-Side-Table-1932-laminated-birch-and-molded-plywood-Museum-of-Modern-Art-New-York.png) |
| Alvar Aalto for Korhonen (Finland) Side Table 1932 laminated birch and molded plywood Museum of Modern Art, New York |
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| Robert Adams The River's Edge 2015 gelatin silver print National Gallery of Art, Washington DC |
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| Anonymous European Maker Dodecahedron 17th century ivory Ashmolean Museum, Oxford |
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| Stuart Arends O.S. no. 11 1993 painted steel Buffalo AKG Art Museum, New York |
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| Andrea Baldeck Kohlrabi 2006 gelatin silver print Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Pierre Delabarre Antique Roman Vase adapted as Baroque Ewer ca. 1630 sardonyx, enameled gold, gems (collection of Louis XIV) Musée du Louvre |
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| Elizabeth Damon Untitled 1969 acrylic on canvas Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Joseph Beuys Green Violin 1974 painted violin Scottish National Gallery of Modern Art, Edinburgh |
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| Hilla Becher Oak Leaf 1965 gelatin silver print Metropolitan Museum of Art, New York |
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| Phyllida Barlow Torque 2015 steel, polyurethane foam, cement, wool, paint Scottish National Gallery of Modern Art, Edinburgh |
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| Edgar Degas Oinochoe in form of Youth's Head ca. 1855 oil on canvas Musée d'Orsay, Paris |
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| Wilson Bentley Snow Crystal ca. 1920 gelatin silver print Fine Arts Museums of San Francisco, Achenbach Foundation |
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| Olaf von Bohr for Kartell (Italy) Clothes Hook 1971 plastic Museum of Modern Art, New York |
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| Joseph Cornell Untitled ca. 1932 glass dome on wood base, metal spring, glass eye Museum of Modern Art, New York |
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| Alexander Calder Comb before 1943 hammered brass Museum of Modern Art, New York |
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| Christopher Dresser for Richard Perry (England) Watering Can ca. 1876 painted iron Museum of Modern Art, New York |
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| Walker Evans Doorbell 1958 gelatin silver print National Gallery of Art, Washington DC |
Control of the passes was, he saw, the key
To this new district, but who would get it?
He, the trained spy, had walked into a trap
For a bogus guide, seduced with the old tricks.
At Greenhearth was a fine site for a dam
And easy power, had they pushed the rail
Some stations nearer. They ignored his wires.
The bridges were unbuilt and trouble coming.
– W.H. Auden (1928)