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| Lodewijk Toeput (Ludovico Pozzoserrato) Pleasure Garden with Maze ca. 1579-84 oil on canvas (from the collection of Charles I) Royal Collection, Great Britain |
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| Anonymous Persian Artist Athletes in a Garden 18th century gouache and tempera on paper Milwaukee Art Museum, Wisconsin |
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| Camille Pissarro Jardin des Mathurins, Pontoise 1876 oil on canvas Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Frits Thaulow Summer Day in the Garden 1880 oil on panel Lillehammer Kunstmuseum, Norway |
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| Aukusti Uotila Spring in the Tuileries Garden 1880 oil on canvas private collection |
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| Vincent van Gogh Terrace in the Luxembourg Gardens 1886 oil on canvas Clark Art Institute, Williamstown, Massachusetts |
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| Auguste Renoir Garden at Château des Brouillards, Montmartre 1895 oil on canvas Ashmolean Museum, Oxford |
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| Henry Edward Tidmarsh The Public Garden ca. 1910 watercolor on paper private collection |
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| Leo Gestel Garden, Mallorca 1914 oil on canvas Kunstmuseum, The Hague |
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| Laurits Regner Tuxen Rhododendron in the artist's garden 1917 oil on canvas Skagens Museum, Denmark |
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| Eliseu Visconti Girls in the Garden 1935 oil on canvas Museu Nacional de Belas Artes, Rio de Janeiro |
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| Carl Robert Holty Woman in a Garden 1955 oil on canvas Hirshhorn Museum, Washington DC |
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| Peter Fink Garden - Pittsfield, New York ca. 1965 C-print Metropolitan Museum of Art, New York |
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| Joan Fontcuberta The Costa-Llobera Garden, Montjuic, Barcelona 1984 gelatin silver print National Gallery of Art, Washington DC |
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| Susan Wilson Garden in the Snow, Fenton House, Hampstead 1987 oil on canvas National Trust, Fenton House |
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| Jonas Wood Japanese Garden 2017 oil and acrylic on canvas private collection |
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| Michael Zavros Summer Garden with a Z 2021 oil on canvas private collection |
from Judging Distances
Not only how far away, but the way that you say it
Is very important. Perhaps you may never get
The knack of judging a distance, but at least you know
How to report on a landscape: the central sector,
The right of arc and that, which we had last Tuesday,
And at least you know
That maps are of time, not place, so far as the army
Happens to be concerned – the reason being,
Is one which need not delay us. Again, you know
There are three kinds of tree, three only, the fir and the poplar,
And those which have bushy tops to; and lastly
That things only seem to be things.
– Henry Reed (1942)