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| Mark Rothko Untitled (Harvard Mural Sketch) 1962 mixed media on canvas National Gallery of Art, Washington DC |
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| Morton Bartlett Painted Plaster Figure of Boy ca. 1950 gelatin silver print (figure created by the photographer) Metropolitan Museum of Art, New York |
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| Della Robbia Workshop Virgin and Child 16th century glazed terracotta Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Thomas Rowlandson after James Gillray Blood Royal (caricature of Ernest August, Duke of Cumberland) ca. 1811 ink and watercolor on paper British Museum |
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| Mark Rothko Untitled (Seagram Mural Project) 1959 oil on canvas National Gallery of Art, Washington DC |
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| Morton Bartlett Painted Plaster Figure of Boy at the Beach ca. 1950 gelatin silver print (figure created by the photographer) Metropolitan Museum of Art, New York |
| Della Robbia Workshop St Sebastian ca. 1500-1515 partly-enameled terracotta Musée du Louvre |
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| Thomas Rowlandson Guildhall Association Volunteer ca. 1798 ink and watercolor on paper British Museum |
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| Mark Rothko Untitled 1957 oil and glue on canvas National Gallery of Art, Washington DC |
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| Morton Bartlett Painted Plaster Figure of Girl ca. 1950 gelatin silver print (figure created by the photographer) Metropolitan Museum of Art, New York |
| attributed to Luca della Robbia Virgin and Child before 1482 painted marble relief Musée du Louvre |
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| Thomas Rowlandson Portrait of artist George Morland (friend of Rowlandson) ca. 1798 ink and watercolor on paper British Museum |
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| Mark Rothko No. 22 1961 mixed media on canvas Buffalo AKG Art Museum, New York |
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| Morton Bartlett Painted Plaster Figure of Girl Reading ca. 1950 gelatin silver print (figure created by the photographer) Metropolitan Museum of Art, New York |
| Girolamo della Robbia Funeral Effigy of Catherine de' Medici 1565 marble (intended for tomb but unfinished) Musée du Louvre |
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| Thomas Rowlandson Robert Kennett (executed for forgery) 1813 ink and watercolor on paper British Museum |
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| Mark Rothko Untitled (Harvard Mural Sketch) 1962 mixed media on canvas National Gallery of Art, Washington DC |
Gold cut the knot of otherwise
infrangible virginity
when Zeus eluding brazen bars,
rained upon royal Danaë.
Interpreted? Gold masters bronze,
rampart or chain: gold disallows
all locks & garters, smooths away
disdainful lines from haughty brows:
gold undid Danaë. Take note,
lovers whom Beauty's ways abash:
worship Her not with hollow words
but full & faithful hearts. And cash.
– from the Greek Anthology, translated by Andrew Miller
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