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| Polidoro da Caravaggio and Maturino da Firenze Perseus rescuing Andromeda ca. 1525 detached exterior fresco from demolished Roman palazzo Museo di Roma a Palazzo Braschi |
-Maria-Callas-1955-gelatin-silve-print-Fine-Arts-Museums-of-San-Francisco-(Achenbach-Foundation).png) |
| Chim (David Seymour) Maria Callas 1955 gelatin silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
-Museo-degli-affreschi-Giovanni-Battista-Cavalcaselle-(in)-Verona.jpg) |
| Domenico Brusasorci Venus, Cupid and Vulcan ca. 1550 detached exterior fresco from Palazzo Fiorio della Seta, Verona Museo degli affreschi Giovanni Battista Cavalcaselle, Verona |
-D-IV-1922-oil-on-canvas-Buffalo-AKG-Art-Museum-New-York.jpg) |
| László Moholy-Nagy D IV 1922 oil on canvas Buffalo AKG Art Museum, New York |
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| Polidoro da Caravaggio and Maturino da Firenze Scene of Sacrifice ca. 1525 detached exterior fresco from demolished Roman palazzo Museo di Roma a Palazzo Braschi |
-Audry-Hepburn-rehearsing-for-Funny-Face-in-Paris-1956-gelatin-silve-print-Fine-Arts-Museums-of-San-Francisco-(Achenbach-Foundation).png) |
| Chim (David Seymour) Audrey Hepburn rehearsing in Paris 1956 gelatin silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
-Museo-degli-affreschi-Giovanni-Battista-Cavalcaselle-(in)-Verona.jpg) |
| Domenico Brusasorci Apollo and the Muses ca. 1550 detached exterior fresco from Palazzo Fiorio della Seta, Verona Museo degli affreschi Giovanni Battista Cavalcaselle, Verona |
-Untitled-1923-lithograph-Museum-of-Modern-Art-New-York.png) |
| László Moholy-Nagy Untitled 1923 lithograph Museum of Modern Art, New York |
-Palazzo-Barberini-Rome.jpg) |
| Polidoro da Caravaggio Triumph of Paullus Macedonicus before 1543 tempera on canvas (grisaille) Palazzo Barberini, Rome |
-Republican-Soldiers-looting-a-Church-Barcelona-1936-gelatin-silve-print-Fine-Arts-Museums-of-San-Francisco-(Achenbach-Foundation).png) |
| Chim (David Seymour) Republican Soldiers looting a Church, Barcelona 1936 gelatin silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
-Museo-degli-affreschi-Giovanni-Battista-Cavalcaselle-(in)-Verona.jpg) |
| Domenico Brusasorci Juno with Peacock ca. 1550 detached exterior fresco from Palazzo Fiorio della Seta, Verona Museo degli affreschi Giovanni Battista Cavalcaselle, Verona |
-Z-VII-1926-oil-and-graphite-on-canvas-National-Gallery-of-Art-Washington-DC.png) |
| László Moholy-Nagy Z VII 1926 oil paint and graphite on canvas National Gallery of Art, Washington DC |
-Palazzo-Barberini-Rome.jpg) |
| Polidoro da Caravaggio Triumph of Paullus Macedonicus before 1543 tempera on canvas (grisaille) Palazzo Barberini, Rome |
-Bernard-Berenson-Rome-1955-gelatin-silve-print-Fine-Arts-Museums-of-San-Francisco-(Achenbach-Foundation).png) |
| Chim (David Seymour) Bernard Berenson, Rome 1955 gelatin silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
-Museo-degli-affreschi-Giovanni-Battista-Cavalcaselle-(in)-Verona.jpg) |
| Domenico Brusasorci Minerva, Pluto, Mercury and Jupiter ca. 1550 detached exterior fresco from Palazzo Fiorio della Seta, Verona Museo degli affreschi Giovanni Battista Cavalcaselle, Verona |
-Red-Cross-&-White-Balls-1921-ink-and-gouache-on-paper-Museum-Kunstpalast-D%C3%BCsseldorf.jpg) |
| László Moholy-Nagy Red Cross & White Balls 1921 ink and gouache on paper Museum Kunstpalast, Düsseldorf |
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| Polidoro da Caravaggio Virgin of the Annunciation 1528 detached fresco Museo di Capodimonte, Naples |
from Argument
Before the forenoon of discussion, as the dawn-gust wrinkles the pools, I waken with an idea of building.
Speak the name only with meaning only for us, meaning Him, a call to our clearing. Secret the meeting in time and place, the time of the off-shore wind, the place where the loyalty is divided. Meeting of seven, each with a talent.
On the concrete banks of baths, in the grassy squares of exercise, we are joined, brave in the long body, under His eye. (Their annual games under the auspices of the dead.) Our bond, friend, is a third party.
Smile inwardly on their day handing round tea. (Their women have the faces of birds.) Walking in the mountains we were persons unknown to our parents, awarded them little, had a word of our own for our better shadow. Crossing ourselves under the arch of a bridge we crucified fear.
Crofter, leader of hay, working in sweat and weathers, tin-streamer, heckler, blow-room major, we are within a vein's distance of your poisoned blood. Stranger who cannot read our letters, you are remembered.
– W.H. Auden, The Orators (1931)