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| Gwen John Girl in a Hat ca. 1918-19 drawing Ashmolean Museum, Oxford |
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| Jacopo da Empoli (Jacopo Chimenti) Sacrifice of Isaac ca. 1620-25 oil on canvas Gallerie degli Uffizi, Florence |
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| Anonymous Italian Sculptor Pegasus ca. 1500-1550 bronze Ashmolean Museum, Oxford |
| Jean-Auguste-Dominique Ingres Études pour l'Apothéose d'Homère 1826-27 oil on canvas Musée du Louvre |
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| Gwen John Study of a Girl ca. 1920 drawing Ashmolean Museum, Oxford |
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| Jacopo da Empoli (Jacopo Chimenti) St Francis in Prayer 1599 oil on canvas Palazzo Pretorio, Prato |
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| Anonymous Italian Sculptor Horse ca. 1490 bronze Ashmolean Museum, Oxford |
| Jean-Auguste-Dominique Ingres Études pour l'Apothéose d'Homère (les pieds d'Homère) 1826-27 oil on canvas Musée du Louvre |
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| Augustus John Studies of a Child ca. 1910 drawing Buffalo AKG Art Museum, New York |
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| Jacopo da Empoli (Jacopo Chimenti) Drunkenness of Noah ca. 1620-25 oil on canvas Gallerie degli Uffizi, Florence |
| Anonymous Italian Sculptor Satyr ca. 1520 bronze Musée du Louvre |
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| Jean-Auguste-Dominique Ingres Portrait of comte Mathieu-Louis Molé 1834 oil on canvas Musée du Louvre |
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| Augustus John Study of Standing Woman ca. 1912 drawing Ashmolean Museum, Oxford |
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| Jacopo da Empoli (Jacopo Chimenti) Honesty of St Eligius 1614 oil on canvas Gallerie degli Uffizi, Florence |
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| Anonymous Italian Sculptor Satyr ca. 1550-1600 gilt-bronze furniture component Ashmolean Museum, Oxford |
| Jean-Auguste-Dominique Ingres Portrait of Edme Bochet 1811 oil on canvas Musée du Louvre |
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| Augustus John Study for a Lyric Composition ca. 1925 drawing Ashmolean Museum, Oxford |
Set foot once beyond Nilotic
Meroë: Love
will snatch me there on wings. Journey
will snatch me there on wings. Journey
into the dawn
that glows no rosier than yourself,
and I, step
by step, will follow. Accept, lady,
this pearl, prize
from the still sea. She of the Foam,
the Sea-born,
sends it, token of her defeat:
she has despaired,
glimpsing you, of her ancient, bold,
limpid splendour.
– from the Greek Anthology, translated by Andrew Miller

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