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| James S. Baillie The Life & Age of Woman 1848 hand-colored lithograph National Museum of American History, Washington DC |
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| James S. Baillie The Life & Age of Man 1848 hand-colored lithograph National Museum of American History, Washington DC |
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| Félix Bonfils Damascus Gate, Jerusalem before 1876 albumen silver print National Gallery of Canada, Ottawa |
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| Anonymous Photographer James Wells Champney and Francis Davis Millet bowing to the Camera 1876 tintype Archives of American Art, Washington DC |
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| Giacomo Brogi On the Leads of the Duomo, Milan before 1881 albumen silver print National Gallery of Canada, Ottawa |
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| Anonymous Photographer Orchard, Santa Ysabel Hot Springs, California ca. 1890 hand-colored lantern slide National Museum of American History, Washington DC |
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| Anonymous Persian Printmaker Camel Battle ca. 1890 hand-colored woodcut National Museum of Asian Art, Washington DC |
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| Anonymous Photographer Oldacres, Old Westbury, New York ca. 1915 hand-colored lantern slide Archives of American Gardens, Washington DC |
-Brooch-in-Bow-Shape-1925-jade-onyx-coral-lapis-lazuli-and-diamonds-mounted-in-platinum-Cooper-Hewitt-Smithsonian-Design-Museum-New-York.jpg) |
| Boucheron (Paris) Brooch in Bow Shape 1925 jade, onyx, coral, lapis lazuli, diamonds and platinum Cooper-Hewitt Smithsonian Design Museum |
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| Georges Barbier Falbalas & Fanfreluches 1926 hand-colored engraving (almanac cover) Cooper-Hewitt Smithsonian Design Museum |
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| Anonymous Photographer Château Vaux-le-Vicomte with Ladies of the American Garden Club entering 1936 hand-colored lantern slide Archives of American Gardens, Washington DC |
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| Ghitta Caiserman Untitled (Children in Costume) ca. 1960 oil on panel Ottawa Art Gallery, Ontario |
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| Robert Bordeau Ontario, Canada 1980 gelatin silver print Agnes Etherington Art Centre, Kingston, Ontario |
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| Emery Blagdon Untitled (Individual Element from the Healing Machine) before 1986 oil on board Smithsonian American Art Museum, Washington DC |
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| Roger Brown Los Angeles 1993 oil on canvas (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Frédéric Brenner Billings, Montana 1994 gelatin silver print Art Institute of Chicago |
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| Wayne Barrar Large Crib Room (Deep Mine), Mount Isa 2005 pigment print National Gallery of Australia, Canberra |
from Sejanus his Fall
Old Men not staid with Age, Virgins with shame,
Late Wives with losse of Husbands, Mothers of Children,
Loosing all griefe in joy of his sad fall,
Runne quite transported with their cruelty:
These digging out his eyes, those with his braine,
Sprinkling themselves, their houses, and their friends:
Others are met, have ravish'd thence an arme,
And deale small pieces of the flesh for Favors:
These with a thigh; this hath cut off his hands;
And this his feete; he his heart; there wants
Nothing but roome for wrath, and place for hatred.
What cannot oft be done, is now o'erdone.
The whole, and All of what was great Sejanus,
And next to Caesar did possesse the world,
Now torne, and scatterd, as he needs no grave,
Each little dust covers a little part:
So lies he no where, and yet often buried.
– Claudian (AD 370-404), translated by Ben Jonson (1605)
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