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| Alphonse Mucha Textile Design - Bellflowers ca. 1895 watercolor and ink on paper National Gallery of Australia, Canberra |
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| Alphonse Mucha Textile Design - Honeysuckle and Hollyhocks ca. 1897-98 watercolor and graphite on paper Cooper-Hewitt Smithsonian Design Museum, New York |
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| Alphonse Mucha (designer) Textile Panel - Femme à Marguerite ca. 1898-1900 screenprinted cotton Art Institute of Chicago |
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| Alphonse Mucha Design for Biscuit Box ca. 1897 lithograph Cooper-Hewitt Smithsonian Design Museum, New York |
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| Alphonse Mucha Design for Biscuit Box ca. 1897 lithograph Cooper-Hewitt Smithsonian Design Museum, New York |
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| Alphonse Mucha Design for Biscuit Box ca. 1897 lithograph Cooper-Hewitt Smithsonian Design Museum, New York |
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| Alphonse Mucha Sarah Bernhardt in Gismonda at Théâtre de la Renaissance 1894 lithograph (poster) Wichita Art Museum, Kansas |
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| Alphonse Mucha Sarah Bernhardt in La Dame aux Camélias at Théâtre de la Renaissance 1896 lithograph (poster) Cooper-Hewitt Smithsonian Design Museum |
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| Alphonse Mucha Sarah Bernhardt in La Samaritaine at Théâtre de la Renaissance 1897 lithograph (poster) Art Institute of Chicago |
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| Alphonse Mucha Laurel 1902 lithograph Chrysler Museum of Art, Norfolk, Virginia |
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| Alphonse Mucha Salomé 1897 lithograph Minneapolis Institute of Art |
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| Alphonse Mucha L'Estampe Moderne 1898 lithograph (poster) Delaware Art Museum, Wilmington |
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| Alphonse Mucha Leslie Carter 1908 lithograph (poster) National Portrait Gallery, Washington DC |
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| Alphonse Mucha Exposition Universelle et Internationale de St Louis 1903 lithograph (poster) Milwaukee Art Museum |
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| Alphonse Mucha The Seasons 1897 lithographs Art Institute of Chicago |
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| Alphonse Mucha Summer 1902 lithograph Chrysler Museum of Art Norfolk, Virginia |
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| Alphonse Mucha Monaco - Monte Carlo Chemins de Fer P.L.M. 1897 lithograph (poster) Detroit Institute of Arts |
from The Art of Poetry
A Paynter if he shoulde adjoyne
unto a womans heade
A longe maires necke, and overspred
the corps in everye steade
With sondry feathers of straunge huie,
the whole proportioned so
Without all good congruitye:
the nether partes do goe
Into a fishe, on hye a freshe
welfavord womans face:
My friends let in to see the sighte
could you but laugh a pace?
– Horace (65-8 BC), translated by Thomas Drant (1567)