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| Gerhard Richter Firenze 2000 oil paint over C-print Museum of Modern Art, New York |
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| R.B. Kitaj Los Angeles no. 4 (Barnes) 2000 oil on canvas Museum of Modern Art, New York |
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| Liz Larner 2001 fabricated in 2001 painted fiberglass and steel Buffalo AKG Art Museum, New York |
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| Paul Wonner Green Cloth, Orange Juice, Magnifying Glass 2000 acrylic on paper private collection |
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| Robert Zakanitch Red Squirrel (Lace Series) 2001 acrylic on canvas private collection |
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| Susan Wilson Portrait of Baroness Helena Kennedy 2001 oil on canvas Oxford Brookes University |
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| Claudy Jongstra DH SI 2001 fabric panel woven of wool, silk and cotton Museum of Modern Art, New York |
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| Ruth Root Untitled 2001 screenprint Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Michael Mazur Dante's Inferno - The Hypocrites 2000 etching (book illustration) Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Ina van Zyl J.M. Coetzee 2000 oil on canvas private collection |
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| Rémy Zaugg De la cécité no. 5 2001 spray lacquer and screenprint on aluminum private collection |
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| William Christenberry Ruin - Stewart, Alabama 2001 C-print National Gallery of Art, Washington DC |
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| Lari Pittman Optimal Setting 2001 mixed media on board Museum of Modern Art, New York |
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| Bruce Bernard Frank Auerbach in his Studio 2000 silver bromide print Scottish National Gallery of Modern Art, Edinburgh |
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| Bridget Riley Going Across 2001 screenprint Museum of Modern Art, New York |
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| Thomas Nozkowski Untitled 2001 oil on linen, mounted on panel Museum of Modern Art, New York |
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| Stephen Lawson Back to the Wall 2001 C-print Scottish National Gallery of Modern Art, Edinburgh |
from At Castle Boterel
And to me, though Time's unflinching rigour,
In mindless rote, has ruled from sight
The substance now, one phantom figure
Remains on the slope, as when that night
Saw us alight.
I look and see it there, shrinking, shrinking,
I look back at it amid the rain
For the very last time; for my sand is sinking,
And I shall traverse old love's domain
Never again.
– Thomas Hardy (1913)