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| James Chapin William Hartack 1958 oil on canvas (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Benjamin Green-Field Hat ca. 1966-68 beaded and embroidered rayon velvet with nylon netting Philadelphia Museum of Art |
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| Anonymous Printmaker Corinne Griffith 1934 offset-printed and hand-colored cinema card National Museum of American History, Washington DC |
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| Jane Clifford Burgonet of Charles V ca. 1865 albumen silver print National Gallery of Canada, Ottawa |
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| William Edward Dassonville Portrait of a Woman in Profile ca. 1930 gelatin silver print Akron Art Museum, Ohio |
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| Justin O'Brien The Boy in the Yellow Straw Hat ca. 1967 oil on board Art Gallery of South Australia, Adelaide |
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| Ilse Bing The Honourable Daisy Fellowes, modeling Hat 1933 gelatin silver print Chrysler Museum of Art, Norfolk, Virginia |
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| Anonymous Photographer Lepidopterist ca. 1850 hand-colored daguerreotype National Museum of American History, Washington DC |
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| Anonymous Printmaker Poster advertising Wine ca. 1880 chromolithograph (proof before lettering) Cooper Hewitt, Smithsonian Design Museum |
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| Ernest Baker American Soldier 1950 gouache on board (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Lillian Bassman Dior Hat modeled by Barbara Mullen 1949 gelatin silver print (published in Harper's Bazaar) Milwaukee Art Museum |
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| Louis Bouché The Princess 1919 oil on canvas Portland Museum of Art, Maine |
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| Clarence Sinclair Bull Holmes Herbert 1928 gelatin silver print National Museum of American History, Washington DC |
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| Gerrit Hondius The Yellow Hat ca. 1920 oil on canvas Smithsonian American Art Museum, Washington DC |
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| Hugo von Habermann Woman with Plumed Hat ca. 1915 pastel on paper private collection |
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| Howard Cook Grave Digger 1950 woodcut Smithsonian American Art Museum, Washington DC |
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| Anonymous Manufacturer Hat with Tea Roses ca. 1955 printed silk and raffia National Museum of African American History and Culture, Washington DC |
from The Weeper
Parents of Silver-footed rills!
Ever bubling things!
Thawing Christall! Snowy Hills!
Still spending, never spent! I mean
Thy fair Eyes, sweet Magdalene!
Thy fair Eyes, sweet Magdalene!
Heavens, thy fair Eyes bee;
Heavens of ever-falling stars.
'Tis seed-time still with thee
And stars thou sow'st, whose harvest dares
Promise the earth to countershine
Whatever makes Heavens fore-head fine.
But we are deceived all.
Stars they are indeed too true,
For they but seem to fall
As Heavens other spangles doe:
It is not for our earth and us
To shine in things so pretious.
Upwards thou dost weepe.
Heavens bosome drinks the gentle streame.
Where th' milky rivers creep,
Thine floates above; and is the Creame.
Waters above th' Heavens, what they be
We're taught best by thy Teares and thee.
– Richard Crashaw, Steps to the Temple (1648, revised 1652)
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