Monday, December 24, 2018

Giovan Paolo Lomazzo on God the Father

Guercino
God the Father and Angel
1620
oil on canvas
Musei di Strada Nuova, Genoa

Rinaldo Mantovano
God the Father supported by Angels
ca. 1529-35
oil on canvas
Galleria Sabauda, Turin

Battista Franco
God the Father
1552-54
drawing
National Galleries of Scotland

"Anyone who reads history can testify to painting's immense reputation not only during ancient times, when all the arts were greatly admired, but in the modern period as well.  He will learn that painting was adopted by God himself in the creation of the world, for he colored everything created with variation and so much grace, and expressed his own image in the first man."

– from chapter six of Giovan Paolo Lomazzo's Idea of the Temple of Painting (1590), edited and translated by Jean Julia Chai (Pennsylvania State University Press, 2013)

Guillaume Courtois
Two studies for God the Father
ca. 1664-66
drawing
Rijksmuseum, Amsterdam

Federico Zuccaro
God the Father
ca. 1570-80
drawing
Metropolitan Museum of Art, New York

Giovanni Francesco Penni
God the Father dividing light from darkness
ca. 1503-1528
drawing
British Museum

Oliviero Gatti after a fresco by Pordenone
God the Father creating the world
1615
engraving
British Museum

Oliviero Gatti after a fresco by Pordenone
God the Father creating Adam
1625
engraving
British Museum

Palma il Giovane
God the Father with two Angels
ca. 1580-1620
drawing
Teylers Museum, Haarlem

Agostino Ciampelli
God the Father surrounded by music-making Angels
ca. 1600-1610
drawing
British Museum

Alessandro Tiar‌ini
God the Father
before 1668
drawing
Museo del Prado, Madrid

Paolo Farinati
God the Father
before 1606
drawing
Museo del Prado, Madrid

Sebastiano del Piombo
God the Father
ca. 1532
drawing
Royal Collection, Great Britain

Baccio Bandinelli
God the Father
before 1560
marble
Basilica di Santa Croce, Florence