Sunday, November 15, 2015

Bellona

Rembrandt
Bellona
1633
Metropolitan Museum

Rembrandt
Judith at the Banquet of Holofernes
1634
Prado

"The effect of singularity and of individuality given off by Rembrandt's works is a product of this master's domination of the world he brought into the studio. Retirement to rule, and the delight mixed with the horror of discovering that the self alone is what one rules, is a familiar scenario from Prospero on his island to Monet in his garden. To these examples I would add Rembrandt in his studio. The nineteenth century credited Rembrandt with being uniquely in touch with something truer about the individual human state. I would put it differently. It is something stranger and more unsettling. Rembrandt was not the discoverer, but one of the inventors of that individual state. And so his late works became a touchstone for what western culture, from his day until our own, has taken as the irreducible uniqueness of the individual."

– Svetlana Alpers, from Rembrandt's Enterprise (University of Chicago Press, 1988)

Rembrandt
Young Woman with a Fan
1633
Metropolitan Museum

Rembrandt
Young Woman Reading
drawing
17th century
Metropolitan Museum

Rembrandt
Self-portrait
etching
1634
Metropolitan Museum
(gift of Louisine Havemeyer)

Rembrandt
Self-portrait leaning on a stone sill
etching
1639
Morgan Library

Rembrandt
 Self-portrait drawing at a window
etching
1648
Victoria & Albert Museum

Rembrandt
Portrait of a man
1632
Metropolitan Museum

Rembrandt
David & Goliath
etching
1655
Victoria & Albert Museum

follower of Rembrandt
The Mocking of Christ
drawing
1650s
Getty

Rembrandt
Cottage near the Entrance to a Wood
drawing
1644
Metropolitan Museum