Tuesday, November 14, 2017

Giovanni Francesco Penni (ca. 1488-ca. 1528)

Giulio Romano
Portrait of Giovanni Francesco Penni
for fresco of The Allocution of Constantine

Sala di Constantino, Vatican Palace
ca.1520
drawing
British Museum

Giovanni Francesco Penni
David and Bathsheba
for fresco in the Loggia of Leo X, Vatican Palace

ca. 1517
drawing
British Museum

"The thirteen-bay Loggia of Leo X designed by Raphael and executed by a team of assistants and specialists between 1516 and 1519 was an innovatory scheme of great richness that had an incalculable influence on many different areas of later art.  It combines a pseudo-antique setting of decorative frescoes and stuccoes, much inspired by the Golden House of Nero, with an extensive biblical cycle.  Its vaults contain fifty-two small frescoes comprising forty-eight scenes from the Old Testament and four from the New.  . . .  The execution of the vault frescoes, probably datable 1516-1517, is by a number of different young artists.  They are listed by Vasari, but, according to him, all worked under Giulio Romano's control to Raphael's designs.  However, the visual evidence suggests that the supervisor was not Giulio but Raphael's other major pupil, Giovanni Francesco Penni.  The precise process of creation, communication and quality control has been much disputed but to this writer the most likely scenario is that Raphael made initial sketches in pen or chalk and that these were developed by Penni into modelli to be given to the executing artists."

 from the catalogue of a 2009 exhibition at the National Gallery of Canada – From Raphael to Carracci: The Art of Papal Rome, edited by David Franklin

Giovanni Francesco Penni
Jacob's Dream
for fresco in the Loggia of Leo X, Vatican Palace
ca. 1516-19
drawing
British Museum

Giovanni Francesco Penni
Baptism of Christ
for fresco in the Loggia of Leo X, Vatican Palace
ca. 1516-19
drawing
British Museum

Giovanni Francesco Penni
Portrait of Pope Clement I
with the features of Pope Leo X (Giovanni de' Medici, reigned 1513-21)

fresco, executed 1520-21
Sala di Constantino, Vatican Palace

Giovanni Francesco Penni and Raphael
Madonna with the Blue Diadem
ca. 1510-11
oil on panel
Louvre, Paris

Giovanni Francesco Penni
Holy Family with the Book
ca. 1512-15
oil on panel
Palazzo Pitti, Florence

Giovanni Francesco Penni
Madonna of Divine Love
ca. 1518
oil on panel
Museo di Capodimonte, Naples

Giovanni Francesco Penni
God dividing light from darkness
before 1528
drawing
British Museum

Giovanni Francesco Penni
Head of a Young Man
before 1528
drawing
British Museum

Giovanni Francesco Penni
St Luke
modello for grisaille fresco 
Sala dei Palafrenieri, Vatican Palace
ca. 1516-17
drawing
British Museum

Giovanni Francesco Penni
Triumph of Bacchus (after lost Raphael drawing)
ca. 1517
drawing
British Museum

Giovanni Francesco Penni
Toilet of Venus
ca. 1520-28
drawing
British Museum

Giovanni Francesco Penni
Portrait of a young man
ca. 1527
oil on panel
Hunter College, New York

"Curiously few portraits painted by Raphael's students between the premature death of their master, on 6 April 1520, and the Sack of Rome in 1527, have survived.  No evidence remains of portraits painted by Giulio Romano in Rome after Raphael's death, even though Giulio excelled in this genre . . .  The only artist from Raphael's studio who left portraits made during this period is the Florentine Giovanni Francesco Penni, known as "il Fattore." . . .  These portraits have the refinement that characterizes the works executed during the early reign of Pope Clement VII [Giulio de' Medici, reigned 1523-1534].  . . .  The models for the paintings in Dublin and New York did not belong to the Roman aristocracy and could not be portrayed as such; thus, the artist opted for a more austere presentation that was more appropriate for a figure from the bourgeoisie.  They nevertheless reflect the relationships maintained between artists and intellectuals in the Rome of the Medici popes." 

 from the catalogue of a 2009 exhibition at the National Gallery of Canada – From Raphael to Carracci: The Art of Papal Rome, edited by David Franklin