Tuesday, November 10, 2026

What-For

Jan Gossaert
Virgin and Child
ca. 1520
oil on panel
Liechtenstein Museum, Vienna

Jan Gossaert
Portrait of Floris van Egmond
1519
oil on panel
Mauritshuis, The Hague

Jan Gossaert
Portrait of Anna van Bergen
ca. 1526
oil on panel
Clark Art Institute, Williamstown, Massachusetts

Jan Gossaert
Danaë
1527
oil on panel
Alte Pinakothek, Munich

Pablo Picasso
Bust of Seated Woman
1938
oil on canvas
Los Angeles County Museum of Art

Pablo Picasso
Head of a Woman
ca. 1927
oil on canvas
Norton Simon Museum, Pasadena

Pablo Picasso
Head of a Woman with a Hat (Dora Maar)
1930
oil on canvas
Los Angeles County Museum of Art

Pablo Picasso
Still Life
1914
oil and graphite on canvas
Denver Art Museum

attributed to Jean-Baptiste Siméon Chardin
Portrait of a Woman
ca. 1755
pastel on paper
Newport Mansions Preservation Society, Rhode Island

Jean-Baptiste Siméon Chardin
Cooking Pots and Ladle with White Cloth
ca, 1729
oil on canvas
Clark Art Institute, Williamstown, Massachusetts

Jean-Baptiste Siméon Chardin
Still Life with Plums
ca. 1730
oil on canvas
Frick Collection, New York

Jean-Baptiste Siméon Chardin
Still Life with Salmon
ca. 1730
oil on canvas
Musée Granet, Aix-en-Provence

Andrew Young
Ash, Chapel House, Kettle
1876
woodburytype print
National Gallery of Canada, Ottawa

Andrew Young
Pear, Lindores Abbey
1875
woodburytype print
National Gallery of Canada, Ottawa

Andrew Young
Pinus Pinaster in Smiddy Park, Largo
1877
woodburytype print
National Gallery of Canada, Ottawa

Andrew Young
Walnuts covered with Ivy, Donibristle
1875
woodburytype print
National Gallery of Canada, Ottawa

from Part Two of The Age of Anxiety

     Emble did likewise but his choice was a hot number, Bugs in the Bed by Big Myrtle & Her Two-Timers. He sang gaily:

     His Queen was forward, Her King was shy;
     He hoped for Her Heart but He overbid;
     When She ducked His Diamond down They went.

     In Smuggler's Cove He smelt near Him
     Her musical mermaids; She met Her angels
     In Locksmith's Lane, the little dears.

     He said to Her: "You're a hazy truth;"
     She said to Him: "You're a shining lie;"
     Each went to a washroom and wept much.

     The public applauded and the poets drew
     A moral for marriage: "The moths will get you
     If the wolves won't, so why not now?"

     The consequence was Both claimed the insurance
     And the furniture gave what-for to Their elbows.
     A reason for One, a risk on the Pair.  

– W.H. Auden (1944-46)