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| Etruscan Culture Oinochoe 7th-6th century BC core-formed glass Getty Museum, Los Angeles |
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| Paul Feeley Asellus 1964 enamel on canvas Buffalo AKG Art Museum, New York |
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| Nicodemo Ferrucci Franciscan Coat-of-Arms with Tiaras of four Franciscan Popes ca. 1600 fresco Convento di San Francesco, Fiesole |
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| Adam Fuss From the series, My Ghost 2000 daguerreotype Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Ignatz Marcel Gaugengigl The Dandy ca. 1885 oil on panel Museum of Fine Arts, Boston |
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| Alexander Gelman Poetry Readings at Biblio's 317 Church St, New York 1996 screenprint (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Gilbert and George Sky Blue World 1989 collage of photographic postcards Philadelphia Museum of Art |
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| Gilbert and George Thirst 1982 hand-colored photomontage Scottish National Gallery of Modern Art, Edinburgh |
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| Milton Glaser Blue Shadow 1977 offset-lithograph (advertising poster for French perfume) Cooper Hewitt, Smithsonian Design Museum |
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| Robert Gober The Inverted Sink 1985 plaster, wood, steel, wire, lath and paint Buffalo AKG Art Museum, New York |
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| Pierre Gouthière Urn with handles à la Grecque and Apollonian Masks ca. 1780 marble and gilt-bronze Ashmolean Museum, Oxford |
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| Ancient Greek Culture Alabastron 6th-5th century BC core-formed glass Getty Museum, Los Angeles |
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| Marsden Hartley Painting no. 50 1914-15 oil on canvas Art Institute of Chicago |
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| François-Simon Houlié Console Table ca. 1747-50 painted wood and marble Musée du Louvre |
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| Gilbert Hsiao Disco 3000 2012 inkjet print Phillips Collection, Washington DC |
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| Anonymous French Makers Canapé à la reine ca. 1730-40 gilt beechwood with modern silk velvet Musée du Louvre |
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| Anonymous French Makers Chandelier with 180 Lights ca. 1860 steel, glass and gilt-bronze Musée du Louvre |
Phoebus was a herdsman,
Poseidon was a horse,
Ammon was the famous snake,
and Zeus a swan of course,
all of them after girls, or boys,
and trying to keep it quiet,
not bedding by persuasion but
rape without a riot.
But Euagoras is made of brass;
he doesn't need disguises:
he does them with no change of shape,
both sexes and all sizes.
– from the Greek Anthology, translated by Alistair Elliot