Tuesday, November 18, 2025

Some Symmetry

Bernardo di Stefano Rosselli
Madonna della Centola
1484
tempera on panel
Princeton University Art Museum


Luca Signorelli
Coronation of the Virgin
1508
oil and tempera on panel
San Diego Museum of Art

Anonymous Italian Weavers
Fabric Panel
17th century
silk brocade with metallic thread
Chrysler Museum of Art, Norfolk, Virginia

William Wilson
F. Peterson - House & Ship Painter, Plumber and Glazier
1833
engraving
National Gallery of Australia, Canberra

Anselm Sickinger
Design for a Gothic Altar
ca. 1840
drawing
Bayerisches Nationalmuseum, Munich

Jan Voerman the Elder
Nasturtiums
ca. 1894
gouache on paper
Isabella Stewart Gardner Museum, Boston

Williams, Brown & Earle (Philadelphia)
Villa Pamphili, Rome
ca. 1910
hand-colored lantern slide
Archives of American Gardens, Washington DC

Florine Stettheimer
Zinnias
ca. 1920-30
oil on canvas
Los Angeles County Museum of Art

Max Yavno
Hot Dog
1949
gelatin silver print
Amon Carter Museum of American Art, Fort Worth, Texas

Henry Schreiner (New York)
Brooch
ca. 1950-60
base metal and paste gems
Royal Ontario Museum, Toronto

Larry Silver
Jogger - Westport, Connecticut
1979
gelatin silver print
Smithsonian American Art Museum, Washington DC

Laurie Simmons
Tourism: Laurie's Show
1983-84
gelatin silver print
Whitney Museum of American Art, New York

Paula Winokur
Mantel for Three Bowls
1987
porcelain
Smithsonian American Art Museum, Washington DC

Thomas Struth
South LaSalle Street, Chicago
1992
gelatin silver print
Dallas Museum of Art

Michal Rovner
China
1995
C-prints
Guggenheim Museum, New York

David Stephenson
Sant' Ivo alla Sapienza, Rome
1997
C-print
Art Gallery of New South Wales, Sydney

Jörg Sasse
2637
2000
C-print
Guggenheim Museum, New York

Navin Rawanchaikul
Places of Rebirth
2009
acrylic on canvas
Guggenheim Museum, New York

from Cathemerinon

Yee night, and darknes, cloudie aire,
    Confusion, tempest; hence away:
(Light now appeares, the skie growes faire,
    Christ is at hand;) be gone, I say.

Now earth's black mantle's cut atwaine,
    Smitten with dart of Suns bright ray:
Each thing receives its hue againe,
    Through smiling visage of the day.

Thee, Christ, we vouch to know alone,
    To thee with pure and plaine intent;
With sighes and tears we make our moan,
    To our desires give thou assent.

How many things false-coloured are,
    Which with thy light would cleered be?
Thou art the light of Easterne star,
    Lighten us with thy count'nance free.

– Prudentius (AD 348-410), translated by Alexander Huish (1634)