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| Georgia O'Keeffe Jack in the Pulpit no. 4 1930 oil on canvas National Gallery of Art, Washington DC |
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| Theodore Roszak Recording Sound 1932 painted plaster relief Smithsonian American Art Museum, Washington DC |
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| Man Ray Lee Miller ca. 1930 gelatin silver print National Portrait Gallery, Washington DC |
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| George Platt Lynes Glenway Wescott ca. 1934 gelatin silver print Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Pablo Picasso Femme étendue au soleil sur la plage 1932 oil on canvas Scottish National Gallery of Modern Art, Edinburgh |
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| Mark Rothko Interior 1936 oil on panel National Gallery of Art, Washington DC |
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| Walker Evans Portrait of artist Peggy Bacon 1934 gelatin silver print Metropolitan Museum of Art, New York |
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| Anton Refregier Laborer building the Golden Gate Bridge 1933 drawing (sketch for Post Office mural, San Francisco) Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Kurt Schwitters Ohne Titel (Das Schöne Bildnis) 1930 collage on board Metropolitan Museum of Art, New York |
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| Albert Renger-Patzsch Beech Wood in Autumn 1936 gelatin silver print Metropolitan Museum of Art, New York |
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| Konstantin Somov Daphnis and Chloe 1934 watercolor and gouache on paper Ashmolean Museum, Oxford |
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| Madeline Shiff Wiltz at Work 1932 oil on canvas Whitney Museum of American Art, New York |
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| Brassaï Street Fair - Boulevard Saint-Jacques, Paris 1931 gelatin silver print Metropolitan Museum of Art, New York |
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| Humphrey Spender Women in a Public Washhouse, Glasgow 1939 gelatin silver print Scottish National Portrait Gallery, Edinburgh |
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| August Sander Footpath in the Siebengebirge ca. 1934 gelatin silver print Metropolitan Museum of Art, New York |
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| Charles Haslewood Shannon Recollections of Oscar Wilde ca. 1932 drawing (study for bookbinding) British Museum |
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| Theodora Roscoe Portrait of Harry Lauder 1936 oil on board Scottish National Portrait Gallery, Edinburgh |
Of all the delusions wherewith he [the Devil] deceives mortality, there is not any that puzzleth me more than the Legerdemain of Changelings. I do not credit those transformations of reasonable creatures into beasts, or that the Devil hath a power to transpeciate a man into a horse, who tempted Christ (as a trial of his Divinity) to convert but stones into bread. I could believe that Spirits use with man the act of carnality, and that in both sexes. I conceive they may assume, steal, or contrive a body, wherein there may be action enough to content decrepit lust, without a possibility of generation. And therefore that opinion that Antichrist should be born of the Tribe of Dan by conjunction with the Devil is ridiculous.
– Sir Thomas Browne, from Religio Medici (1642)