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| Anonymous British Sculptor Adoration of the Magi (composition derived from an engraving) ca. 1540 alabaster relief panel Fitzwilliam Museum, Cambridge |
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| Anonymous British Needleworker Valance 17th century silk embroidery on silk satin Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous British Potter Pickle Leaf ca. 1770-80 lead-glazed earthenware Victoria & Albert Museum, London |
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| Anonymous British Needleworker Figures in Landscape within Decorated Border ca. 1780 silk embroidery and pigment on silk Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous British Lacemaker Sleeve Ruffle of Honiton Bobbin-Lace 19th century linen Cooper-Hewitt, Smithsonian Design Museum |
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| Anonymous British Needleworker Pocket Book 19th century silk embroidery on linen foundation Cooper-Hewitt, Smithsonian Design Museum |
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| Anonymous British Designer Gothic Arches ca. 1840-50 block-printed wallpaper Cooper-Hewitt, Smithsonian Design Museum |
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| Anonymous British Designer The Kingsmere 1882 block-printed wallpaper Cooper-Hewitt, Smithsonian Design Museum |
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| Anonymous British Glassblower Ewer ca. 1890 mold-blown glass Chrysler Museum of Art, Norfolk, Virginia |
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| Anonymous British Lacemaker Collar of Bobbin Lace ca. 1900 linen National Museum of American History, Washington DC |
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| Anonymous British Printmaker Franco-British Exhibition, London 1908 chromolithograph (postcard) Cooper-Hewitt, Smithsonian Design Museum |
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| Roger Fry Design for a Marquetry and Lacquer Cabinet to be produced by Omega Workshops ca. 1913 gouache and collage on paper Victoria & Albert Museum, London |
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| Omega Workshops Waistcoat in Cracow Fabric designed by Roger Fry 1913 jacquard-woven wool and linen Victoria & Albert Museum, London |
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| Roger Fry for Omega Workshops Margery 1913 sample of block-printed linen Victoria & Albert Museum, London |
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| Vanessa Bell for Omega Workshops White 1913 sample of block-printed linen Art Institute of Chicago |
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| Roger Fry for Omega Workshops Still Life 1918 woodcut British Museum |
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| Anonymous British Designer Interlaced Bands 1968 screenprinted wallpaper Cooper-Hewitt, Smithsonian Design Museum |
An Epitaph upon a Young Married Couple Dead and Buryed Together
To these, whom Death again did wed,
This Grave's their second Marriage-bed.
For though the hand of fate could force
'Twixt Soul & Body a Divorce,
It could not sunder man & Wife,
It could not sunder man & Wife,
'Cause They Both livèd but one life.
Peace, good Reader. Doe not weep.
Peace, The Lovers are asleep.
They, sweet Turtles, folded ly
In the last knott love could ty.
And though they ly as they were dead,
Their Pillow stone, their sheetes of lead
(Pillow hard, & sheetes not warm)
Love made the bed; They'l take no harm.
Let them sleep: let them sleep on
Till this stormy night be gone,
Till th' Æternall morrow dawn;
Then the curtaines will be drawn
And they wake into a light,
Whose day shall never dy in Night.
– Richard Crashaw (1652)