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| William Eggleston Louisiana ca. 1971-74 dye transfer print Metropolitan Museum of Art, New York |
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| Ancient Egyptian Culture Flask 9th-10th century AD molded glass Getty Museum, Los Angeles |
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| Franz Kline Turin 1960 oil on canvas Nelson-Atkins Museum of Art, Kansas City, Missouri |
-1880-etching-and-aquatint-Loeb-Art-Center-Vassar-College-Poughkeepsie-New-York.png) |
| Max Klinger Venus pointing out Psyche to Cupid 1880 etching and aquatint Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| William Eggleston Mississippi ca. 1971-74 dye transfer print Metropolitan Museum of Art, New York |
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| Ancient Egyptian Culture Inlay of Face 1540-1070 BC cast glass Getty Museum, Los Angeles |
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| Franz Kline New York, N.Y. 1953 oil on canvas Buffalo AKG Art Museum, New York |
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| Max Klinger Priestesses of Venus 1880 etching and aquatint Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| William Eggleston Untitled ca. 1971-73 dye imbibition print National Gallery of Art, Washington DC |
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| Ancient Egyptian Culture Inlay of Leg 1540-1070 BC cast glass Getty Museum, Los Angeles |
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| Franz Kline C & O 1958 oil on canvas National Gallery of Art, Washington DC |
-1880-etching-and-aquatint-Loeb-Art-Center-Vassar-College-Poughkeepsie-New-York.png) |
| Max Klinger Psyche bathing 1880 etching and aquatint Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| William Eggleston Memphis ca. 1965-68 dye transfer print Metropolitan Museum of Art, New York |
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| Ancient Egyptian Culture Pendant 1st century AD fusion of mosaic glass tessarae Getty Museum, Los Angeles |
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| Franz Kline Untitled 1946-48 oil on board Buffalo AKG Art Museum, New York |
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| Max Klinger Cupid leaving Psyche asleep 1880 etching and aquatint Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| William Eggleston Memphis ca. 1965-68 dye transfer print Metropolitan Museum of Art, New York |
I want my manuscript to be photographed, because I feel that my manuscript is alive. I will transmit life to people if my manuscripts are photographed. I will recognize the journalists sent up to me for what they are, because I am a physiognomist-God. I can recognize people by their physiognomies. I know that people do not feel nervous if they are not guilty of anything. I will live in big hotels, because I want everyone to see me. I do not want expensive hotels, because Lloyd Georgians live in expensive hotels. I will go into a simple hotel if my wife lets me. I will be afraid for myself if my wife says that she cannot live in a poor hotel. I will resort to cunning in order to avoid getting into a big, expensive hotel. I prefer to live in an apartment. I will take an apartment if I notice that I am not liked. I will show them all how angry I can be.
– from The Diary of Vaslav Nijinsky, written in Russian in 1919, translated by Kyril FitzLyon and edited by Joan Acocella (New York: Farrar, Straus and Giroux, 1999)