Thursday, March 19, 2026

Proximate Picture Planes - IV

Piet Mondrian
Picture II with Yellow, Red and Blue
1936-43
oil on canvas
Moderna Museet, Stockholm

Aristarkh Lentulov
Self Portrait
1915
oil paint and collage on canvas
State Tretyakov Gallery, Moscow

Hans Burgkmair the Elder
Car of the Fools
Triumphal Procession of Emperor Maximilian I

ca. 1526
woodcut
Graphische Sammlung Albertina, Vienna

Virgil Solis
Antique Ornamental Geometric Patterns
before 1562
etching
Herzog Anton Ulrich Museum, Braunschweig

Joaquín Torres-Garcia
Constructivist Structure with Geometrical Forms
1943
oil on panel
Musée nationale d'art moderne, Paris

Robert Leemann
Ex Libris - Ludwig Gerster
ca. 1880
woodcut
Graphische Sammlung, Zentralbibliothek Zürich

Eric Gill
W.H. Smith & Son's Library
ca. 1909
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Antoine Lafréry
Antique Herm of Satyr and Youth
1569
engraving (book illustration)
Herzog August Bibliothek, Wulfenbüttel

Philipp Veit
Athena advising Penelope
ca. 1832
watercolor and gouache on paper
Städel Museum, Frankfurt

Jean de Tournes (printer)
Portal Design by Sebastiano Serlio
1551
engraving (book illustration)
Herzog August Bibliothek, Wolfenbüttel

Johann Georg Schreiber
Hohmann Haus, Leipzig
ca. 1710
engraving
Herzog Anton Ulrich Museum, Braunschweig

Peter Joseph Krahe
Façades by Giulio Romano in Mantua
ca. 1786
drawing, with addedwatercolor
Städtisches Museum, Braunschweig

Anonymous Artist
Scuola di Santa Maria degli Albanesi
(façade in Venice)
19th century
drawing
Max Planck Institute for Art History, Florence

Andrea Palladio
Temple of Fortuna Virilis, Rome - façade and details
(illustration to Quattro Libri dell'Architettura)
1581
anonymous woodcut after Palladio drawing
Hamburger, Kunsthalle

Ludwig Krug
Adam and Eve
ca. 1514
limestone relief
Bode Museum, Berlin

Loy Hering
Adam and Eve
ca. 1550
limestone relief
Bode Museum, Berlin

Let us go to the temple to see the statue of Aphrodite, how cunningly wrought it is of gold. Polyarchis erected it, having gained much substance from the glory of her own body.  

The two statues, wayfarer, are the gift of the woodman Miccalion; but look, Hermes, how the excellent woodman from his wretched calling managed to give gifts. The good man is always good. 

Let us stand on the low beach of the sea-washed promontory, gazing at the sanctuary of Cypris of the Sea, and the spring overshadowed by poplars from which the yellow kingfishers sip with their bills the running water.

Hector of the race of Ares, if thou hearest where'er thou art under ground, hail! and stay a little thy sighs for thy country. Ilion is inhabited, and is a famous city containing men inferior to thee, but still lovers of war, while the Myrmidons have perished. Stand by his side and tell Achilles that all Thessaly is subject to the sons of Aeneas. 

If at the right season thou callest upon me too, little among the lesser gods, thou shalt get thy wish, but crave not for great things. For I, Tychon,* have in my power to grant only such things as the people's god may give to a labouring man. 

An epigram of two lines has every merit, and if you exceed three lines it is rhapsody, not epigram.

– from Book IX (Declamatory and Descriptive Epigrams) of the Greek Anthology, translated and edited by W.R. Paton (1917)

*he was a god worshipped in company with or in place of Priapus