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| Anonymous American Designer In Memory of Abraham Lincoln ca. 1870 hand-colored lithograph Smithsonian American Art Museum, Washington DC |
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| Anonymous American Designer Mitchell's Autumn Catalogue 1899 chromolithograph Archives of American Gardens, Washington DC |
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| Anonymous American Designer Valentine ca. 1905 chromolithograph National Museum of American History, Washington DC |
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| Anonymous American Designer Old Sycamore ca. 1910 halftone-print (postcard) Amon Carter Museum of American Art, Fort Worth, Texas |
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| Anonymous American Designer Over the Top for You 1918 lithograph (poster) National Museum of American History, Washington DC |
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| Anonymous American Designer On Furlough - Bound for Keith's 1918 lithograph (advertisement for B.F. Keith's Theatre, Philadelphia) National Museum of American History, Washington DC |
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| Anonymous American Designer Anna Pavlowa - Metropolitan Opera House 1924 letterpress program cover National Museum of American History, Washington DC |
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| Anonymous American Designer Try To Serve These Foods ca. 1942 offset-lithograph (poster) National Museum of American History, Washington DC |
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| Anonymous American Designer Loose Talk Can Cost Lives 1942 lithograph (poster) National Museum of American History, Washington DC |
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| Anonymous American Designer Someone Talked! ca. 1943 lithograph (poster) National Museum of American History, Washington DC |
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| Anonymous American Designer The Lavernes wish you Christmas Joy and a Glad New Year 1958 screenprint Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous American Designer Lowenstein - Congress 1968 offset-lithograph (Allard Lowenstein was murdered in 1980 by a young follower) National Museum of American History, Washington DC |
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| Anonymous American Designer Argus 1970 lithograph (booklet cover) National Museum of American History, Washington DC |
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| Anonymous American Designer Withdrawal 1970 offset-lithograph (anti-war poster) National Museum of American History, Washington DC |
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| Anonymous American Designer 7,120,000 Tons 1972 offset-lithograph (anti-war poster) National Museum of American History, Washington DC |
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| Anonymous American Designer A Tribute to Ethel and Julius Rosenberg 1978 offset-lithograph (poster) National Museum of American History, Washington DC |
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| Anonymous American Designer Shopping Bag from Mabel's, New York 1981 offset-print on paper bag Cooper Hewitt, Smithsonian Design Museum |
from Hell Gate
Dully at the leaden sky
Staring, and with idle eye
Measuring the listless plain,
I began to think again.
Many things I thought of then,
Battle, and the loves of men,
Cities entered, oceans crossed,
Knowledge gained and virtue lost,
Cureless folly done and said,
And the lovely way that led
To the slimepit and the mire
And the everlasting fire.
And against a smoulder dun
And a dawn without a sun
Did the nearing bastion loom,
And across the gate of gloom
Still one saw the sentry go,
Trim and burning, to and fro,
One for women to admire
In his finery of fire.
Something, as I watched him pace,
Minded me of time and place,
Soldiers of another corps
And a sentry known before.
Ever darker hell on high
Reared its strength upon the sky,
And our footfall on the track
Fetched the daunting echo back.
But the soldier pacing still
The insuperable sill,
Nursing his tormented pride,
Turned his head to neither side,
Sunk into himself apart
And the hell-fire of his heart.
But against our entering in
From the drawbridge Death and Sin
Rose to render key and sword
To their father and their lord.
And the portress foul to see
Lifted up her eyes on me
Smiling, and I made reply:
'Met again, my lass,' said I.
Then the sentry turned his head,
Looked, and knew me, and was Ned.
– A.E. Housman (1922)

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