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| Pietro Paltronieri Capriccio with Arch under Construction ca. 1725 tempera on canvas Portland Art Museum, Oregon |
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| Pietro Paltronieri Capriccio with Doric Portico ca. 1725 tempera on canvas Portland Art Museum, Oregon |
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| Jean-Démosthène Dugourc Design for Gilt-Bronze Chandeliers 1777 ink and watercolor on paper Cooper Hewitt, Smithsonian Design Museum |
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| Etienne-Claude Voysard after Pierre Ranson Decorative Monogram ca. 1780 hand-colored etching Cooper Hewitt, Smithsonian Design Museum |
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| Etienne-Claude Voysard after Pierre Ranson Decorative Monogram ca. 1780 hand-colored etching Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous Cobbler Slippers 1840 silk satin National Museum of American History, Washington DC |
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| Carl Schuch Still Life with Flowerpots ca. 1890 oil on canvas Belvedere Museum, Vienna |
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| Josef Hoffmann for Wiener Werkstätte Dessert Fork and Knife 1903 silver Cooper Hewitt, Smithsonian Design Museum |
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| Herbert Wendell Gleason Fritillaria recurva ca. 1915 hand-colored lantern slide Archives of American Gardens, Washington DC |
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| Durr Freedley Design for Marquetry Piano Case ca. 1916 graphite and watercolor on card Cooper Hewitt, Smithsonian Design Museum |
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| Durr Freedley Design for Painted Piano Case ca. 1916 graphite and watercolor on card Cooper Hewitt, Smithsonian Design Museum |
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| Viktor Schreckengost Bottles ca. 1935-40 gouache and ink on board Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Bruno Leti Summer Garden I 1987 lithograph (after an acrylic painting) National Gallery of Australia, Canberra |
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| Bruno Leti Summer Garden II 1987 lithograph (after an acrylic painting) National Gallery of Australia, Canberra |
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| Rachel Whiteread Untitled (Yellow Bed - Two Parts) 1991 dental plaster Hirshhorn Museum, Washington DC |
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| Charles Bell Circus Act 1995 screenprint Smithsonian American Art Museum, Washington DC |
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| Ron van Dongen Papaver somniferum 1996 gelatin silver print Los Angeles County Museum of Art |
from Upon the Duke of Yorke his Birth: A Panegyricke.
Great Charles! thou sweet Dawne of a glorious day,
Center of those thy Grandsires, shall I say
Henry and James, or Mars and Phœbus rather?
If this were Wisdomes God, that Wars sterne father,
'Tis but the same is said, Henry and James
Are Mars and Phœbus under divers Names.
O thou full mixture of those mighty soules,
Whose vast intelligence tun'd the Poles
Of Peace and Warre; Thou for whose manly brow
Both Lawrels twine into one wreath, and wooe
To be thy Garland: see (sweet Prince) ô see
Thou and the lovely hopes that smile in thee
Are ta'ne out and transcrib'd by thy Great Mother,
See, see thy reall shadow, see thy Brother,
Thy little selfe in lesse, read in these Eyne
The beames that dance in those full starres of thine.
From the same snowy Alablaster Rocke
These hands and thine were hew'n, these cherryes mocke
The Corall of thy lips. Thou art of all
This well-wrought Copy the faire Principall.