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| Rudolf Eickemeyer Evelyn Nesbit 1901 platinum print National Museum of American History, Washington DC |
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| Alfred J. Frueh Lillian Russell ca. 1917 hand-colored linocut National Portrait Gallery, Washington DC |
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| Arnold Genthe Minnie Maddern Fiske ca. 1920 gelatin silver print National Portrait Gallery, Washington DC |
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| Durr Freedley Boni de Castellane ca. 1920 oil and tempera on board Indianapolis Museum of Art |
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| Nickolas Muray Gertrude Lawrence 1920 gelatin silver print National Portrait Gallery, Washington DC |
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| Margrethe Mather Lilyan Tashman ca. 1927 gelatin silver print Los Angeles County Museum of Art |
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| Samuel Woolf Curtis Bok 1933 charcoal on paper (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Anonymous Printmaker Fay Wray - Cinema Card 1934 hand-colored offset print National Museum of American History, Washington DC |
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| George Hurrell Gene Tierney 1944 gelatin silver print National Portrait Gallery, Washington DC |
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| Boris Chaliapin Mel Patton 1948 gouache on board (commissioned by Time magazine) National Portrait Gallery, Washington DC |
-c1949-ORIG-ink-and-watercolor-on-paper-National-Portrait-Gallery-Washington-DC.jpg) |
| Fruhauf-Aline- Herblock (Herbert Lawrence Block) ca. 1949 ink and watercolor on paper National Portrait Gallery, Washington DC |
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| Anonymous-print-USA- Mary Hartline Paper Dolls ca. 1950-55 die-cut offset prints National Museum of American History, Washington DC |
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| W. Eugene Smith Helen Traubel and Fritz Reiner 1951 gelatin silver print National Portrait Gallery, Washington DC |
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| Norman Gorbaty Willy Brandt 1969 woodcut- (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Anonymous Photographer Patty Hearst 1975 gelatin silver print (version printed by Time magazine) National Portrait Gallery, Washington DC |
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| Anonymous Photographer Squeaky Fromme 1975 C-print (version printed by Time magazine) National Portrait Gallery, Washington DC |
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| Ken Regan Bill Graham 1975 gelatin silver print National Museum of American History, Washington DC |
from Divine Epigrams
Neither durst any man from that Day aske him any more Questions.
Midst all the dark and knotty Snares,
Blacke wit or malice can or dares,
Thy glorious wisdome breakes the Nets,
And treads with uncontrouled steps.
Thy quel'd foes are not onely now
Thy triumphes, but thy Trophies too:
They, both at once thy Conquests bee,
And thy Conquests memorye.
Stony amazement makes them stand
Waiting on thy victorious hand,
Like statues fixed to the fame
Of thy renoune, and their owne shame.
As if they onely meant to breath,
To bee the Life of their owne Death.
'Twas time to hold their Peace when they,
Had nere another word to say:
Yet is their silence unto thee,
The full sound of thy victory.
Their silence speakes aloud, and is
Thy well pronounc'd Panegyris.
While they speake nothing, they speake all
Their share, in thy Memoriall.
While they speake nothing, they proclaime
Thee, with the shrillest Trumpe of fame.
To hold their peace is all the waies
These wretches have to speake their praise.
– Richard Crashaw, Steps to the Temple (1648)
– Richard Crashaw, Steps to the Temple (1648)