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| Johs Rian Card Players 1947 watercolor on paper Nasjonalmuseet, Oslo |
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| Karl Anton Reichel Portrait of a Woman 1909 color woodblock print Graphische Sammlung Albertina, Vienna |
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| Giorgio Morandi Still Life 1939 oil on canvas Musée de Grenoble |
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| Georg Schrimpf Still Life 1929 oil on canvas Lenbachhaus, Munich |
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| Sascha Schneider Bacchante 1920 watercolor on paper Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| Werner Heldt Still Life 1950 oil on canvas Von der Heydt Museum, Wuppertal |
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| Francis Picabia The Lunatic 1948 oil on panel Museum Ludwig, Cologne |
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| Miriam Cahn Untitled 2018 oil on canvas Institut Valencià d'Art Modern |
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| Jost Amman Venus and Cupid ca. 1570 chiaroscuro woodcut Herzog Anton Ulrich Museum, Braunschweig |
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| Moriz Jung Conversation between Mutes ca. 1905-1915 lithograph (postcard produced by Wiener Werkstätte) Graphische Sammlung Albertina, Vienna |
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| Josse van Gietleughen after Hubertus Goltzius Emperor Maximus ca. 1545-55 chiaroscuro woodcut (book illustration - Roman coin) Graphische Sammlung, ETH Zürich |
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| Ingrid Årfelt-Svalander Antiquities ca. 1952 linocut Moderna Museet, Stockholm |
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| Thomas Theodor Heine Art Exhibition of the Berlin Secession 1912 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Anonymous French Artist En Mission au Pays des Fauves (film series) 1922 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Alexander Apóstol Avenida Caracas, Bogotá #5 2006 digital print Institut Valencià d'Art Modern |
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| Sergio Belinchón Natural History 47 2006 inkjet print Institut Valencià d'Art Modern |
from The Man with the Blue Guitar
Poetry is the subject of the poem,
From this the poem issues and
To this returns. Between the two,
Between issue and return, there is
An absence in reality,
Things as they are. Or so we say,
But are these separate? Is it
An absence for the poem, which acquires
Its true appearance there, sun's green,
Cloud's red, earth feeling, sky that thinks?
From these it takes. Perhaps it gives,
In the universal intercourse.
– Wallace Stevens (1937)