 |
| Odoardo Fialetti Old Men with Raised Eyes 1608 etching (illustration for drawing manual) British Museum |
-1621-marble-Art-Gallery-of-Ontario-Toronto.jpg) |
| Gianlorenzo Bernini Pope Gregory XV Ludovisi 1621 marble Art Gallery of Ontario, Toronto |
 |
| Jacob van Campen Old Woman with a Book ca. 1625-30 oil on canvas Agnes Etherington Art Centre, Kingston, Ontario |
 |
| Samuel Hofmann Philosopher ca. 1630 oil on canvas Kunsthaus Zürich |
-c1750-plaster-cast-(former-Anton-Raphael-Mengs)-Skulpturensammlung-Staatliche-Kunstsammlungen-Dresden.jpg) |
| Anonymous Italian Sculptor Head of an Old Man ca. 1750 plaster cast of ancient marble in the Albani Collection, Rome Skulpturensammlung, Staatliche Kunstsammlungen, Dresden |
 |
| Johann Georg Trautmann Study of an Old Man ca. 1760 drawing Graphische Sammlung Albertina, Vienna |
 |
| Józef Grassi Portrait of Frau von Weinbrenner 1795 oil on canvas Belvedere Museum, Vienna |
 |
| Anselm Feuerbach Old Woman Seated 1853 oil on canvas Norton Simon Museum, Pasadena, California |
 |
| Max Oppenheimer Voltaire 1916 woodcut Leopold Museum, Vienna |
 |
| George Luks Old Woman with White Pitcher ca. 1926 oil on canvas Whitney Museum of American Art, New York |
 |
| Edvard Munch Portrait of Erik Pedersen 1943 pastel on paper Guggenheim Museum, New York |
 |
| Arthur Leipzig Eleanor Roosevelt with Poor Old Woman ca. 1943 gelatin silver print National Portrait Gallery, Washington DC |
 |
| Sanford Roth Frieda Lawrence ca. 1950 gelatin silver print Los Angeles County Museum of Art |
-c1955-gelatin-silver-print-Smithsonian-American-Art-Museum-Washington-DC.jpg) |
| Leon Levinstein Untitled (New York) ca. 1955 gelatin silver print Smithsonian American Art Museum, Washington DC |
 |
| Robert Hyndman Portrait of Ethel Marion Hyndman 1955 oil on canvas Ottawa Art Gallery, Ontario |
 |
| Thomas Hoepker Sicilian Farmer ca. 1957 gelatin silver print Moderna Museet, Stockholm |
 |
| Leon Levinstein New York ca. 1965 gelatin silver print Akron Art Museum, Ohio |
from Divine Epigrams
To Pontius washing his blood-stained hands.
Is murther no sin? or a sin so cheape,
That thou need'st heape
A Rape upon't? till thy Adult'rous touch
Taught her these sullied cheeks this blubber'd face,
She was a Nimph, the meadowes knew none such,
Of honest Parentage of unstain'd Race,
The Daughter of a faire and well-fam'd Foutaine
As ever Silver-tipt, the side of shady mountaine.
See how she weeps, and weeps, that she appeares
Nothing but Teares;
Each drop's a Teare that weeps for her own wast;
Harke how at every Touch she does complaine her:
Harke how she bids her frighted Drops make hast,
And with sad murmurs, chides the Hands that stain her.
Leave, leave, for shame, or else (Good judge) decree,
What water shal wash this, when this hath washed thee.
– Richard Crashaw, Steps to the Temple (1648)