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| John Flaxman Seated model before 1826 drawing Museum of Fine Arts, Boston |
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| John Flaxman Head of youth, after Medusa before 1826 drawing Museum of Fine Arts, Boston |
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| John Flaxman Portrait of seated man before 1826 drawing Museum of Fine Arts, Boston |
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| John Flaxman St Peter with crowing cock before 1826 drawing Museum of Fine Arts, Boston |
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| John Flaxman Angel rolling away the stone of Christ's sepulchre before 1826 drawing Museum of Fine Arts, Boston |
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| John Flaxman Seated model bending forward before 1826 drawing Museum of Fine Arts, Boston |
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| John Flaxman Funeral of Hector, from The Iliad of Homer 1805 engraving Museum of Fine Arts, Boston |
from Ode on Indolence
They faded, and forsooth! I wanted wings:
O folly! What is love? and where is it?
And for that poor Ambition – it springs
From a man's little heart's short fever-fit;
For Poesy! – no, – she has not a joy, –
At least for me, – so sweet as drowsy noons,
And evenings steep'd in honied indolence;
O, for an age so shelter'd from annoy,
That I may never know how change the moons,
Or hear the voice of busy common-sense!
– John Keats (1819)
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| Mary Cassatt Afternoon Tea Party ca. 1891 drypoint and color aquatint Museum of Fine Arts, Boston |
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| Mary Cassatt Gathering Fruit ca. 1893 drypoint and color aquatint Museum of Fine Arts, Boston |
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| Mary Cassatt The Bath ca. 1891 drypoint and color aquatint Museum of Fine Arts, Boston |
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| Mary Cassatt The Coiffure ca. 1891 drypoint and color aquatint Museum of Fine Arts, Boston |
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| Mary Cassatt The Lamp ca. 1891 drypoint and color aquatint Museum of Fine Arts, Boston |
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| Mary Cassatt The Letter ca. 1890-91 drypoint and color aquatint Museum of Fine Arts, Boston |
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| Mary Cassatt Head of a young girl ca. 1874 oil on panel Museum of Fine Arts, Boston |