Wednesday, November 20, 2024

Vividly Costumed

Fra Angelico
The Archangel Gabriel
ca. 1450-55
tempera on panel
(altarpiece fragment)
Detroit Institute of Arts

Agnolo Bronzino
Portrait of a Lady
ca. 1533
oil on panel
Städel Museum, Frankfurt

Anonymous Flemish Artist
Portrait of a Lady of the Hampden Family
ca. 1610
oil on canvas
(painted in England)
Rhode Island School of Design, Providence

Jusepe de Ribera
St James the Greater
ca. 1615-16
oil on canvas
Städel Museum, Frankfurt

Anonymous Spanish Artist
Portrait of Infanta Margarita Teresa
(later Holy Roman Empress)
ca. 1662-64
oil on canvas
Kunsthistorisches Museum, Vienna

Joachim Liquevet
Portrait of a Lady
1683
oil on canvas
Musée des Beaux-Arts de Lyon

Hyacinthe Rigaud
Portrait of Élisabeth Charlotte de Bavière,
duchesse d'Orléans, princesse Palatine du Rhin

1718
oil on canvas
Musée d'Art et d'Histoire de Genève

François-Hubert Drouais
Portrait of Denis-Paul le Pot de la Fontaine
1772
oil on canvas
Detroit Institute of Arts

Joseph Siffred Duplessis
Portrait of Charles-Claude Flahaut de la Billarderie,
comte d'Angiviller

ca. 1780-89
oil on canvas
Statens Museum for Kunst, Copenhagen

John Singer Sargent
Dr Pozzi at Home
1881
oil on canvas
Hammer Museum, Los Angeles

Jules Chéret
Job - Papier à Cigarettes
1895
lithograph (poster)
Milwaukee Art Museum

Edvard Munch
Portrait of Hanni Esche
1905
oil on canvas
Kunsthaus Zürich

Alexei von Jawlensky
Portrait of dancer Alexander Sakharoff
1909
oil on cardboard
Lenbachhaus, Munich

Ernst Ludwig Kirchner
Painter and Model
1910
oil on canvas
Hamburger Kunsthalle

Egon Schiele
Self Portrait
1914
drawing, with gouache
Národní Galerie, Prague

Franz Gertsch
Marina making up Luciano
1975
acrylic on cotton
Museum Ludwig, Cologne

from To Ireland in the Coming Time

While still I may, I write for you
The love I lived, the dream I knew.
From our birthday, until we die,
Is but the winking of an eye;
And we, our singing and our love,
What measurer Time has lit above,
And all benighted things that go
About my table to and fro,
Are passing on to where may be,
In truth's consuming ecstasy,
No place for love and dream at all;
For God goes by with white footfall.
I cast my heart into my rhymes,
That you, in the dim coming times,
May know how my heart went with them
After the red-rose-bordered hem.

– W.B. Yeats (1893)