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| Timoteo Viti Study of Fleeing Figures before 1523 drawing Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| Peter Paul Rubens and workshop Allegory of the Union of the Crowns of England and Scotland (partial sketch for ceiling painting in the Banqueting House, Whitehall) 1633-34 oil on panel Museum Boijmans Van Beuningen, Rotterdam |
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| Paulus Pontius after Peter Paul Rubens Massacre of the Innocents 1643 engraving (two plates) Graphische Sammlung, ETH Zürich |
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| Alexander Runciman The Landing of St. Margaret 1772 etched proof with hand-inked alterations Scottish National Gallery, Edinburgh |
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| Giorgio Sommer Eruption of Vesuvius 1872 albumen print Minneapolis Institute of Art |
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| Henri Rousseau Les Joueurs de Football 1908 oil on canvas Guggenheim Museum, New York |
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| Magnus Zeller The Orator ca. 1920 oil on canvas Los Angeles County Museum of Art |
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| Lyubov Popova Space Force Construction 1921 oil on panel Moderna Museet, Stockholm |
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| Harry Sternberg The Rings 1930 etching and aquatint Whitney Museum of American Art, New York |
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| Everett Shinn Acrobat Falling 1930 oil on canvas Hirshhorn Museum, Washington DC |
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| Robert Riggs Club Fighter 1939 lithograph Carnegie Museum of Art, Pittsburgh |
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| Elizabeth Olds Skating 1942 screenprint Smithsonian American Art Museum, Washington DC |
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| George Lovett Kingsland Morris Commandos attacked by Dogs 1943 oil on linen Whitney Museum of American Art, New York |
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| Benton Murdoch Spruance Forward Pass 1944 lithograph Whitney Museum of American Art, New York |
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| James Yarnell Cloudburst, Nebraska 1960 gelatin silver print Wichita Art Museum, Kansas |
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| Bob Thompson The Spinning Spinning Turning Directing 1963 oil on canvas Smithsonian American Art Museum, Washington DC |
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| Sigmar Polke The Devil from Berlin 2001 screenprint Walker Art Center, Minneapolis |
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| Fred Tomaselli Destroyer 2003 pigment and collage in resin on panel Denver Art Museum, Colorado |
Hell is Graduated
When I was employed at Cooperative Fashions, in spite of the dark, ugly old maid, I tried to steal some garters. I was pursued down the superb staircases, not for the theft, but for my laziness at work and for my hatred of the innocent finery. Descend, you are pursued. The staircases are less beautiful in the offices than in the part open to the public. The staircases are less beautiful in the "service" quarters than in the offices. The staircases are still less beautiful in the cellar! But what can I say of the marsh where I arrived? What can I say of the laughter? Of the animals that brushed by me, and of the whisperings of unseen creatures? Water gave place to fire, to fear, to unconsciousness; when I came to myself I was in the hands of silent and nameless surgeons.
– Max Jacob (1924), translated by Elizabeth Bishop (ca. 1950)