Thursday, March 5, 2026

Duos

Gerard Donck
Married couple Marritgen Pieters and Nicolaes Willemsz Lossy
1633
oil on panel
Joslyn Art Museum, Omaha


Jacob Adriaensz Backer
Portrait of a Merchant and his Wife
ca. 1638
oil on canvas
Musée des Beaux-Arts de Reims

Francis Cotes
Portrait of Thomas and Isabel Crathorne
(Thomas had died 3 years earlier)
1767
oil on canvas
Huntington Library and Art Museum, San Marino

Benigno Bossi after Ennemond-Alexandre Petitot
L'Epoux à la Grecque
1771
etching
(fanciful figure with architectural elements)
Cooper Hewitt, Smithsonian Design Museum

Benigno Bossi after Ennemond-Alexandre Petitot
La Mariée à la Grecque
1771
etching
(fanciful figure with architectural elements)
Cooper Hewitt, Smithsonian Design Museum

Karl Wilhelm Both
Jeanette Marguerite and Johann David Wunderly
ca. 1830
oil on canvas
Museumslandschaft Hessen Kassel

Henry Ossawa Tanner
Portrait of Mr and Mrs Atherton Curtis with Still Life
ca. 1900
oil on panel
Smithsonian American Art Museum, Washington DC

Henrik Sørensen
Man and Wife
ca. 1914
oil on canvas
Nasjonalmuseet, Oslo

Alvin Langdon Coburn
Portrait of Grace and E. McKnight Kauffer
1916
gelatin silver print
Cooper Hewitt, Smithsonian Design Museum

Conrad Felixmüller
The Artist and his Wife
1921
color woodblock print
Los Angeles County Museum of Art

Bruce Davidson
The Misfits -
Marilyn Monroe and Arthur Miller

1960
gelatin silver print
Hirshhorn Museum, Washington DC

David Hockney
American Collectors (Fred and Marcia Weisman)
1968
acrylic on canvas
Art Institute of Chicago

Robert Remsen Vickrey
Jacqueline and Aristotle Onassis
1968
tempera on board
(commissioned by Time magazine)
National Portrait Gallery, Washington DC

Michael Jacques
Williamstown's First Couple
1976
etching and aquatint
Smithsonian American Art Museum, Washington DC

Pierre Gaudard
My Parents - Marvelise, Doubs
1980
gelatin silver print
National Gallery of Canada, Ottawa

Roger Ballen
Prison Warden and Wife, Southern Transvaal
1986
inkjet print
Hirshhorn Museum, Washington DC

Thomas Struth
Kyoko and Tomoharu Murakami, Tokyo
1991
C-print
Tate Modern, London

from Upon the Duke of Yorke his Birth: A Panegyricke.

    But stay, what glimpse was that? why blusht the day?
Why ran the started aire trembling away?
Who's this that comes circled in rayes, that scorne
Acquaintance with the Sunne? what second Morne
At mid-day opes a presence which Heavens eye
Stands off and points at? is't some Deity
Stept from her Throne of starres deignes to be seene?
Is it some Deity? or is't our Queene?
'Tis shee, 'tis shee: her awful Beauties chase
The Dayes abashed Glories, and in face
Of Noone weare their owne Sunshine, ô thou bright
Mistresse of wonders! Cynthia's is the Night,
But thou at Noone dost shine, and art all Day,
(Nor does the Sunne deny't) our Cynthia,
Illustrious sweetnesse! In thy faithfull wombe,
That Nest of Heroes, all our hopes finde roome.
Thou art the Mother Phœnix, and thy Breast
Chast as that Virgin honour of the East,
But much more fruitfull is; nor does, as shee,
Deny to mighty Love a Deity.
Then let the Easterne world bragge and be proud
Of one coy Phœnix, while we have a brood,
A brood of Phœnixes; while we have Brother
And Sister Phœnixes, and still a Mother;
And may we long; long may'st thou live, t'encrease
The house and family of Phœnixes.

– Richard Crashaw, The Delights of the Muses (1646)