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| François Clouet Portrait of Sir William Kirkcaldy of Grange ca. 1555-56 oil on panel Scottish National Gallery, Edinburgh |
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| Giambattista Moroni Portrait of a Woman ca. 1570 oil on canvas Accademia Carrara, Bergamo |
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| Federico Barocci Portrait of a Woman ca. 1570-75 oil on paper Gallerie degli Uffizi, Florence |
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| George Gower Portrait of Richard Drake, brother of Sir Francis Drake ca. 1577 oil on panel National Maritime Museum, Greenwich |
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| Ludovico Carracci Portrait of Lucrezia Bentivoglio Leoni 1589 oil on canvas Collezione d’Arte di Franco Maria Ricci, Fontanellato |
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| Scipione Pulzone (il Gaetano) Ferdinando I de' Medici, Grand Duke of Tuscany ca. 1590 oil on copper Galleria Palatina, Florence |
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| Giannino Bahuet Vincenzo I Gonzaga, Duke of Mantua ca. 1595 oil on copper private collection |
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| Paulus van Somer Portrait of Christian, Lady Cavendish, later Countess of Devonshire, with her Daughter 1619 oil on canvas North Carolina Museum of Art, Raleigh |
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| Cornelius Johnson Miniature Portrait of a Man ca. 1619 oil on copper Ashmolean Museum, Oxford |
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| Giovanni Antonio Galli (Lo Spadarino) Self Portrait ca. 1625 oil on canvas Gallerie degli Uffizi, Florence |
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| Bartolomé González Elisabeth de Bourbon, Queen Consort of Spain 1626 oil on canvas Museo Civico Ala Ponzone, Cremona |
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| Michiel van Miereveld Portrait of a Man ca. 1630 oil on panel Musée des Beaux-Arts de Carcassonne |
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| Thomas de Keyser Portrait of a Woman ca. 1630-33 oil on panel Clark Art Institute, Williamstown, Massachusetts |
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| Frans Hals Young Woman with Glass and Flagon 1635 oil on canvas Frans Hals Museum, Haarlem |
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| Samuel Hofmann Portrait of an Old Man 1638 oil on canvas Rijksmuseum, Amsterdam |
| Johannes Cornelisz Verspronck Portrait of a Young Woman 1650 oil on panel Musée du Louvre |
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| Jean Le Blond Catherine de Boulainvilliers de Courtenay ca. 1660-65 engraving Museum für Angewandte Kunst, Vienna |
World's Joys are Toys
The weary mariner so fast not flies
An howling tempest, harbor to attain,
Nor shepherd hastes, when frays of wolves arise,
So fast to fold to save his bleating train,
As I (winged with contempt and just disdain)
Now fly the world and what it most doth prize,
And sanctuary seek, free to remain
From wounds of abject times and envy's eyes.
Once did this world to me seem sweet and fair,
While senses' light mind's prospective kept blind;
Now like imagined landscape in the air
And weeping rainbows her best joys I find:
Or if ought here is had that praise should have
It is a life obscure, and silent grave.
– William Drummond of Hawthornden (1623)



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