Tuesday, February 24, 2026

Graphemes (Artistic)

Anonymous European Makers
Apothecary Bottle
18th century
enamel on glass
National Museum of American History, Washington DC


Anonymous American Makers
The Nation Mourns A Hero Gone - Lafayette
1834
printed silk ribbon
National Museum of American History, Washington DC

Frances Jocelyn
Edith
ca. 1860
mounted albumen silver print and watercolor on paper
National Gallery of Australia, Canberra

Max Beckmann
Fastnacht (Carnival)
1922
drypoint
Nelson-Atkins Museum of Art, Kansas City, Missouri

David Hockney
Picture of Melrose Avenue
in an Ornate Gold Frame

1965
lithograph
Museum Boijmans Van Beuningen, Rotterdam

Gertrude Morgan
Jesus is My Air Plane
ca. 1970
tempera and ink on paper
Smithsonian American Art Museum, Washington DC

Joe Tilson
Alcheringa 1 Fire
1971
screenprint
National Gallery of Australia, Canberra

Herbert Sigüenza
It's Simple Steve
ca. 1980
screenprint
Smithsonian American Art Museum, Washington DC

Robert Cottingham
Ral's
1983
hand-colored lithograph
Smithsonian American Art Museum, Washington DC

Madonna Staunton
The Morning Finger Does Not Point the Way
1989
cut and printed paper collage on paper
National Gallery of Australia, Canberra

Alexander Gelman
Walls of the City
1992
screenprint
Cooper Hewitt, Smithsonian Design Museum

Dale Strattman
MM at Midnight KS
2001
gelatin silver print
Wichita Art Museum, Kansas

Jesus Barraza
Edward Said
2005
screenprint
Smithsonian American Art Museum, Washington DC

Mark Grotjahn
Untitled
(Ten Dollar Foxes, White on Red Mask M14 d)

2012
oil paint on bronze
Guggenheim Museum, New York

Lawrence Weiner
With a Shift
2013
screenprint
Whitney Museum of American Art, New York

Laura Owens
Untitled
2014
mixed media on canvas
Guggenheim Museum, New York

Jess Johnson
Swarmachine
2018
gouache and felt marker on paper
National Gallery of Australia, Canberra

from Divine Epigrams


        Our Lord in his Circumcision to his Father.

To thee these first fruits of my growing death
(For what else is my life?) lo I bequeath.
Tast this, and as thou lik'st this lesser food
Expect a Sea, my heart shall make it good.
Thy wrath that wades heere now, e're long shall swim
The flood-gate shall be set wide ope for him.
Then let him drinke, and drinke, and doe his worst,
To drowne the wantonnesse of his wild thirst. 
Now's but the Nonage of my paines, my feares
Are yet but in their hopes, not come to yeares. 
The day of my darke woes is yet but morne,
My teares but tender and my death new-borne.
Yet may these unfledg'd griefes give fate some guesse,
These Cradle-torments have their towardnesse.
These purple buds of blooming death may bee,
Erst the full stature of a fatall tree.
And till my riper woes to age are come,
This knife may be the speares Præludium

– Richard Crashaw, Steps to the Temple (1648)