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| Francesco di Giorgio Martini Design for Windlass mounted on Boats to raise a Column from the Sea ca. 1475-80 drawing (manuscript leaf: Opusculum de Architectura) British Museum |
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| Francesco di Giorgio Martini Design for Underwater Harbor Defense ca. 1475-80 drawing (manuscript leaf: Opusculum de Architectura) British Museum |
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| Lambert-Sigisbert Adam Proposed Design for the Trevi Fountain in Rome 1731 drawing Ashmolean Museum, Oxford |
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| Guillaume-Thomas Taraval Design for Festival Architecture before 1750 drawing Metropolitan Museum of Art, New York |
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| Mauro Antonio Tesi after Stefano della Bella Designs for Vases and Urns ca. 1750 etching Museum für Angewandte Kunst, Vienna |
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| Mauro Antonio Tesi Elevation of a Catafalque for a General before 1766 drawing Cooper Hewitt, Smithsonian Design Museum |
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| attributed to Mauro Antonio Tesi Quadratura Design before 1766 drawing Metropolitan Museum of Art, New York |
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| Mauro Antonio Tesi Design for temporary Holy Week Altar before 1766 drawing Metropolitan Museum of Art, New York |
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| Louis-Gustave Taraval Design for Church Façade with Allegorical Figure of Faith ca. 1768 drawing National Gallery of Art, Washington DC |
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| Louis-Gustave Taraval Design for Classical Temple ca. 1780 drawing National Gallery of Art, Washington DC |
| Joseph Chinard Sketch Design for Clock Case with Couple flanking Stele before 1813 terracotta Musée du Louvre |
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| Johann Heinrich Ramberg Design for Britannia over Doorway 1813 (ink and watercolor on paper) British Museum |
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| Ferdinand Hodler Woodcutter ca. 1908-1910 drawing (design study for Swiss banknote) Ashmolean Museum, Oxford |
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| Duncan Grant The Queen of Sheba (design for dinner plate) ca. 1922 watercolor on paper Ashmolean Museum, Oxford |
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| William Hunt Diederich Design for Stair-Rail with Greyhounds ca. 1923 drawing Cooper Hewitt, Smithsonian Design Museum |
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| David Smith Untitled (study for sculpture) 1961 spray enamel over stencil on paper Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| David Smith Untitled (study for sculpture) 1963 tempera and spraypaint over stencil on paper Buffalo AKG Art Museum, New York |
Epitaph
Here I –
What does
the name matter?
from –
Who cares?
of good family –
Oh? Then scum –
and decent habits –
or the profligate
meet with worse?
am laid in earth:
this stone
tells my story.
And who listens?
– from the Greek Anthology, translated by Andrew Miller
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