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| George Platt Lynes Arnold Schoenberg, Hollywood 1947 gelatin silver print Metropolitan Museum of Art, New York |
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| Fernand Léger Paysage Animé 1921 oil on canvas National Gallery of Art, Washington DC |
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| Saul Leiter Gumball Machines 1955 C-print National Gallery of Australia, Canberra |
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| Eugène-Louis Lami Ceasefire (series, Souvenirs du camp de Lunéville) 1829 hand-colored lithograph British Museum |
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| George Platt Lynes Harvey Young, Gym Owner, Hollywood 1947 gelatins silver print Metropolitan Museum of Art, New York |
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| Fernand Léger Composition with Fruit 1938 oil on canvas Barber Institute of Fine Arts University of Birmingham, West Midlands |
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| Saul Leiter The Village 1947 gelatin silver print Whitney Museum of American Art, New York |
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| Eugène-Louis Lami Column of Cavalry fording a Stream (series, Souvenirs du camp de Lunéville) 1829 hand-colored lithograph British Museum |
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| George Platt Lynes Pavel Tchelitchew 1950 gelatin silver print National Portrait Gallery, Washington DC |
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| Fernand Léger La Fermière 1953 gouache and ink on paper (study for painting) Buffalo AKG Art Museum, New York |
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| Saul Leiter Window, New York 1957 C-print Whitney Museum of American Art, New York |
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| Eugène-Louis Lami The Upset (series, La Vie de Château) 1828 hand-colored lithograph British Museum |
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| George Platt Lynes Acrobatics 1941 gelatin silver print Metropolitan Museum of Art, New York |
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| Fernand Léger Les Troncs d'Arbres aux deux Oiseaux 1950 watercolor and ink on paper Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Saul Leiter Shirt in Window 1955 C-print National Gallery of Australia, Canberra |
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| Eugène-Louis Lami Wedding of the Farmer's Daughter (series, La Vie de Château) 1832 hand-colored lithograph British Museum |
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| George Platt Lynes Jared French ca. 1940 gelatin silver print Metropolitan Museum of Art, New York |
For whom now will you comb your hair
in lover's fashion?
For whose soft skin smooth your hands?
Why edge that cloak
with sea-crimson when Rhodope
has gone? Gone:
cheated of Rhodope, my eyes
gaze with blank
indifference at lucid day
dawning in gold.
– from the Greek Anthology, translated by Andrew Miller