Saturday, November 14, 2026

Work

Henri-Edmond Cross
Women tending Vines
1890
oil on canvas
Museo Thyssen-Bornemisza, Madrid


Eugène Atget
Faucheurs, Somme
ca. 1890
later gelatin silver print from glass negative
Loeb Art Center, Vassar College, Poughkeepsie, New York

Camille Pissarro
Paysans dans les champs, Éragny
1890
oil on canvas
Buffalo AKG Art Museum, New York

Fritz von Uhde
Gleaners
1889
oil on canvas
Neue Pinakothek, Munich

Tobeen (Félix Elie Bonnet)
Vendanges
1914
oil on canvas
private collection

Frederic Taubes
Grading the Harvest
(commissioned by the American Tobacco Company)
1942
oil on canvas
private collection

Carl Wilhelmson
Farmworkers from Uppland
1904
oil on canvas
Thiel Gallery, Stockholm

Erik Werenskiold
Dredging a Ditch
1886
oil on canvas
Statens Museum for Kunst, Copenhagen

Anthony Whishaw
Two Men Drilling
1956
oil on board
Herbert Art Gallery & Museum, Coventry

Gustav Wentzel
Woman making Butter
ca. 1920
oil on canvas
Nasjonalmuseet, Oslo

Henry Walton
Plucking the Turkey
ca. 1775
oil on canvas
Tate Britain

Joy Hester
Study of Sunday Reed in the Kitchen
ca. 1947
oil on board
National Gallery of Australia, Canberra

Pietro Ricchi (il Lucchese)
Young Cook in a Pantry
ca. 1660
oil on canvas
Fondazione Cassa di Risparmio di Lucca

Jehan-Georges Vibert
The Marvelous Sauce
ca. 1890
oil on panel
Buffalo AKG Art Museum, New York

Laurie Simmons
Woman - Purple Dress - Kitchen
1976
gelatin silver print
National Gallery of Art, Washington DC

Caroline Walker
Glass Wash
2024
oil on board
private collection

Santos Zingale
Scrub Ladies
1937
lithograph
National Gallery of Art, Washington DC

An Interview

Have you lived long, sir, in these parts?
        – That hill would not think so.
What are your favourite loves, your special hates?
        – The things I do not know.

Have you never wanted to move on?
        – I have known that despair.
Yet you haven't actually up sticks and gone?
       – Perhaps next year.

Have you seen many changes since you came?
         – I have seen the green branch bare.
Yet I suppose a lot of things are the same?
        – Your questionnaire.

What have you been doing all this time?
        – Making my will,
Committing and solving crime,
        Watching the sun over that hill.

What made you come here in the first place?
        – It was not the first place.
Then you have memories going back earlier?
        – As a child I stole fruit, was in disgrace.

But you've done pretty well since then?
        – It was only one tree;
They say each year it drips with blood again,
        Tears for my victory.

What is the secret of your long innings, sir?
        Have you any tips to pass on to us?
– Try and grow used to the place of every star
        And forget your own dark house.

– K.W. Gransden (1960)