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| Pierre Dumonstier Young Man in a Polish Cap ca. 1580 drawing Graphische Sammlung Albertina, Vienna |
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| Louise Hersent Portrait of Madame de Fumel 1816 oil on canvas Musée du Louvre |
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| George Perfect Harding after Anonymous Master Robert de Vere, 9th Earl of Oxford (1362-1392) before 1853 watercolor and gouache on paper British Museum |
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| Joseph Théodore Deck Landsknecht ca. 1880 glazed earthenware plate Newport Mansions Preservation Society, Rhode Island |
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| Hubert von Herkomer Invitation to Private View at Goupil Galleries, London 1881 etching Art Gallery of New South Wales, Sydney |
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| Karl Gussow Portrait of a Young Woman 1881 oil on panel Belvedere Museum, Vienna |
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| Charles Noel Flagg The Poke Bonnet 1883 oil on canvas New Britain Museum of American Art, Connecticut |
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| Frederick Warren Freer Honeysuckle 1887 etching and drypoint, printed on silk National Gallery of Art, Washington DC |
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| Emanuel Phillips Fox Sunlight Effect ca. 1889 oil on canvas National Gallery of Australia, Canberra |
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| Rudolf Eickemeyer Mrs Peter Martin, San Francisco 1904 platinum print National Museum of American History, Washington DC |
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| Frank Duveneck Lady with a Red Hat ca. 1904 oil on canvas Dallas Museum of Art |
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| Gerhardt Frankl Portrait of art historian Heinrich Benesch ca. 1924 oil on canvas Leopold Museum, Vienna |
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| Arthur William Heintzelman Clown ca. 1935 etching Smithsonian American Art Museum, Washington DC |
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| Grigory Gluckmann The Confidantes 1948 oil on canvas Los Angeles County Museum of Art |
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| Sidney Goodman Bride Profile 1962 charcoal on paper Hirshhorn Museum, Washington DC |
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| Larry Fink Woman on Fifth Avenue 1990 gelatin silver print Whitney Museum of American Art, New York |
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| Tim Gardner Tobi on the Red River 2006 pastel on paper, mounted on canvas Guggenheim Museum, New York |
from The Teare
Such a Pearle as this is,
(Slipt from Aurora's dewy breast)
The Rose buds sweet lip kisses;
And such the Rose its selfe when vext
With ungentle flame, does shed,
Sweating in too warme a Bed.
Such the Maiden Gemme
By the wanton Spring put on,
Peeps from her Parent stemme,
And blushes on the manly Sun:
This watry Blossome of thy Eyne
Ripe, will make the richer Wine.
Faire Drop, why quak'st thou so?
'Cause thou streight must lay thy Head
In the Dust? ô no;
The Dust shall never bee thy Bed:
A pillow for thee will I bring,
Stuft with Downe of Angels wing.
Thus carryed up on high,
(For to Heaven thou must goe)
Sweetly shalt thou lye,
And in soft slumbers bath thy woe;
Till the singing Orbes awake thee,
And one of their bright Chorus make thee.
There thy selfe shalt bee
An eye, but not a weeping one,
Yet I doubt of thee,
Whither th' hadst rather there have shone
An eye of Heaven; or still shine here
In th' Heaven of Mary's eye, a Teare.
– Richard Crashaw, Steps to the Temple (1648)