Showing posts with label collectors. Show all posts
Showing posts with label collectors. Show all posts

Wednesday, October 9, 2019

Figurative Bronzes (Ancient and Modern) in Vienna

Ancient Rome
Neptune
1st-2nd century AD
bronze statuette
Kunsthistorisches Museum, Vienna

Ancient Rome
Military Commander
1st-2nd century AD
bronze statuette
Kunsthistorisches Museum, Vienna

Ancient Rome
Apollo
2nd half of 1st century BC
bronze statuette
Kunsthistorisches Museum, Vienna

Let me call to mind and not neglect Apollo the far-shooter, at whose coming the gods tremble in Zeus' house.  They all spring up from their seats as he approaches, when he draws his shining bow.  Leto alone remains beside Zeus whose sport is the thunderbolt; she unstrings his [Apollo's] bow and closes his quiver, and taking the bow from his strong shoulders she hangs it up on a pillar of his father's house from a peg of gold, leads him to a chair, and seats him on it.  His father gives him nectar in a golden cup, toasting his dear son, and then the other deities do likewise from where they sit, while the mistress Leto rejoices at having borne a powerful archer son.

                                                   *                    *                   *

You yourself, lord Silverbow, far-shooting Apollo, went sometimes on rugged Cynthus, and sometimes you roamed the islands and the world of men.  Many are your temples and wooded groves, and all the peaks find favor with you, and the upper ridges of the high mountains, and the rivers flowing on to the sea.  But it is in Delos, Phoibos, that your heart most delights, where the Ionians with trailing robes assemble with their children and wives on your avenue, and when they have seated the gathering they think of you and entertain you with boxing, dancing, and singing.  A man might think they were the unaging immortals if he came along then when the Ionians are all together: he would take in the beauty of the whole scene, and be delighted at the spectacle of the men and the fair-girt women, the swift ships and the people's piles of belongings.

– from the Homeric Hymn to Apollo (6th century BC), translated by Martin West (2003)

Ancient Rome
Hercules
1st-2nd century AD
bronze statuette
Kunsthistorisches Museum, Vienna

Ancient Rome
Athlete
1st century AD
bronze statue
Kunsthistorisches Museum, Vienna

Anonymous Sculptor
Standing Youth
16th century
bronze statue after Roman original
Kunsthistorisches Museum, Vienna

Johann Gregor van der Schardt
Allegory of Spring
ca. 1569-78
gilt-bronze statuette
Kunsthistorisches Museum, Vienna

Johann Gregor van der Schardt
Allegory of Winter
ca. 1569-78
gilt-bronze statuette
Kunsthistorisches Museum, Vienna

Johann Gregor van der Schardt
Mercury
ca. 1570-76
bronze statuette
Kunsthistorisches Museum, Vienna

Johann Gregor van der Schardt
Luna
ca. 1570
bronze statuette
Kunsthistorisches Museum, Vienna

Hubert Gerhard
Centaur Nessus, Hercules and Dejanira
ca. 1602
bronze statuette
Kunsthistorisches Museum, Vienna

Hubert Gerhard
Mars, Venus and Cupid
ca. 1580-90
bronze statuette
Kunsthistorisches Museum, Vienna

attributed to Francesco Fanelli
Venus
ca. 1645
bronze statuette
Kunsthistorisches Museum, Vienna

Adriaen de Vries
Gladiator
ca. 1603
bronze statuette
Kunsthistorisches Museum, Vienna

Italian Bronzes (Renaissance and Mannerist) in Vienna

Bertoldo di Giovanni
Bellerophon with Pegasus
ca. 1481-82
bronze statuette
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Mantua
Standing Youth with Drapery
ca. 1500
bronze statuette
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Padua
Bound Marsyas
16th century
bronze statuette
Kunsthistorisches Museum, Vienna

The Country Faunes, the Gods of Woods, the Satyrs of his kin,
The Mount Olympus whose renowne did ere that time begin,
And all the Nymphes, and all that in those mountaines kept their sheepe,
Or grazèd cattell thereabouts, did for this Satyr weepe.
The fruitfull earth waxt moyst therewith, and moysted did receyve
Their teares, and in hir bowels deepe did of the same conceyve.
And when that she had turnèd them to water, by and by
She sent them forth againe aloft to see the open Skie.
The River that doth rise thereof beginning there his race,
In verie deepe and shoring bankes to Seaward runnes a pace
Through Phrygie, and according as the Satyr, so the streame
Is called Marsyas, of the brookes the cleerest in that Realme.

– from book six of Ovid's Metamorphoses, translated by Arthur Golding (1567)

Anonymous Sculptor working in Italy
Rearing Horse
ca. 1500-1550
gilt-bronze statuette
Kunsthistorisches Museum, Vienna

attributed to Francesco da Sant' Agata
Standing Warrior
before 1528
bronze statuette
Kunsthistorisches Museum, Vienna

Severo da Ravenna
The Spinario
(copy of antique sculpture)
ca. 1530
bronze statuette
Kunsthistorisches Museum, Vienna

Niccolò Tribolo
Oil Lamp in the form of a Seated Satyr with a Mask
ca. 1545
bronze
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Florence
Young Hercules
ca. 1545-50
bronze statuette
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Florence
Pan and Daphnis
(copy of antique sculpture)
ca. 1550
bronze statuette
Kunsthistorisches Museum, Vienna

Alessandro Vittoria
Minerva
ca. 1550-55
bronze statuette
Kunsthistorisches Museum, Vienna

Alessandro Vittoria
Jupiter
ca. 1590-1600
bronze statuette
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Italy
Rearing Horse
ca. 1580-1600
bronze statuette
Kunsthistorisches Museum, Vienna

attributed to Agostino Rubini
Herm
ca. 1590-1600
bronze statuette
Kunsthistorisches Museum, Vienna

attributed to Niccolò Roccatagliata
Adam
ca. 1625-30
bronze statuette
Kunsthistorisches Museum, Vienna

Tuesday, October 8, 2019

Small Bronzes by Giambologna, Susini, Riccio (Vienna)

Giambologna
Bathing Venus
ca. 1585
bronze statuette
Kunsthistorisches Museum, Vienna

Giambologna
Allegory of Astronomy
ca. 1585
gilt-bronze statuette
Kunsthistorisches Museum, Vienna

Giambologna
Hercules and the Erymanthian Boar
ca. 1575-80
bronze statuette
Kunsthistorisches Museum, Vienna

Giambologna
Hercules and Antaeus
ca. 1578-80
bronze statuette
Kunsthistorisches Museum, Vienna

from Cooper's Hill

   Here was that charter sealed, wherein the Crown
All marks of arbitrary power lays down:
Tyrant and slave, those names of hate and fear,
The happier style of king and subject bear,
Happy, when both to the same centre move,
When kings give liberty, and subjects love.
Therefore not long in force this charter stood;
Wanting that seal, it must be sealed in blood.
The subjects armed, the more their princes gave,
But this advantage took, the more to crave,
Till kings by giving, give themselves away,
And even that power that should deny, betray.
"Who gives constrained, but his own fear reviles,
Nor thanked, but scorned, nor are they gifts, but spoils."
And they, whom no denial can withstand,
Seem but to ask, while they indeed command.
Thus all to limit royalty conspire,
While each forgets to limit his desire,
Till kings like old Antaeus by their fall,
Being forced, their courage from despair recall.

– Sir John Denham (1642)

Giambologna
Mercury
ca. 1585
bronze statuette
Kunsthistorisches Museum, Vienna

Giambologna
Lion
(after the antique marble Medici Lions)
ca. 1590
bronze statuette
Kunsthistorisches Museum, Vienna

Antonio Susini after Giambologna
Two Figures from Abduction of Sabines group
ca. 1580
bronze statuette
Kunsthistorisches Museum, Vienna

Antonio Susini after Giambologna
Hercules battling the Centaur Eurytion
ca. 1600
bronze statuette
Kunsthistorisches Museum, Vienna

Antonio Susini
Centaur Nessus abducting Dejanira
ca. 1590
bronze statuette
Kunsthistorisches Museum, Vienna

Antonio Susini
Striding Horse
ca. 1590
bronze statuette
Kunsthistorisches Museum, Vienna

Riccio (Andrea Briosco)
Putto with a Goose
ca. 1515-20
bronze statuette
Kunsthistorisches Museum, Vienna

workshop of Riccio (Andrea Briosco)
Seated Pan
ca. 1530
bronze statuette
Kunsthistorisches Museum, Vienna

Riccio (Andrea Briosco)
Satyr Drinking
ca. 1515-20
bronze statuette
Kunsthistorisches Museum, Vienna

Riccio (Andrea Briosco)
Oil Lamp in the form of Donkey Head ridden by a Dwarf
ca. 1500-1520
bronze
Kunsthistorisches Museum, Vienna

Figurines in Alabaster, Ivory, Bronze, Marble (Vienna)

Jerôme Duquesnoy the Younger
Pietà
ca. 1645
alabaster statuette
 Kunsthistorisches Museum, Vienna

Jakob Auer
Apollo and Daphne
ca. 1688
ivory statuette
Kunsthistorisches Museum, Vienna

Monogrammist PB
Risen Christ
1625
ivory statuette
Kunsthistorisches Museum, Vienna

Balthasar Griessmann
Hercules and the Nemean Lion
ca. 1670-75
ivory statuette
Kunsthistorisches Museum, Vienna

from Marriage

She says, "This butterfly,
this waterfly, this nomad
that has 'proposed
to settle on my hand for life' –
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists who are fools."
He says, "You know so many fools
who are not artists."
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough –
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them –
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?

– Marianne Moore (1923)

Anonymous Sculptor working in Germany
Neptune
ca. 1625-50
ivory statuette
Kunsthistorisches Museum, Vienna

Justus Glesker after Michelangelo
Risen Christ
(copy of the marble statue in Rome,
Basilica di Santa Maria sopra Minerva)
ca. 1635-40
ivory statuette
Kunsthistorisches Museum, Vienna

Niccolò Roccatagliata
Triton
ca. 1600-1625
bronze statuette
Kunsthistorisches Museum, Vienna

Leone Leoni
Bound Barbarian
ca. 1550-60
bronze statuette
Kunsthistorisches Museum, Vienna

Peter Flötner
Putto
ca. 1530-35
bronze statuette
Kunsthistorisches Museum, Vienna

Adriano Fiorentino
Satyr
ca. 1486
bronze statuette
Kunsthistorisches Museum, Vienna

Laurent Delvaux
St Teresa of Avila
1765
marble statuette
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Italy
Horse Head
16th century
marble ornament
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Italy
Torso of Hercules
ca. 1550-1600
marble statuette
Kunsthistorisches Museum, Vienna

Anonymous Sculptor working in Italy
Medici Venus
(copy of marble statue in Florence,
Gallerie degli Uffizi)
17th century
marble statuette
Kunsthistorisches Museum, Vienna