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| Alvise Vivarini Arco Trionfale del Doge Nicolò Tron ca. 1471-73 oil on canvas Gallerie dell'Accademia, Venice |
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| Lodewijck Toeput (Ludovico Pozzoserrato) Study of an Italian Bridge before 1610 drawing British Museum |
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| Claude-Joseph Vernet Tower of Castel Nuovo, Naples - Artist sketching ca. 1750-55 drawing Graphische Sammlung Albertina, Vienna |
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| Mauro Antonio Tesi Cenotaph of Annia Regilla in Rome before 1766 drawing National Gallery of Art, Washington DC |
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| Giuseppe Valeriani Palace with Pedimented Entrance before 1771 drawing British Museum |
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| Nicola Vianelli Piazza Montanara, Rome ca. 1830 drawing British Museum |
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| Linnaeus Tripe Hullabede: Suli Munduppum 1854 waxed paper negative private collection |
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| John Thomson Pagoda on the Execution Ground, Foochow ca. 1869 albumen silver print from glass negative Metropolitan Museum of Art, New York |
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| Santos Zingale White Station 1948 oil on panel Milwaukee Art Museum, Wisconsin |
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| David Vestal Fulton and Pearl Streets, New York 1964 gelatin silver print National Gallery of Art, Washington DC |
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| Garry Winogrand TWA Terminal 1972 gelatin silver print National Gallery of Art, Washington DC |
-A-Vast-Construction-(slash)-Rainbow-Complex-1978-oil-on-cardboard-Milwaukee-Art-Museum-Wisconsin.jpg) |
| Eugene Von Bruenchenhein Stone and Steel / A Vast Construction / Rainbow Complex 1978 oil on cardboard Milwaukee Art Museum, Wisconsin |
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| Max Yavno Sphinx, Cairo 1979 gelatin silver print National Gallery of Art, Washington DC |
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| Felicitas Vogler Forbidden City, Peking 1990 C-print Scottish National Gallery of Modern Art, Edinburgh |
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| Henry Wessel Real Estate #912715 1991 C-print National Gallery of Art, Washington DC |
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| Rachel Whiteread Untitled (Domestic) 2002 plaster, fiberglass and wood Buffalo AKG Art Museum, New York |
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| Jay Wolke Unfinished Tunnel, Villa S. Giuseppe, Calabria 2005 inkjet print Art Institute of Chicago |
Troy
Whither, O city, are your profits and your gilded shrines,
And your barbecues of great oxen,
And the tall women walking your streets, in gilt clothes,
With their perfumes in little alabaster boxes?
Where is the work of your home-born sculptors?
Time's tooth is into the lot, and war's and fate's too.
Envy has taken your all,
Save your douth and your story.
– from the Greek Anthology, translated by Ezra Pound