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| Chris Jordan Sand & Gravel Yard, New Orleans 2005 inkjet print North Carolina Museum of Art, Raleigh |
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| Alexander Stolin Portrait of architect Jim Lamantia 2002 oil on canvas Ogden Museum of Southern Art, New Orleans |
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| Callum Innes Exposed Painting - Black Oxide 2000 oil on linen National Gallery of Australia, Canberra |
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| Ignacio Iturria Sailor and Couple 1997 oil on canvas NSU Art Museum, Fort Lauderdale, Florida |
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| Charles Houghton Howard The Aimant 1949 oil on canvas Berkeley Art Museum, California |
-Algoma-c1917-oil-on-board-Art-Gallery-of-Ontario-Toronto.jpg) |
| Franz Johnston Autumn, Algoma ca. 1917 oil on board Art Gallery of Ontario, Toronto |
-Evening-c1911-12-oil-on-panel-National-Gallery-of-Canada-Ottawa.jpg) |
| James Dickson Innes South Wales, Evening ca. 1911-12 oil on panel National Gallery of Canada, Ottawa |
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| Winslow Homer August in the Country - The Seashore 1859 wood-engraving Reynolda House Museum of American Art, Winston-Salem, North Carolina |
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| Jean-Auguste-Dominique Ingres Portrait study of either Francesco or Nicola Bartolini 1806 drawing Denver Art Museum |
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| Johann Rudolf Holzhalb Orpheus approaching the Underworld 1765 etching and engraving Graphische Sammlung, ETH Zürich |
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| Samuel van Hoogstraten Woman with a Dog ca. 1660 oil on canvas Dordrechts Museum, Netherlands |
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| Juriaen Jacobsz Portrait of mathematician Johann Adolph Tasius 1652 oil on canvas Hamburger Kunsthalle |
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| Gerrit Willemsz Horst Isaac blessing Jacob 1638 oil on canvas Dulwich Picture Gallery, London |
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| Cornelius Johnson Portrait of a Man 1634 oil on canvas Denver Art Museum |
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| Abraham Janssens Origin of the Cornucopia ca. 1619 oil on canvas Seattle Art Museum |
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| Pietro degli Ingannati Virgin and Child ca. 1530-40 oil on panel Fairfield University Art Museum, Connecticut |
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| Jacopo di Giovanni di Francesco (Jacone) Two Standing Figures ca. 1520-30 drawing Gabinetto dei Disegni e delle Stampe, Gallerie degli Uffizi, Florence |
from The Waterfall
With what deep murmurs through time's silent stealth
Do thy transparent, cool, and watery wealth
Here flowing fall
And chide and call,
As if his liquid loose retinue stayed
Lingering, and were of this steep place afraid,
The common pass
Where, clear as glass,
All must descend
Not to an end;
But quickened by this deep and rocky grave,
Rise to a longer course more bright and brave.
– Henry Vaughan (1621-1695)