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| Stanislav Libenský Green Eye of the Pyramid 1993-97 cast glass Chrysler Museum of Art, Norfolk, Virginia |
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| Karen LaMonte Dress VIII 2002 cast glass Chrysler Museum of Art, Norfolk, Virginia |
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| Dick Hanley Lobby Interior, Pan Am Building, New York ca. 1964 gelatin silver print Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous Photographer Court House in Norfolk on Taft Day 1909 gelatin silver print Chrysler Museum of Art, Norfolk, Virginia |
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| Mabel Dwight Summer Evening ca. 1945 lithograph Smithsonian American Art Museum, Washington DC |
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| Joan Jonas Twilight 1975 gelatin silver print Whitney Museum of American Art, New York |
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| Dagobert Peche for Wiener Werkstätte Electric Chandelier 1923 silvered bronze Cooper Hewitt, Smithsonian Design Museum |
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| Robert Longo Untitled (Hercules) 2008 charcoal on paper Smithsonian American Art Museum, Washington DC |
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| Ralph Eugene Meatyard Cranston Ritchie with Pitcher ca. 1956 gelatin silver print Art Institute of Chicago |
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| Simon Fokke Figures at the Gates of Hell before 1784 etching Rijksmuseum, Amsterdam |
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| Fidus (Hugo Höppener) Prayer of Light 1927 offset-print (postcard printed in Berlin) private collection |
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| John Hertzberg Still Life ca. 1929 gelatin silver print Moderna Museet, Stockholm |
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| Hiroshi Sugimoto Lightning Fields 225 2009 gelatin silver print Victoria & Albert Museum, London |
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| Henri Mallard Still Life 1959 gelatin silver print Art Gallery of New South Wales, Sydney |
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| Harold Edgerton Untitled (Dynamite Cap Explosion) 1956 gelatin silver print Whitney Museum of American Art, New York |
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| James Casebere Tunnel with Bright Hole 1998 C-print Whitney Museum of American Art, New York |
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| Cornelis Bloemaert after Gerrit van Honthorst Maid lighting a Lantern (printed couplet concerns sexual availability) ca. 1625 etching and engraving Centraal Museum, Utrecht |
Upon a maid that dyed the day she was marryed
That Morne which saw me made a Bride,
The Ev'ning witnest that I dy'd.
The Ev'ning witnest that I dy'd.
Those holy lights, wherewith they guide
Unto the bed the bashfull Bride;
Serv'd, but as Tapers, for to burne,
And light my Reliques to their Urne.
This Epitaph, which here you see,
Supply'd the Epithalamie.
– Meleager (140-70 BC), translated by Robert Herrick (1648)