Tuesday, March 29, 2022

Giovanni Antonio Galli and Livio Mehus

attributed to Giovanni Antonio Galli (Lo Spadarino)
Three Boy Martyrs
before 1652
oil on canvas
National Trust, Attingham Park, Shropshire

Giovanni Antonio Galli (Lo Spadarino)
Baptism of Constantine
before 1652
oil on canvas
Fondazione Musei Senesi

Giovanni Antonio Galli (Lo Spadarino)
Christ and the Woman taken in Adultery
before 1652
oil on canvas
Museo di Castelvecchio, Verona

Giovanni Antonio Galli (Lo Spadarino)
Feast of the Gods
before 1652
oil on canvas
Galleria degli Uffizi, Florence

Giovanni Antonio Galli (Lo Spadarino)
Guardian Angel
before 1652
oil on canvas
Chiesa di San Rufo, Rieti

Giovanni Antonio Galli (Lo Spadarino)
Penitent Magdalen
ca. 1625-35
oil on canvas
Walters Art Museum, Baltimore

Giovanni Antonio Galli (Lo Spadarino)
St Frances of Rome with an Angel
before 1652
oil on canvas
Palazzo Rosso, Genoa

Giovanni Antonio Galli (Lo Spadarino)
St Frances of Rome with an Angel
before 1652
oil on canvas
Banco Nazionale del Lavoro, Rome

"Spadarino's most typical and strikingly modern feature is that of human fragility and vulnerability.  It distinguishes him from all of Caravaggio's other followers and from the master himself, who was dramatic and severe, monumental and rigorous, with stronger and more decided feelings."

– Gianni Papi, Between God and Man: Angels in Italian Art (Jackson: Mississippi Museum of Art, 2007)

Livio Mehus
The Annunciation
before 1691
oil on canvas
Pinacoteca Egidio Martini, Ca' Rezzonico, Venice

Livio Mehus
Annunciation to the Shepherds
ca. 1670-80
oil on canvas
Palazzo Pretorio, Prato


Livio Mehus
Annunciation to the Shepherds (detail)
ca. 1670-80
oil on canvas
Palazzo Pretorio, Prato

Livio Mehus
Landscape with Seaside Village
ca. 1670-80
oil on canvas
Palazzo Pretorio, Prato

Livio Mehus
The Genius of Painting
(Self-Portrait)
ca. 1650
oil on canvas
Museo del Prado, Madrid

Livio Mehus
The Genius of Sculpture
(Self-Portrait)
ca. 1650
oil on canvas
Palazzo Pitti, Florence

Livio Mehus
Battle between Greeks and Trojans
ca. 1670
oil on canvas
private collection
 
"At the age of fourteen Livio Mehus, born in Flanders, was already documented in Rome.  The greater part of his career, however, was centered in Florence.  He settled there in the service of the Medici, executing original works for them in fresco and on canvas, as well as undertaking restorations of many earlier masterpieces in their collections."

– from curator's notes at Museo del Prado, Madrid