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| Hector Guimard House at 22 rue Mozart, Paris (Guimard lived and worked in this house) ca. 1910 gelatin silver print Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard House at 22 rue Mozart, Paris (entrance detail with limestone surround) ca. 1910 gelatin silver print Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard House at 22 rue Mozart, Paris (window details in limestone and bronze) ca. 1910 gelatin silver print Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard House at 22 rue Mozart, Paris (window details in limestone and bronze) ca. 1910 gelatin silver print Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard House at 22 rue Mozart, Paris (ground-floor window details in limestone and bronze) ca. 1910 gelatin silver print Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard House at 22 rue Mozart, Paris (bedroom with furniture and fittings designed by Guimard) ca. 1909 gelatin silver print Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard House at 22 rue Mozart, Paris (curtain panel designed by Guimard) ca. 1909 embroidered silk Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard House at 22 rue Mozart, Paris (dining room with furniture and fittings designed by Guimard) ca. 1910 platinum print Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard Apartment House designed by Guimard 1911 gelatin silver print Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard Balustrade designed by Guimard 1905 cast iron Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard Design for Architectural Panel ca. 1925 drawing Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard Design for Tombstone ca. 1900 drawing Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous Printmaker Guimard Exhibition at Musée d'Orsay, Paris 1992 offset-lithograph (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard Hat Pin designed by Guimard for his Wife 1910 gilt bronze Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous Printmaker Le Style Guimard (the designer working in his studio) 1903 hand-colored gelatin silver print (postcard) Cooper Hewitt, Smithsonian Design Museum |
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| Hector Guimard Picture Frame designed by Guimard 1907 gilt bronze Cooper Hewitt, Smithsonian Design Museum |
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| Sèvres Manufactory Vase designed by Guimard 1903 stoneware Cooper Hewitt, Smithsonian Design Museum |
from The Consolation of Philosophy
The Music, flowing through the shade
And darkness, did with ease invade
The silent and attentive Ghosts;
And Cerberus, which guards those coasts
With his lowd barkings, overcome
By the sweet Notes, was now struck dumb.
The Furies, us'd to rave and howl
And prosecute each guilty soul,
Had lost their rage, and in a deep
Transport did most profusely weep.
Ixion's wheel stopt, and the curst
Tantalus almost kill'd with thirst,
Though the Streams now did make no haste,
But waited for him, none would taste.
That Vultur, which fed still upon
Tityus his liver, now was gone
To feed on Air, and would not stay
Though almost famish'd, with her prey.
Won with these wonders, their fierce Prince
At last cried out, We yield! and since
Thy merits claim no less, take hence
Thy Consort for thy Recompence.
But, Orpheus, to this law we bind
Our grant, you must not look behind,
Nor of your fair Love have one Sight,
Till out of our Dominions quite.
– Boethius (AD 476-524), translated by Henry Vaughan (1678)
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