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| Guercino Beggar carrying child on his shoulders 1630s-1640s drawing Princeton University Art Museum |
"The events surrounding the historian, and in which he himself takes part, will underlie his presentation in the form of a text written in invisible ink. The history which he lays before the reader comprises, as it were, the citations occurring in this text, and it is only these citations that occur in a manner legible to all. To write history thus means to cite history. It belongs to the concept of citation, however, that the historical object in each case is torn from its context."
– from The Arcades Project by Walter Benjamin, translated by Howard Eiland and Kevin McLaughlin (Harvard University Press, 1999)
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| Guercino Putti holding the Sudarium above the Head of St John the Baptist 17th century drawing Princeton University Art Museum |
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| Guercino St Joseph with flowering staff 1636 drawing Princeton University Art Museum |
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| Guercino St Joseph with Christ Child 17th century drawing Princeton University Art Museum |
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| Guercino St Peter and the Angel 1650s drawing Art Gallery of South Australia |
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| Guercino The Visitation - St Elizabeth helps the Virgin dismount ca. 1632 drawing Princeton University Art Museum |
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| Guercino Penitent Magdalene 1624-25 drawing Princeton University Art Museum |
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| attributed to Guercino Study of an old man 17th century drawing Princeton University Art Museum |
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| Guercino Young man pulling flax 17th century drawing Princeton University Art Museum |
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| Guercino Raising of Tabitha ca. 1618 drawing Hermitage, Saint Petersburg |
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| Guercino Astrologer with compass and globe 17th century drawing Princeton University Art Museum |
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| Guercino Joseph and Potiphar's Wife ca. 1649 drawing Honolulu Museum of Art |
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| circle of Guercino Study of Youths 17th century drawing Princeton University Art Museum |
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| Guercino Seated monk reading 1630s-1640s drawing Princeton University Art Museum |
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| Guercino Windy Landscape 1630s drawing Princeton University Art Museum |