Thursday, April 16, 2026

Draped

Edward von Steinle
Drapery Study for Figure of the Virgin
ca. 1835
watercolor and gouache on paper
Städel Museum, Frankfurt


Dante Gabriel Rossetti
Beata Beatrix
ca. 1871-72
oil on canvas
Art Institute of Chicago

Giovanni Battista Cipriani
Drapery Study
ca. 1755
drawing
British Museum

Dante Gabriel Rossetti
Elizabeth Siddal
1854
watercolor on paper
Ashmolean Museum, Oxford

Léon Riesener
Study of Kneeling Draped Woman
before 1878
charcoal and chalk on paper
British Museum

Dante Gabriel Rossetti
Hamlet and Ophelia
1866
watercolor on paper
Ashmolean Museum, Oxford

Anselm Sickinger
Drapery Study for Sculpture
ca. 1830-40
drawing
Bayerisches Nationalmuseum, Munich

Dante Gabriel Rossetti
My Lady Greensleeves
1859
watercolor and gouache on paper
British Museum

Henri Lehmann
Drapery Study
1842
drawing (study for painting)
British Museum

Dante Gabriel Rossetti
St George slaying the Dragon
1863
watercolor and gouache on paper
Ashmolean Museum, Oxford

Giovanni Antonio Boltraffio
Drapery Study for Risen Christ
1491
drawing (study for painting)
British Museum

Dante Gabriel Rossetti
Study of Jane Morris for figure of Beatrice
1870
drawing
(study for painting, Dante's Dream)
British Museum

Frederic Leighton
Drapery Study
ca. 1890
drawing
(study for painting, The Tragic Poetess)
British Museum

Dante Gabriel Rossetti
The Day Dream
ca. 1878-80
charcoal and chalk on paper
Ashmolean Museum, Oxford

attributed to Pierre Subleyras
Study of Draped Figure
before 1749
drawing
British Museum

Dante Gabriel Rossetti
Water Willow
1871
oil on canvas, mounted on panel
Delaware Art Museum, Wilmington

Anonymous French Sculptor
Draped Torso
ca. 1300-1330
limestone
(fragment from Notre Dame de Paris)
Musée du Louvre

The Drum

I hate that drum's discordant sound,
Parading round, and round, and round:
To thoughtless youth it pleasure yields,
And lures from cities and from fields,
To sell their liberty for charms
Of tawdry lace, and glittering arms;
And when Ambition's voice commands,
To march and fight, and fall, in foreign lands.

I hate that drum's discordant sound,
Parading round, and round, and round:
To me it talks of ravaged plains,
And burning towns, and ruined swains,
And mangled limbs, and dying groans,
And widows' tears, and orphans' moans;
And all that misery's hand bestows
To fill the catalogue of human woes.

– John Scott of Amwell (1782)