Friday, March 6, 2026

Right Angles

Anonymous French Makers
Dado with Inset Panels
ca. 1800-1850
block-printed wallpaper
Cooper Hewitt, Smithsonian Design Museum


Sophie Tauber-Arp
Vertical and Horizontal Composition
ca. 1928
oil on board
National Gallery of Australia, Canberra

Anonymous American Makers
Trompe-l'oeil Grid
ca. 1929-32
machine-printed wallpaper
Cooper Hewitt, Smithsonian Design Museum

Otto Teegen
Six Variations for the August Issue of Junior League Magazine
1935
gouache, ink and graphite on paper
Cooper Hewitt, Smithsonian Design Museum

Wim Sinemus
Composition with Blue and Black
ca. 1935
oil on board
Kunstmuseum, The Hague

Alexander Girard for Herman Miller
Small Squares
1953
screenprinted silk furnishing fabric
Art Institute of Chicago

Richard Anuszkiewicz
Sol I
1965
acrylic on canvas
Hirshhorn Museum, Washington DC

Richard Anuszkiewicz
Spectral O
1969
screenprint
Smithsonian American Art Museum, Washington DC

Gérard Titus-Carmel
La Fenêtre de face, Le Jardin
ca. 1970-72
gelatin silver print
National Gallery of Australia, Canberra

Richard Anuszkiewicz
Silent Red
1972
screenprint
Smithsonian American Art Museum, Washington DC

Doug Ohlson
Middle Zone
1981-82
oil and acrylic on canvas
Whitney Museum of American Art, New York

Richard Anuszkiewicz
Greeting Card
before 1982
screenprint
Cooper Hewitt, Smithsonian Design Museum

Kerrie Poliness
Untitled
1987
enamel on board
Heide Museum of Modern Art, Bulleen, Australia

Georges Rousse
Athène
1993
C-print
North Carolina Museum of Art, Raleigh

Renate Weisz
Kalligra Dekor
1993
screenprinted cotton
Cooper Hewitt, Smithsonian Design Museum

Emilia Azcárate
Untitled
(based on casta set by Miguel Cabrera)
2020
acrylic on sixteen canvases
Los Angeles County Museum of Art

Tom McGlynn
Apelles Agreement
2022
acrylic on panel
Portland Museum of Art, Maine

from On a foule Morning, being then to take a journey.

Where art thou Sol, while thus the blind-fold Day
Staggers out of the East, looses her way
Stumbling on Night? Rouze thee Illustrious Youth,
And let no dull mists choake the Lights faire growth. 
Point here thy Beames; ô glance on yonder flockes,
And make their fleeces Golden as thy lockes.
Unfold thy faire front, and there shall appeare
Full glory, flaming in her owne free spheare.
Gladnesse shall cloath the Earth, we will instile
The face of things, an universall smile.
Say to the Sullen Morne, thou com'st to court her;
And wilt command proud Zephirus to sport her
With wanton gales: his balmy breath shall licke
The tender drops which tremble on her cheeke; 
Which rarifyed, and in a gentle raine
On those delicious bankes distill'd againe
Shall rise in a sweet Harvest; which discloses
Two ever blushing beds of new-borne Roses.

– Richard Crashaw, The Delights of the Muses (1646)