Tuesday, September 8, 2026

Hand-Held

Anonymous French Sculptor
Angel with Flowering Staff
ca. 1160-70
limestone relief
Nelson-Atkins Museum of Art, Kansas City, Missouri


Antonello da Messina
The Virgin reading
ca. 1460-62
tempera and oil on panel
Walters Art Museum, Baltimore

Anonymous German Painter
Portrait of a Woman
ca. 1480
tempera on panel
Museo Thyssen-Bornemisza, Madrid

Sandro Botticelli
Portrait of a Young Man holding a Roundel
ca. 1480-85
tempera on panel
National Gallery of Art, Washington DC

Ambrosius Benson
Portrait of a Man
ca. 1530
oil on panel
Clark Art Institute, Williamstown, Massachusetts

Bacchiacca (Francesco Ubertini)
Portrait of a Woman with a Lynx
ca. 1530-40
oil on panel
Gemäldegalerie, Staatliche Museen zu Berlin

Anonymous French Sculptor
Goddess Diana with Stag
ca. 1550-60
marble fountain ornament
(gilt-bronze features and vase-shaped support added later)
Musée du Louvre

Trophime Bigot
Physician with Urine Sample
ca. 1633
oil on canvas
Ashmolean Museum, Oxford

Anonymous English Painter
Portrait of a Sculptor
ca. 1640
oil on canvas
Ashmolean Museum, Oxford

Lambert-Sigisbert Adam
Self Portrait
1737
drawing
Ashmolean Museum, Oxford

David Allan
Portrait of James Tassie, sculptor and gem-engraver
ca. 1781
oil on canvas
Scottish National Portrait Gallery, Edinburgh

Frédéric Bazille
Portrait of art collector Edmond Maître
1869
oil on canvas
National Gallery of Art, Washington DC

Aubrey Beardsley
Young Woman with Censer
(illustration for Malory's Morte d'Arthur)
1893
drawing
Ashmolean Museum, Oxford

Paul Berthon
Salon des Cent
1897
lithograph (poster)
Museum of Modern Art, New York

Mihály Biró
1919 May 1
1919
lithograph
(poster for May Day celebration in Hungary)
Museum of Modern Art, New York

George Bellows
Portrait of art collector Chester Dale
1922
oil on canvas
National Gallery of Art, Washington DC

Anonymous American Designer 
Dead Kennedys - Toxic Reasons
Fried Abortions - Angst
Monday at the Mabuhay

ca. 1980
photocopy (flyer)
Museum of Modern Art, New York

from The Book of the World 

But silly we (like foolish children) rest
Well pleased with coloured vellum, leaves of gold,
Fair dangling ribbons, leaving what is best,
On the great writer's sense ne'er taking hold;
        Or if by chance our minds do muse on ought
        It is some picture in the margin wrought. 

– William Drummond of Hawthornden (1623)