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| Garofalo (Benvenuto Tisi) Pico transformed by Circe into a Woodpecker (illustration to Ovid) ca. 1530-35 oil on panel Palazzo Barberini, Rome |
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| Anonymous Flemish Painter Ulysses demanding that Circe reverse her Enchantment ca. 1570-75 oil on panel Gallerie degli Uffizi, Florence |
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| Bartolomeo Passarotti Portrait of Ulisse Aldrovandi as Ulysses with Circe ca. 1575 oil on canvas Palazzo Fava, Bologna |
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| Pier Francesco Mola Homer dictating his Poetry before 1666 drawing British Museum |
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| Giacomo del Pò Circe working her Magic ca. 1708-1710 oil on canvas Palazzo Lanfranchi, Matera |
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| Sir James Thornhill Mercury and Calypso (study for painted panel at Kiveton House) ca. 1715 drawing British Museum |
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| Mathieu Ignace van Brée Alexander the Great committing the writings of Homer to Safety ca. 1810 ink and gouache on paper Ashmolean Museum, Oxford |
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| Louis Vincent Léon Pallière Ulysses and Telemachus slaying the Suitors 1812 oil on canvas Petit Palais, Paris |
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| Christophe Thomas Degeorge Ulysses and Telemachus slaying the Suitors 1812 oil on canvas Musée d'Art Roger Quilliot, Clermont-Ferrand |
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| François Chifflart Ulysses recognized by Euriclea 1849 oil on canvas Musée de l'Hôtel Sandelin, Saint-Omer |
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| Julia Margaret Cameron Circe 1865 albumen silver print from glass negative Metropolitan Museum of Art, New York |
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| Arnold Böcklin Sirens 1875 tempera on canvas Alte Nationalgalerie, Staatliche Museen zu Berlin |
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| Louis Chalon Circe with companions of Ulysses as Pigs 1888 oil on canvas private collection |
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| Jean-Alfred Marioton Ulysses and Nausicaa 1888 oil on canvas Musée d'Orsay, Paris |
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| Max Klinger The Siren 1895 oil on canvas Galleria d'Arte Moderna, Florence |
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| Joseph Cornell Circe III (Surface and Volume in Nature) ca. 1960-65 printed paper collage and pigment on board National Gallery of Art, Washington DC |
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| Rodolfo Abularach Circe 1969 drawing San Francisco Museum of Modern Art |
But standing now I see
The diver's brilliant bow,
His quiet break from the sea,
With one trained movement throw
The hair from his forehead;
And I, stung by the sun,
Think, semi-satisfied
That, ere the smile is done,
The eye deliberate
May qualify the joy
And that which we create
We also may destroy.
– W.H. Auden (1927)
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