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| Pieter de Josselin de Jong Iron Worker ca. 1880 drawing Rijksmuseum, Amsterdam |
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| Luke Fildes Study of River Bank ca. 1880 watercolor Victoria & Albert Museum, London |
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| Jean-Louis Forain Behind the Scenes ca. 1880 oil on canvas National Gallery of Art, Washington DC |
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| Gaetano Previati The Crucifixion 1881 oil on canvas Fondazione Cavallini-Sgarbi, Ferrara |
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| Emilio Sánchez Perrier Drawing Class ca. 1882 wash drawing Museo del Prado, Madrid |
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| Félix Bracquemond Portrait of Edmond de Goncourt 1882 etching on vellum Milwaukee Art Museum |
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| Jules Chéret La Danse ca. 1885 lithograph Clark Art Institute, Williamstown, Massachusetts |
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| Jules Chéret Une Jeune Marquise 1889 lithograph (poster) Victoria & Albert Museum, London |
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| Adolph Menzel Study of a Woman 1886 drawing Cleveland Museum of Art, Ohio |
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| Rupert Bunny Comte Melchior de Polignac ca. 1888 drawing National Gallery of Victoria, Melbourne |
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| Charles Courtney Curran An Alcove in the Art Students' League, New York 1888 oil on canvas Art Institute of Chicago |
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| Edgar Degas Four Jockeys ca. 1889 oil on board (from the artist's posthumous studio sale) Yale University Art Gallery |
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| Lovis Corinth Anatomical Studies for Drawing Manual ca. 1890 drawing Indianapolis Museum of Art |
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| Frank Duveneck Portrait of the artist's sister Molly 1890 oil on canvas Milwaukee Art Museum |
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| Charles Fairfax Murray Dancers in a Landscape ca. 1890 watercolor Princeton University Art Museum |
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| Peder Severin Krøyer Copenhagen Roofs under Snow ca. 1890 oil on canvas Los Angeles County Museum of Art |
Meanwhile Aurora rose; she left the Ocean.
Aeneas – anxious though he is to give
his comrades rapid burial, and though
his comrades rapid burial, and though
his mind is much distressed by Pallas' death –
first pays the gods a victor's vows beneath
the morning star. He hacks the branches off
a massive oak, around all sides, then plants it
upon a mound of earth; this tree he dresses
in glittering arms, the spoils of chief Mezentius –
a trophy meant for you, great God of War.
To this Aeneas fastens helmet crests
dripping with blood, the warrior's shattered shafts,
the breastplate smashed and pierced through twice-six times;
upon the left he ties the shield of brass
and hangs the ivory scabbard from the neck.
– Aeneas performs a barbarous ritual, from Book XI of Virgil's Aeneid, translated by Allen Mandelbaum (1971)