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| Roman Empire Bust of Philosopher AD 100-125 marble Museum of Fine Arts, Budapest |
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| Roman Empire Head of Woman AD 220-260 marble Herzog Anton Ulrich Museum, Braunschweig |
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| Roman Empire Herm of Bearded Deity 2nd century AD marble Antikensammlung, Staatliche Museen zu Berlin |
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| Roman Empire Bough of Plane Tree 1st century AD marble relief fragment Museum of Fine Arts, Budapest |
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| Roman Empire Dionysus 1st century AD marble relief (imitating archaic style) Antikensammlung, Staatliche Museen zu Berlin |
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| Roman Empire Hercules stealing Tripod from Apollo's Temple, with Apollo resisting 20 BC-AD 20 marble fragment of fountain Antikensammlung, Staatliche Museen zu Berlin |
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| Roman Empire Procession of Sacred Objects AD 25-50 marble relief Museum of Fine Arts, Budapest |
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| Roman Empire Legionary from Triumphal Arch AD 100 marble relief Antikensammlung, Staatliche Museen zu Berlin |
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| Roman Empire Apoxyomenos AD 130-150 marble (forearms and vase added, 16th century) Gallerie degli Uffizi, Florence |
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| Roman Empire Artemis 2nd century AD marble, heavily restored Antikensammlung, Staatliche Museen zu Berlin |
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| Roman Empire Athena 2nd-3rd century AD marble, heavily restored Musée d'Art Classique de Mougins |
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| Roman Empire Muse 2nd century AD marble (antique torso with modern head and limbs) Antikensammlung, Staatliche Museen zu Berlin |
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| Roman Empire Muse AD 140-150 marble (heavily restored, with modern head) Antikensammlung, Staatliche Museen zu Berlin |
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| Roman Empire Torso of Hercules AD 130-150 marble Museumslandschaft Hessen Kassel |
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| Roman Empire Torso of Man wearing Chiton and Cloak AD 130-140 marble Museumslandschaft Hessen Kassel |
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| Roman Empire Vase (with relief figures of Artemis and others) 30-20 BC marble Ny Carlsberg Glyptotek, Copenhagen |
Charlotte's attitude had in short its moments of flowering into pretty excesses of civility, self-effacements in the presence of others, sudden little formalisms of suggestion and recognition, that might have represented her sense of the duty of not 'losing sight' of a social distinction. This impression came out most for Maggie when, in their easier intervals, they had only themselves to regard, and when her companion's inveteracy of never passing first, of not sitting till she was seated, of not interrupting till she appeared to give leave, of not forgetting too familiarly that in addition to being important she was also sensitive, had the effect of throwing over their intercouse a kind of silver tissue of decorum. It hung there above them like a canopy of state, a reminder that though the lady-in-waiting was an established favourite, safe in her position, a little queen, however good-natured, was always a little queen and might with small warning remember it.
– Henry James, The Golden Bowl (1904)