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| Lucas van Valckenborch Mountainous Landscape with Mine and Ore-Smelter 1580 oil on canvas Kunsthistorisches Museum, Vienna |
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| David Teniers the Younger The Wanderers ca. 1650 oil on canvas Palais des Beaux-Arts de Lille |
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| Joseph Werner the Younger Lion with Prey and Man with Vegetables in a Rocky Landscape ca. 1666-68 gouache on vellum Gemäldegalerie, Staatliche Museen zu Berlin |
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| Franz Kobell Rock Face above Stream ca. 1795 drawing Städel Museum, Frankfurt |
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| Johann Christian Reinhart Boulders in Parco Chigi, Ariccia ca. 1809-1810 drawing Hamburger Kunsthalle |
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| Johann Joachim Faber Rocky Landscape near Sorrento 1821 oil on paper Hamburger Kunsthalle |
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| Eugène Delacroix Landscape with Rocks, Augerville ca. 1830 oil on cardboard Morgan Library, New York |
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| August Bromeis Study in the Pontine Marshes ca. 1845 oil on canvas Landesmuseum, Hannover |
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| Paul Huet Rocks in the Forest of Fontainebleau ca. 1860 oil on paper, mounted on panel Dordrechts Museum, Netherlands |
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| Henri-Joseph Harpignies Palace of the Caesars, Rome 1866 watercolor on paper Morgan Library, New York |
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| Rudolf Schick Nero's Nymphaeum at Subiaco 1884 oil on cardboard Alte Nationalgalerie, Staatliche Museen zu Berlin |
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| Ole Juul Landscape ca. 1890 oil on canvas Nordnorsk Kunstmuseum, Tromsø |
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| Paul Cézanne Quarry at Bibémus ca. 1895 oil on canvas Museum Folkwang, Essen |
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| Georgia O'Keeffe Cliffs beyond Abiquiu - Dry Waterfall 1943 oil on canvas Cleveland Museum of Art, Ohio |
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| Per Lindekrantz Rocks, Heestrand 1957 oil on canvas Göteborgs Konstmuseum, Sweden |
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| Svein Johansen The Third Landscape ca. 1985 oil on canvas Nasjonalmuseet, Oslo |
Cerberus, whose bark strikes terror into the dead, there comes a terrible shade before whom even thou must tremble. Archilochus is dead. Beware the acrid iambic wrath engendered by his bitter mouth. Thou knowest the might of his words ever since one boat brought thee the two daughters of Lycambes.*
Now, three-headed dog, better than ever with thy sleepless eyes guard the gate of thy fortress, the pit. For if the daughters of Lycambes to avoid the savage bile of Archilochus' iambics left the light, will not every soul leave the portals of this dusky dwelling, flying from the terror of his slanderous tongue?
This tomb by the sea is that of Archilochus, who first made the Muse bitter, dipping her in vipers' gall, staining mild Helicon with blood. Lycambes knows it, mourning for his three daughters hanged. Pass quietly by, O wayfarer, lest haply thou arouse the wasps that are settled on his tomb.
* * *
Ionian Miletus nourished and revealed this Thales, first in wisdom of all astronomers.
Small is the tomb, but see how the fame of the deep thinker Thales reaches to the heavens.
Once, Zeus the Sun, didst thou carry off from the stadion, as he was viewing the games, Thales the sage. I praise thee for taking him away to be near thee, for in truth the old man could no longer see the stars from earth.
– from Book VI (Sepulchral Epigrams) of the Greek Anthology, translated and edited by W.R. Paton (1917)
*who hanged themselves owing to bitter verses directed at them by Archilochus