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| Carlos Almaraz Solo Crash 1981 acrylic on canvas Museum of Modern Art, New York |
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| William Etty The Combat - Woman pleading for the Vanquished 1825 oil on canvas Scottish National Gallery, Edinburgh |
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| Louis-Maurice Boutet de Monvel Cavalry Charge 1875 watercolor and gouache on paper Clark Art Institute, Williamstown, Massachusetts |
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| Louis-Michel Eilshemius Dancing Nymphs 1914 oil on board Museum of Modern Art, New York |
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| Anonymous German Sculptor Jason subduing the Dragon ca. 1600-1650 gilt bronze, from collection of Louis XIV Musée du Louvre |
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| Jacques-Henri Lartigue Swimming Pool at Château de Rouzat (my cousin Jean Haguet) 1910 gelatin silver print Museum of Modern Art, New York |
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| Jackson Pollock The Flame ca. 1934-38 oil on canvas Museum of Modern Art, New York |
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| Giulio Aristide Sartorio Explosion of a Landmine 1918 oil on panel Vittoriale degli Italiani, Gardone Riviera |
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| Larry Burrows Aerial Bombing, Vietnam ca. 1963 dye transfer print Museum of Modern Art, New York |
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| Joseph Mallord William Turner Wreck of a Transport Ship ca. 1810 oil on canvas Museu Calouste Gulbenkian, Lisbon |
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| Gertrude Hermes Swarm of Bees 1957 drawing British Museum |
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| Philip-Lorca diCorcia Tokyo 1998 C-print San Francisco Museum of Modern Art |
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| Stuyvesant van Veen Slave Issue in San Francisco 1947 screenprint Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Anton Refregier Riot Scene - Civil War Days (sketch for Post Office mural, San Francisco) 1947 oil and tempera on panel Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Lodovico Settevecchie and Leonardo da Brescia Bell Ringers ca. 1570 fresco Castello Estense, Ferrara |
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| Giandomenico Tiepolo Centaur and Satyr fending off a Bull ca. 1790 drawing Ashmolean Museum, Oxford |
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| Jeff Wall Milk 1984 C-print Museum of Modern Art, New York |
from The Princess
There at a board by tome and paper sat,
With two tame leopards couched beside her throne,
All beauty compassed in a female form,
The Princess; liker to the inhabitant
Of some clear planet close upon the Sun,
Than our man's earth; such eyes were in her head,
And so much grace and power, breathing down
From over her arched brows, with every turn
Lived through her to the tips of her long hands,
And to her feet.
– Alfred, Lord Tennyson (1847)