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| Anonymous Artist Severed Head of St Januarius 17th century oil on canvas Museum de Fundatie, Zwolle, Netherlands |
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| Gandhara Culture Head of an Ascetic 4th century AD schist Ashmolean Museum, Oxford |
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| Cherubino Alberti Antique Sculpture of Roman Emperor before 1615 engraving Graphische Sammlung, ETH Zürich |
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| Teodor Lubieniecki Antique Cartouche among Ruins 1696 drawing Graphische Sammlung Albertina, Vienna |
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| Leonardo da Vinci Drapery Study for Madonna Litta ca. 1490-95 drawing Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Anonymous German Artist Veronica's Veil ca. 1470 hand-colored woodcut Graphische Sammlung Albertina, Vienna |
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| Anonymous Italian Artist Antique Torso of Aristogeiton 16th century drawing Ashmolean Museum, Oxford |
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| Ivar Arosenius Antique Head of Niobid 1897 drawing Göteborgs Konstmuseum, Sweden |
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| Thanassis Apartis Torso of Portuguese Man 1921 bronze National Gallery, Athens |
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| Eugène Carrière Self Portrait ca. 1901 oil on canvas Musée d'Art Moderne et Contemporain de Strasbourg |
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| Roman Empire Athlete 1st century AD marble Walters Art Museum, Baltimore |
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| Jan van Troyen after Domenico Fetti Sudarium ca. 1650-60 engraving Herzog August Bibliothek, Wolfenbüttel |
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| Heinrich Dittmers Académie ca. 1650 drawing Statens Museum for Kunst, Copenhagen |
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| Wilhelm Füssli Head of the Ludovisi Juno 1863 drawing Graphische Sammlung, Zentralbibliothek Zürich |
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| Frans Floris Studies of Antique Sculpture ca. 1540-50 drawing Kupferstichkabinett, Kunstmuseum Basel |
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| Emil Orlik Schall und Rauch 1901 lithograph (poster for nightclub) Graphische Sammlung Albertina, Vienna |
For afterwards all Greece, as a man may say, was in commotion; and quarrels arose everywhere between the patrons of the commons, that sought to bring in the Athenians, and the few, that desired to bring in the Lacedaemonians. Now in time of peace they could have had no pretence nor would have been so forward to call them in; but being war and confederates to be had for either party, both to hurt their enemies and strengthen themselves, such as desired alteration easily got them to come in. And many and heinous things happened in the cities through this sedition, which though they have been before and shall be ever as long as human nature is the same yet they are more calm and of different kinds according to the several conjunctures. For in peace and prosperity as well cities as private men are better minded because they be not plunged into necessity of doing anything against their will. But war, taking away the affluence of daily necessaries, is a most violent master and conformeth most men's passions to the present occasion. The cities therefore being now in sedition and those that fell into it later having heard what had been done in the former, they far exceeded the same in newness of conceit, both for the art of assailing and for the strangeness of their revenges. The received value of names imposed for signification of things was changed into arbitrary. For inconsiderate boldness was counted true-hearted manliness; provident deliberation, a handsome fear; modesty, the cloak of cowardice; to be wise in everything, to be lazy in everything. A furious suddenness was reputed a point of valour. To re-advise for the better security was held for a fair pretext of tergiversation. He that was fierce was always trusty, and he that contraried such a one was suspected. He that did insidiate, if it took, was a wise man; but he that could smell out a trap laid, a more dangerous man than he. But he that had been so provident as not to need to do the one or the other was said to be a dissolver of society and one that stood in fear of his adversary. In brief, he that could outstrip another in the doing of an evil act or that could persuade another thereto that never meant it was commended.
– from The Peloponnesian War as written by Thucydides (5th century BC) and translated by Thomas Hobbes (1628) and edited by David Grene (1959)
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