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Parmigianino (Francesco Mazzola) Seated Model ca. 1525-26 drawing (formerly owned by Sir Peter Lely) British Museum |
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Kitagawa Utamaro Mother and Son c1800 color woodblock print Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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Oliver H. Willard Portrait of a Woman ca. 1857 salted paper print Smithsonian American Art Museum, Washington DC |
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Edward Burne-Jones Kneeling Model 1865 drawing (study for painting Le Chant d'Amour) British Museum |
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Kenyon Cox Model Study ca. 1874-76 drawing Smithsonian American Art Museum, Washington DC |
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Edvard Munch Sketch of Model 1893 pastel on board Guggenheim Museum, New York |
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Henri de Toulouse-Lautrec Femme au tub 1896 lithograph Portland Art Museum, Oregon |
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Jan Toorop The Model 1901 drypoint British Museum |
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Pach Brothers Studio (New York) Johnny Weissmuller ca. 1924 gelatin silver print National Portrait Gallery, Washington DC |
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Adelaide Perry Hairbrush and Mirror ca. 1925 linocut Art Gallery of New South Wales, Sydney |
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Nickolas Muray Babe Ruth 1927 gelatin silver print National Portrait Gallery, Washington DC |
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Allen Tupper True Christmas card - Cross-Country Skiers ca. 1935 hand-colored lithograph Archives of American Art, Washington DC |
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George Hurrell Marlene Dietrich 1937 gelatin silver print National Portrait Gallery, Washington DC |
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Elmer Bischoff Study of Man at Table ca. 1950 charcoal on paper Archives of American Art, Washington DC |
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Esther Bubley Marianne Moore 1953 gelatin silver print National Portrait Gallery, Washington DC |
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Bill Owens Suburbia - Fourth of July Parade 1972 gelatin silver print Smithsonian American Art Museum, Washington DC |
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Salman Toor The Star 2019 oil on panel Whitney Museum of American Art, New York |
Sonnet
Slide soft, fair Forth, and make a crystal plain;
Cut your white locks, and on your foamy face
Let not a wrinkle be, when you embrace
The boat that Earth's perfections doth contain.
Winds, wonder; and through wondr'ing hold your peace.
Or, if that ye your hearts cannot restrain
From sending sighs, moved by a lover's case,
Sigh, and in her fair hair yourselves enchain;
Or take these sighs which absence makes arise
From mine oppressed breast, and wave the sails,
Or some sweet breath new brought from paradise.
Floods seem to smile, love o'er the winds prevails,
And yet huge waves arise; the cause is this:
The ocean strives with Forth the boat to kiss.
– William Drummond of Hawthornden (ca. 1614)