler
Women of Phoenicia
1879
oil on canvas
Walker Art Gallery, Liverpool