Wednesday, November 4, 2020

Baudelaire on the Humbleness of Photography

William Edward Kilburn
Chartist Meeting in London
1848
daguerreotype
Royal Collection, Great Britain

William Henry Fox Talbot
Oak Tree in Winter
ca. 1842-43
salted paper print
Getty Museum, Los Angeles

Auguste Vacquerie
La Main de Madame Hugo
ca. 1853-54
salted paper print
George Eastman House, Rochester, New York

Roger Fenton
Dinornis Elephantopus
ca. 1855
albumen print
Royal Collection, Great Britain

William and Frederick Langenheim
Eclipse of the Sun
1854
daguerreotypes
Metropolitan Museum of Art, New York

John Adams Whipple and James Wallace Black
The Moon
ca. 1857-60
salted paper print from glass negative
Metropolitan Museum of Art, New York

"If photography is allowed to supplement art in some of its functions, it will soon have supplanted or corrupted it altogether, thanks to the stupidity of the multitude which is its natural ally.  It is time, then, for it to return to its true duty, which is to be the servant of the sciences and arts – but the very humble servant, like printing or shorthand, which have neither created nor supplemented literature.  Let it hasten to enrich the tourist's album and restore to his eye the precision which his memory may lack; let it adorn the naturalist's library, and enlarge microscopic animals; let it even provide information to corroborate the astronomer's hypotheses.  In short, let it be the secretary and clerk of whoever needs absolute factual exactitude in his profession – up to that point nothing could be better.  Let it rescue from oblivion those trembling ruins, those books, prints, and manuscripts which time is devouring, precious things whose form is dissolving and which demand a place in the archives of our memory – it will be thanked and applauded.  But if it be allowed to encroach upon the domain of the impalpable and the imaginary, upon anything whose value depends solely upon the addition of something of a man's soul, then it will be so much the worse for us!"

– Charles Baudelaire, from the Salon of 1859, quoted by Walter Benjamin in The Arcades Project, translated by Howard Eiland and Kevin McLaughlin (Harvard, 1999)

Julia Margaret Cameron
Study of Dead Child
1868
albumen print
Getty Museum, Los Angeles

Adrien Constant de Rebecque
Man Posing as Dying Soldier
ca. 1863
albumen print
Metropolitan Museum of Art, New York

Thomas Eakins
Man Walking
ca. 1880-90
gelatin silver print
Metropolitan Museum of Art, New York

Kennedy & Schenck
Excision of the Radius of Brig. Genl. Penrose, formerly Colonel 15th New Jersey Vols.
ca. 1865
albumen silver print
Getty Museum, Los Angeles

Louis Igout
Album d'Études - Poses
ca. 1880
albumen silver prints from glass negatives
Metropolitan Museum of Art, New York
 
Dr. Samuel A. Bemis
Barn in New Hampshire
ca. 1840
daguerreotype
Getty Museum, Los Angeles

Franck
Colonne Vendôme, Paris
(pulled down by Communards)
1871
albumen silver print from glass negative
Metropolitan Museum of Art, New York

Béchard-Henri-
Climbing the Great Pyramid
ca. 1860-80
photograph
Rijksmuseum, Amsterdam

Alinari & Cook
Hall of the Emperors' Busts - Capitoline Museum, Rome
ca. 1890
albumen silver print
National Gallery of Canada, Ottawa