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| Battista Franco (il Semolei) Elephants and Panther before 1561 etching and engraving Philadelphia Museum of Art |
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| Bartolomeo Passarotti Study of an Eagle ca. 1575-80 drawing Art Gallery of South Australia, Adelaide |
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| Hans Hoffmann Hedgehog before 1584 watercolor and gouache on paper Metropolitan Museum of Art, New York |
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| Chelsea Porcelain Manufactory Rabbit Tureen ca. 1755-56 porcelain Gardiner Museum, Toronto |
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| Johann Rudolf Holzhalb Americanischer Aur-Ochs 1768 etching and engraving Graphische Sammlung, ETH Zürich |
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| Gambier Bolton Two-Horned Rhinosaurus 1870 carbon print Los Angeles County Museum of Art |
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| William De Morgan Charger ca. 1898 glazed earthenware National Gallery of Australia, Canberra |
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| Balthus (Balthasar Klossowski) Moroccan Horseman and his Horse 1949 oil on canvas Hirshhorn Museum, Washington DC |
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| Jon Serl Reptile 1965 oil on board Smithsonian American Art Museum, Washington DC |
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| Victor Joseph Gatto Biblical Landscape with Adam and Eve before 1965 oil on board Smithsonian American Art Museum, Washington DC |
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| Kees Timmer Caged Mandrill 1968 oil on panel Museum Boijmans Van Beuningen, Rotterdam |
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| Atelier Populaire (Paris) Vermine Fasciste 1968 screenprint (poster) Cooper Hewitt, Smithsonian Design Museum |
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| Janet Kidd Cockatoo ca. 1980 oil on canvas Beaverbrook Art Gallery, Fredericton, New Brunswick |
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| Richard Bosman Polar Bear 1981 screenprint Whitney Museum of American Art, New York |
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| Neil Winokur Plaster Tortoise 1984 C-print Whitney Museum of American Art, New York |
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| Braldt Bralds Dinosaurs 1985 oil on panel (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Mark Dion Serpent Hypnosis 2015 etching and screenprint Smithsonian American Art Museum, Washington DC |
from Divine Epigrams
On St. Peter cutting off Malchus his eare.
Well Peter dost thou wield thy active sword,
Well for thy selfe (I meane) not for thy Lord.
To strike at ears, is to take heed there bee
No witnesse Peter of thy perjury.
– Richard Crashaw, Steps to the Temple (1648)
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