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| Josef Hoffmann for Vienna Porcelain Manufactory Melon-shaped Creamer from Mocha Set 1929 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Josef Hoffmann for Vienna Porcelain Manufactory Melon-shaped Sugar Bowl from Mocha Set 1929 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Josef Hoffmann for Vienna Porcelain Manufactory Melon-shaped Cup and Saucer from Mocha Set 1929 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Josef Hoffmann for Vienna Porcelain Manufactory Melon-shaped Mocha Pot from Mocha Set 1929 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous Chinese Potter Ewer Qing Dynasty, 18th-19th centuries porcelain Asian Art Museum, San Francisco |
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| Meissen Manufactory (Dresden) Vinegar Pot ca. 1730-35 porcelain National Museum of American History, Washington DC |
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| Meissen Manufactory (Dresden) Tea Cup and Saucer ca. 1730-40 porcelain National Museum of American History, Washington DC |
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| Nikolai Fyodorovich Lapshchin Cup and Saucer ca. 1921 porcelain National Gallery of Australia, Canberra |
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| Sergey Chekhonin for State Porcelain Manufactory, Petrograd Teapot (with text, We Are Hardworking - We Are Truthful) 1921 porcelain National Gallery of Australia, Canberra |
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| Lomonosov Porcelain Factory (Saint Petersburg) Maxim Gorky ca. 1950-60 bisque porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Lomonosov Porcelain Factory (Saint Petersburg) Chess Set with Whites versus Reds ca. 1922-32 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Lomonosov Porcelain Factory (Saint Petersburg) Chess Set - detail of Whites ca. 1922-32 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Lomonosov Porcelain Factory (Saint Petersburg) Chess Set - detail of Reds ca. 1922-32 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Lomonosov Porcelain Factory (Saint Petersburg) Red Army Cavalryman ca. 1925 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Lomonosov Porcelain Factory (Saint Petersburg) Red Army Soldier playing Accordion ca. 1950 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Lomonosov Porcelain Factory (Saint Petersburg) Woman embroidering Soviet Banner 1920 porcelain Cooper Hewitt, Smithsonian Design Museum |
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| Sèvres Manufactory Bathing Nymph (after a sculpture by Étienne-Maurice Falconet) ca. 1765-75 porcelain New Orleans Museum of Art |
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| Niderviller Manufactory (Lorraine) Nymphs garlanding Cupid ca. 1750 bisque porcelain Newport Mansions Preservation Society, Rhode Island |
On Wenlock Edge the wood's in trouble;
His forest fleece the Wrekin heaves;
The gale, it plies the saplings double,
And thick on Severn snow the leaves.
'Twould blow like this through holt and hanger
When Uricon the city stood:
'Tis the old wind in the old anger,
But then it threshed another wood.
Then, 'twas before my time, the Roman
At yonder heaving hill would stare:
The blood that warms an English yeoman,
The thoughts that hurt him, they were there.
There, like the wind through woods in riot,
Through him the gale of life blew high;
The tree of man was never quiet:
Then 'twas the Roman, now 'tis I.
The gale, it plies the saplings double,
It blows so hard, 'twill soon be gone:
To-day the Roman and his trouble
Are ashes under Uricon.
– A.E. Housman (1896)
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