Friday, February 27, 2026

Garlands

Giuseppe Zocchi
Cella of the Ruined Basilica at Paestum
ca. 1740
drawing
Ashmolean Museum, Oxford


Joseph Cornell
Soap Bubble Set
1941
assemblage
National Gallery of Art, Washington DC

Anonymous Italian Artist working in Bologna
Virgin and Child in Garland with Putti
17th century
drawing
British Museum

Andrea della Robbia
St Joseph
ca. 1485-90
glazed terracotta
Nelson-Atkins Museum of Art, Kansas City, Missouri

Herman Saftleven
Ruined Gateway at Utrecht
before 1685
drawing
British Museum

Joseph Cornell
Soap Bubble Set (Ostend Hotel)
ca. 1958
assemblage
Buffalo AKG Art Museum, New York

Frans Ykens (flowers) & Thomas Willeboirts (figures)
Flora with Amorini among Garlands
ca. 1640-50
oil on canvas
Musée du Louvre

Andrea della Robbia
Young Apostle
ca. 1490-1500
enameled terracotta
Musée du Louvre

Willem Schellinks
Ruins of Egmond Castle
(destroyed in 1573 during the Dutch Revolt)
ca. 1650
drawing
British Museum

Joseph Cornell
Soap Bubble Set
1947-48
assemblage
National Gallery of Art, Washington DC

Giovanni Dalmata
Ornamental Garland with Medusa Head, Winged Putti and Lion Masks
1471-77
marble relief
(seized from the Vatican by Scipione Borghese; then by Napoleon from Villa Borghese)
Musée du Louvre

workshop of Andrea della Robbia
Last Communion of Mary Magdalen
ca. 1480
tin-glazed earthenware
Ashmolean Museum, Oxford

Aniello Falcone
Ruins of the Roman Arena at Pozzuoli
before 1656
drawing
Metropolitan  Museum of Art, New York

Joseph Cornell
Swan Box
ca. 1945
assemblage
National Gallery of Art, Washington DC

Heinrich Anton Dähling
Women weaving Garlands
1828
oil on canvas
Alte Nationalgalerie, Staatliche Museen zu Berlin

workshop of Andrea della Robbia
Young Woman
ca. 1465-70
enameled terracotta bust
(photographed without the surround)
Musée du Louvre

Gian Paolo Panini
Classical Ruins with St John the Baptist preaching
before 1765
drawing
British Museum

Forehead without scalp, dry shell without yolk of eye,
    composition of a tongueless mouth,
the weak stockade of mind abandoned to no grave,
    tears in the way of passers-by,
there you lie by a stump beside the path, to show
    the thrifty to what end they save.

– from the Greek Anthology, translated by Alistair Elliot