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| Ottavio Vannini Young Michelangelo showing Lorenzo il Magnifico the Head of a Faun ca. 1638-42 fresco Palazzo Pitti, Florence |
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| Paolo Uccello Monument to Sir John Hawkwood 1436 detached fresco mounted on canvas Duomo di Firenze |
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| Christoph Unterberger Punishment of Lichas 1784-86 fresco Sala di Ercole, Villa Borghese, Rome |
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| Christoph Unterberger Hercules receiving the Horn of Achelous from the Naiads 1784-86 fresco Sala di Ercole, Villa Borghese, Rome |
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| Christoph Unterberger Death of Hercules on the Pyre 1784-86 fresco Sala di Ercole, Villa Borghese, Rome |
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| Christoph Unterberger Apotheosis of Hercules 1784-86 fresco Sala di Ercole, Villa Borghese, Rome |
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| Antonio Viviani (il Sordo) Genius of Fame ca. 1585-90 loggia fresco Palazzo Altemps, Rome |
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| Antonio Viviani (il Sordo) Putto with Roses ca. 1585-90 loggia fresco Palazzo Altemps, Rome |
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| Pietro Benvenuti Hercules rescuing Dejanira from Nessus ca. 1817-29 fresco Galleria Palatina, Palazzo Pitti, Florence |
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| Pietro Benvenuti Hercules slaying the Hydra ca. 1817-29 fresco Galleria Palatina, Palazzo Pitti, Florence |
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| Ottavio Vannini Selene and Endymion 1632 fresco Palazzo Galli-Tassi, Florence |
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| Giovanni da San Giovanni (Giovanni Mannozzi) Apollo and Marsyas ca. 1634-35 fresco on terracotta Gallerie degli Uffizi, Florence |
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| Anonymous Italian Artist after Perino del Vaga Ornamental Frieze with Lady and Unicorn ca. 1545 detached fresco Museo Nazionale di Castel Sant'Angelo, Rome |
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| Sandro Botticelli Young Man presented by Venus to the Liberal Arts ca. 1483-85 detached fresco Musée du Louvre |
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| Taddeo Zuccaro Holy Roman Emperor Charles V meeting with Alessandro Farnese 1561-63 fresco Palazzo Farnese di Caprarola |
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| James Thornhill Allegorical Scene with the Duke of Marlborough kneeling before Britannia 1716 ceiling fresco Great Hall, Blenheim Palace, Oxfordshire |
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| Frede Vidar Department Store 1934 fresco Coit Tower, San Francisco |
from Lapis Lazuli
All perform their tragic play,
There struts Hamlet, there is Lear,
That's Ophelia, that Cordelia;
Yet they, should the last scene be there,
The great stage curtain about to drop,
If worthy their prominent part in the play,
Do not break up their lines to weep.
They know that Hamlet and Lear are gay;
Gaiety transfiguring all that dread.
All men have aimed at, found and lost;
Black out; Heaven blazing into the head:
Tragedy wrought to its uttermost.
Though Hamlet rambles and Lear rages,
And all the drop-scenes drop at once
Upon a hundred thousand stages,
It cannot grow by an inch or an ounce.
– William Butler Yeats (1936)






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