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| Sven Brasch Geraldine Farrar in The Devil Stone 1919 color linocut and letterpress (poster in Danish for silent film) National Portrait Gallery, Washington DC |
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| Anonymous Designer Anna May Wong - La Dame de Tchong King 1942 lithograph (poster) National Portrait Gallery, Washington DC |
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| Karel Vaca Ro. Go. Pa. G. (Roberto Rossellini, Jean-Luc Godard, Pier Paolo Pasolini, Ugo Gregoretti) 1963 offset-lithograph (poster in Czech for film series) Cooper Hewitt, Smithsonian Design Museum |
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| Georges Kerfyser Masculin-Feminin by Jean-Luc Godard 1966 offset-lithograph (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Alan D'Arcangelo Lincoln Center Festival 1968 screenprint (poster) Cooper Hewitt, Smithsonian Design Museum |
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| David Lance Goines Der Blaue Engel - Marlene Dietrich - 1930 Pacific Film Archive, Berkeley 1975 lithograph (poster) Cooper Hewitt, Smithsonian Design Museum |
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| David Lance Goines The General - Buster Keaton - 1924 Pacific Film Archive, Berkeley 1975 lithograph (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Andrzej Klimowski Omen (American horror film) 1977 offset-lithograph (poster in Polish) Cooper Hewitt, Smithsonian Design Museum |
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| Paul Brühwiler Luis Buñuel - Filmpodium, Zürich 1980 screenprint (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Paul Brühwiler Neue Deutsche Filme - Filmpodium, Zürich 1981 screenprint (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Art Chantry Molière's Tartuffe The Empty Space Theatre, Bakersfield 1983 offset-lithograph (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Andrzej Klimowski Mystery Train - Jim Jarmusch 1989 offset-lithograph (poster in Polish) Cooper Hewitt, Smithsonian Design Museum |
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| Andrzej Klimowski Permanent Vacation - Jim Jarmusch 1991 offset-lithograph (poster in Polish) Cooper Hewitt, Smithsonian Design Museum |
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| Andrzej Klimowski Night on Earth - Jim Jarmusch 1992 offset-lithograph (poster in Polish) Cooper Hewitt, Smithsonian Design Museum |
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| Paul Brühwiler Cine Amerindia - Filmpodium, Zürich 1992 screenprint (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Frank Kozik Nine Inch Nails - Seattle Center Arena 1994 screenprint (poster) Smithsonian American Art Museum, Washington DC |
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| Karl Domenic Geissbühler Zürcher Ballett - Opernhaus Zürich 1997 offset-lithograph (poster) Cooper Hewitt, Smithsonian Design Museum |
from The Flaming Heart: upon the Book and Picture of the seraphicall saint Teresa (as she is usually expressed with a Seraphim beside her).
Well meaning readers! you that come as freinds
And catch the pretious name this peice pretends;
Make not too much hast to admire
That fair-cheek't fallacy of fire.
That is a Seraphim, they say
And this the great Teresia.
Readers, be rul'd by me; & make
Here a well-plac't and wise mistake.
You must transpose the picture quite,
And spell it wrong to read it right.
Read Him for her, & her for him,
And call the Saint the Seraphim.
Painter, what didst thou understand
To put her dart into his hand!
See, even the yeares & size of him
Showes this the mother Seraphim.
This is the mistresse flame; & duteous he
Her happy fire-works, here, comes down to see.
O most poor-spirited of men!
Had thy cold Pencil kist her Pen
Thou couldst not so unkindly err
To show us This faint shade for Her.
– Richard Crashaw, Sacred Poems (1652)
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