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| Bernardo di Stefano Rosselli Madonna della Centola 1484 tempera on panel Princeton University Art Museum |
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| Luca Signorelli Coronation of the Virgin 1508 oil and tempera on panel San Diego Museum of Art |
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| Anonymous Italian Weavers Fabric Panel 17th century silk brocade with metallic thread Chrysler Museum of Art, Norfolk, Virginia |
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| William Wilson F. Peterson - House & Ship Painter, Plumber and Glazier 1833 engraving National Gallery of Australia, Canberra |
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| Anselm Sickinger Design for a Gothic Altar ca. 1840 drawing Bayerisches Nationalmuseum, Munich |
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| Jan Voerman the Elder Nasturtiums ca. 1894 gouache on paper Isabella Stewart Gardner Museum, Boston |
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| Williams, Brown & Earle (Philadelphia) Villa Pamphili, Rome ca. 1910 hand-colored lantern slide Archives of American Gardens, Washington DC |
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| Florine Stettheimer Zinnias ca. 1920-30 oil on canvas Los Angeles County Museum of Art |
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| Max Yavno Hot Dog 1949 gelatin silver print Amon Carter Museum of American Art, Fort Worth, Texas |
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| Henry Schreiner (New York) Brooch ca. 1950-60 base metal and paste gems Royal Ontario Museum, Toronto |
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| Larry Silver Jogger - Westport, Connecticut 1979 gelatin silver print Smithsonian American Art Museum, Washington DC |
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| Laurie Simmons Tourism: Laurie's Show 1983-84 gelatin silver print Whitney Museum of American Art, New York |
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| Paula Winokur Mantel for Three Bowls 1987 porcelain Smithsonian American Art Museum, Washington DC |
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| Thomas Struth South LaSalle Street, Chicago 1992 gelatin silver print Dallas Museum of Art |
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| Michal Rovner China 1995 C-prints Guggenheim Museum, New York |
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| David Stephenson Sant' Ivo alla Sapienza, Rome 1997 C-print Art Gallery of New South Wales, Sydney |
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| Jörg Sasse 2637 2000 C-print Guggenheim Museum, New York |
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| Navin Rawanchaikul Places of Rebirth 2009 acrylic on canvas Guggenheim Museum, New York |
from Cathemerinon
Yee night, and darknes, cloudie aire,
Confusion, tempest; hence away:
(Light now appeares, the skie growes faire,
Christ is at hand;) be gone, I say.
Now earth's black mantle's cut atwaine,
Smitten with dart of Suns bright ray:
Each thing receives its hue againe,
Through smiling visage of the day.
Thee, Christ, we vouch to know alone,
To thee with pure and plaine intent;
With sighes and tears we make our moan,
To our desires give thou assent.
How many things false-coloured are,
Which with thy light would cleered be?
Thou art the light of Easterne star,
Lighten us with thy count'nance free.
– Prudentius (AD 348-410), translated by Alexander Huish (1634)






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