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| Gene Davis Oriole 1966 acrylic on canvas North Carolina Museum of Art, Raleigh |
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| Diane Arbus Agnes Martin, NYC 1966 gelatin silver print Portland Museum of Art, Maine |
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| Frank Auerbach Seated Figure 1966 screenprint Lowe Art Museum, University of Miami |
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| Warrington Colescott Tourist Parties unaware of Hidden Plague 1966 watercolor, gouache, ink and collage on paper Madison Museum of Contemporary Art, Wisconsin |
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| Frank Stella Wolfeboro III 1966 alkyd paint on canvas Seattle Art Museum |
-Philadelphia-1966-gelatin-silver-print-Dallas-Museum-of-Art.jpg) |
| George Krause Clown, Philadelphia 1966 gelatin silver print Dallas Museum of Art |
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| Asger Jorn Individuum Ineffable 1966 acrylic on paper, mounted on canvas NSU Art Museum, Fort Lauderdale, Florida |
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| Alberto Guzman Partition en porte à faux 1966 bronze Musée des Beaux-Arts de Pau |
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| Edgardo Miguel Giménez Las Panteras Objetos 1966 lithograph (poster for exhibition in Buenos Aires) Denver Art Museum |
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| Adolph Gottlieb Chrome Yellow, Green Disk 1966 lithograph New Britain Museum of American Art, Connecticut |
-1966-screenprint-on-shopping-bag-Akron-Art-Museum-Ohio.jpg) |
| Andy Warhol Campbell's Soup Can (Tomato Soup) 1966 screenprint on shopping bag Akron Art Museum, Ohio |
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| Enrico Natali Protester at Anti-War Rally 1966 gelatin silver print Art Institute of Chicago |
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| Alex Hay Guest Check 1966 lacquer on canvas Weatherspoon Art Museum, Greensboro, North Carolina |
-Knee-1966-watercolor-and-crayon-on-paper-Menil-Collection-Houston.jpg) |
| Claes Oldenburg Proposed Colossal Monument for Thames Estuary: Knee 1966 watercolor and crayon on paper Menil Collection, Houston |
-1966-lithograph-North-Carolina-Museum-of-Art-Raleigh.jpg) |
| Robert Motherwell Summertime in Italy (with Lines) 1966 lithograph North Carolina Museum of Art, Raleigh |
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| Wes Wilson Sam the Sham and the Pharaohs at the Fillmore, San Francisco 1966 screenprint Wichita Art Museum, Kansas |
from Horae Canonicae
VI. COMPLINE (part II)
Leave me, without a status,
Among its unwashed tribes of wishes
Who have no dances and no jokes
But a magic cult to propitiate
What happens from noon till three,
Odd rites which they hide from me – should I chance
Say, on youths in an oak-wood
Insulting a white deer, bribes nor threats
Will get them to blab – and then,
Past untruth is one step to nothing,
For the end, for me as for cities,
Is total absence: what comes to be
Must go back into non-being
For the sake of equity, the rhythm
Past measure or comprehending.
Can poets (can men in television)
Be saved? It is not easy
To believe in unknowable justice
Or pray in the name of a love
Whose name one's forgotten: libera
Me, libera C (dear C)
And all poor s-o-b's who never
Do anything properly, spare
Us in the youngest day when all are
Shaken awake, facts are facts,
(And I shall know exactly what happened
Today between noon and three)
That we, too, may come to the picnic
With nothing to hide, join the dance
As it moves in perichoresis,
Turns about the abiding tree.
– W.H. Auden (1954)