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| Monogrammist H.G. Plan for Interior Architectural Ornament ca. 1515 woodcut Museum für Angewandte Kunst, Vienna |
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| Albrecht Altdorfer Church Interior ca. 1520 drawing Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Anonymous Copyist after Sebastiano Serlio Portal Design 1551 engraving (book illustration printed by Jean de Tournes) Herzog August Bibliothek, Wolfenbüttel |
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| Wendel Dietterlin the Elder Portal with Heroic Figures 1594 etching Museum für Angewandte Kunst, Vienna |
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| Hendrik Hondius the Elder after Hans Vredeman de Vries Perspective Study with Triumphal Arch in Ionic Order 1605 engraving Herzog August Bibliothek, Wulfenbüttel |
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| Daniel Meyer Decorative Arch celebrating Wine 1612 etching Museum für Angewandte Kunst, Vienna |
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| Agostino Mitelli Scene with Classical Ruins 1636 etching Museum für Angewandte Kunst, Vienna |
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| Johann Franciscus Ermels Ruin with Arches ca. 1680 etching Herzog Anton Ulrich Museum, Braunschweig |
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| Gioacchino Pizzoli Capriccio of Ruins ca. 1710 drawing Graphische Sammlung Albertina, Vienna |
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| Pietro Righini Set Design for Opera staged at La Scala, Milan ca. 1730 etching Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| Domenico Fossati Stage Design for Venetian Theater 1762 drawing Graphische Sammlung Albertina, Vienna |
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| Francesco Guardi Venetian Palace Staircase ca. 1775 drawing Graphische Sammlung Albertina, Vienna |
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| Jean Grandjean Study of Vaulting before 1781 drawing Städel Museum, Frankfurt |
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| Peter Joseph Krahe Entrance Portal - Palazzo Sciarra, Rome ca. 1783-84 drawing Städtisches Museum, Braunschweig |
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| Johann Christian Reinhart Arch of Titus, Rome ca. 1790-1800 drawing Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Francis Frith Lindisfarne Abbey ca. 1860 albumen print Rhode Island School of Design, Providence |
The Lacedaemonians, after the business of Plataea, sent messengers presently up and down Peloponnesus and to their confederates without to have in readiness their forces and such things as should be necessary for a foreign expedition, as intending the invasion of Attica. And when they were all ready, they came to the rendezvous in the isthmus at a day appointed, two-thirds of the forces of every city. When the whole army was gotten together, Archidamus, king of the Lacedaemonians, general of the expedition, called together the commanders of the several cities and such as were in authority and most worthy to be present and spake unto them as followeth: "Men of Peloponnesus and confederates, not only our fathers have had many wars, both within and without Peloponnesus, but we ourselves also, such as are anything in years, have been sufficiently acquainted therewith; yet did we never before set forth with so great a preparation as at this present. And now, not only we are a numerous and puissant army that invade, but the state also is puissant that is invaded by us. We have reason therefore to show ourselves neither worse than our fathers nor short of the opinion conceived of ourselves. For all Greece is up at this commotion observing us, and through their hatred of the Athenians do wish that we may accomplish whatsoever we intend. . . . "
– from The Peloponnesian War as written by Thucydides (5th century BC) and translated by Thomas Hobbes (1628) and edited by David Grene (1959)


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